El pintor Juan de Miranda (1723-1805): redescubrimientos y nuevas atribuciones

Revista de historia canaria Pub Date : 2020-01-01 DOI:10.25145/j.histcan.2020.202.14

Juan Alejandro Lorenzo Lima

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Abstract

espanolEn este articulo se dan a conocer varias obras que pudo realizar el pintor Juan de Miranda (1723-1805), conservadas en templos y domicilios de la isla de Tenerife. Refiere tambien lo conocido sobre dos lienzos que otros investigadores vincularon anos atras con su produccion, cuyo redescubrimiento casual en Burgos y Santa Clara (Cuba) permite establecer lecturas o analisis interpretativos mas completos porque insisten en la notoriedad de ciertas iconografias, los modelos artisticos, la dependencia creativa respecto al grabado y el vinculo con la religiosidad del siglo xviii. EnglishIn this essay we present several works that artist Juan de Miranda (1723-1805) could paint, preserved in churches and homes on the island of Tenerife. It also refers to the analysis carried out about two more paintings that other researchers had related to his pictorial production, whose casual rediscovery in Burgos and Santa Clara (Cuba) allows for more comprehensive interpretative readings or analyzes because they affect iconographic themes, artistic models, creative dependence on engraving and its relationship with the religious forms of the Enlightenment.

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画家胡安·德·米兰达(1723-1805):重新发现和新的归因

这篇文章介绍了画家胡安·德·米兰达(Juan de Miranda, 1723-1805)的几件作品，保存在特内里费岛的寺庙和住宅中。而言就两项油画也知道其他研究人员多年前同他的,其重新发现随意在布尔戈斯和圣克拉拉(古巴)可使读取或说明性分析在知名度更加完整,因为坚持某些iconografias artisticos模型,对雕刻和创造性股- 18世纪的宗教信仰。= =地理= =根据美国人口普查，这个县的面积为，其中土地面积为，其中土地面积为。它还refers to the analysis about two more paintings并为其他研究有关的问题其pictorial production,谁的随意rediscovery布尔戈斯和圣克拉拉(古巴)allows for more全面滥用读物or analyzes由于影响iconographic组件,艺术models, creative dependence on engraving and its relationship with the forms of the Enlightenment。

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Revista de historia canaria

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