Antonio Marrero Alberto, Lucía Irma Pérez González
{"title":"王子的庄园和他们的隐居地(塔科罗特)。施洗约翰的形象:历史与修复","authors":"Antonio Marrero Alberto, Lucía Irma Pérez González","doi":"10.25145/j.histcan.2022.204.04","DOIUrl":null,"url":null,"abstract":"The image of San Juan Bautista from the hermitage of the same name in Tacoronte was restored in 2019, revealing the original polychromy that allowed its dating. With this article we address its study while addressing the multiple possibilities that the work of restorers and the analyzes carried out on the piece have for art historians.","PeriodicalId":82491,"journal":{"name":"Revista de historia canaria","volume":"51 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"La hacienda de Los Príncipes y su ermita (Tacoronte). La imagen de san Juan Bautista: historia y restauración\",\"authors\":\"Antonio Marrero Alberto, Lucía Irma Pérez González\",\"doi\":\"10.25145/j.histcan.2022.204.04\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The image of San Juan Bautista from the hermitage of the same name in Tacoronte was restored in 2019, revealing the original polychromy that allowed its dating. With this article we address its study while addressing the multiple possibilities that the work of restorers and the analyzes carried out on the piece have for art historians.\",\"PeriodicalId\":82491,\"journal\":{\"name\":\"Revista de historia canaria\",\"volume\":\"51 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Revista de historia canaria\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.25145/j.histcan.2022.204.04\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Revista de historia canaria","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.25145/j.histcan.2022.204.04","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
2019年,塔科龙特(Tacoronte)同名修道院的圣胡安·包蒂斯塔(San Juan Bautista)的形象得到了修复,揭示了最初的多色性,从而可以确定其年代。在这篇文章中,我们讨论了它的研究,同时讨论了修复者的工作和对这件作品进行的分析对艺术史学家的多种可能性。
La hacienda de Los Príncipes y su ermita (Tacoronte). La imagen de san Juan Bautista: historia y restauración
The image of San Juan Bautista from the hermitage of the same name in Tacoronte was restored in 2019, revealing the original polychromy that allowed its dating. With this article we address its study while addressing the multiple possibilities that the work of restorers and the analyzes carried out on the piece have for art historians.