{"title":"从马德拉岛到加那利群岛。弗赖·杰拉尔多·德·阿布瑞尤(1748-1787…)和祭坛的彩绘正面","authors":"Juan Alejandro Lorenzo Lima","doi":"10.25145/j.histcan.2022.204.02","DOIUrl":null,"url":null,"abstract":"In this paper we study the biography of the painter Gerardo Francisco de Abreu (1748-1787...), born in Funchal and resident in Santa Cruz de Tenerife during the 1770s. With these circumstances and his hypothetical profession as a Franciscan friar in 1779, the context that made possible a previous learning is analyzed, as well as the conservative sense of the work that he attended at the end of the 18th century and, specially, the value that he acquires to establish artistic interrelationships between the Atlantic islands, an extensible phenomenon to several painters of the Villavicencio family. From an altarpiece frontal signed and dated in 1787, two more can be attributed to him, preserved in La Orotava and Los Realejos.","PeriodicalId":82491,"journal":{"name":"Revista de historia canaria","volume":"32 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"De Madeira a Canarias. Fray Gerardo de Abreu (1748-1787...) y los frontales pintados de altar\",\"authors\":\"Juan Alejandro Lorenzo Lima\",\"doi\":\"10.25145/j.histcan.2022.204.02\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this paper we study the biography of the painter Gerardo Francisco de Abreu (1748-1787...), born in Funchal and resident in Santa Cruz de Tenerife during the 1770s. With these circumstances and his hypothetical profession as a Franciscan friar in 1779, the context that made possible a previous learning is analyzed, as well as the conservative sense of the work that he attended at the end of the 18th century and, specially, the value that he acquires to establish artistic interrelationships between the Atlantic islands, an extensible phenomenon to several painters of the Villavicencio family. From an altarpiece frontal signed and dated in 1787, two more can be attributed to him, preserved in La Orotava and Los Realejos.\",\"PeriodicalId\":82491,\"journal\":{\"name\":\"Revista de historia canaria\",\"volume\":\"32 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Revista de historia canaria\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.25145/j.histcan.2022.204.02\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Revista de historia canaria","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.25145/j.histcan.2022.204.02","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
在本文中,我们研究了画家Gerardo Francisco de Abreu(1748-1787…)的传记,他出生于丰沙尔,在1770年代居住在圣克鲁斯特内里费。在这些情况下,以及他在1779年作为方济会修士的假设职业,分析了之前学习的背景,以及他在18世纪末参加的工作的保守意识,特别是他获得的价值,建立了大西洋岛屿之间的艺术相互关系,这是一种可扩展的现象,维拉维森西奥家族的几位画家。从1787年的一幅正面签名的祭坛画中,还有两幅可以归因于他,分别保存在La Orotava和Los Realejos。
De Madeira a Canarias. Fray Gerardo de Abreu (1748-1787...) y los frontales pintados de altar
In this paper we study the biography of the painter Gerardo Francisco de Abreu (1748-1787...), born in Funchal and resident in Santa Cruz de Tenerife during the 1770s. With these circumstances and his hypothetical profession as a Franciscan friar in 1779, the context that made possible a previous learning is analyzed, as well as the conservative sense of the work that he attended at the end of the 18th century and, specially, the value that he acquires to establish artistic interrelationships between the Atlantic islands, an extensible phenomenon to several painters of the Villavicencio family. From an altarpiece frontal signed and dated in 1787, two more can be attributed to him, preserved in La Orotava and Los Realejos.