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Reading Aeschylus through Seneca: Scenes of Capitulation in Agamemnon and Thyestes 读埃斯库罗斯到塞内加:阿伽门农和提斯忒斯的投降场景
Illinois classical studies Pub Date : 2019-11-14 DOI: 10.5406/illiclasstud.44.1.0001
Adriana Brook
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引用次数: 0
Editor's Preface 编者前言
Illinois classical studies Pub Date : 2019-11-14 DOI: 10.5040/9781501384806.0006
Angeliki Tzanetou
{"title":"Editor's Preface","authors":"Angeliki Tzanetou","doi":"10.5040/9781501384806.0006","DOIUrl":"https://doi.org/10.5040/9781501384806.0006","url":null,"abstract":"","PeriodicalId":81501,"journal":{"name":"Illinois classical studies","volume":"44 1","pages":"viii - viii"},"PeriodicalIF":0.0,"publicationDate":"2019-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44000604","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
He Licks the Dish but Does Not Taste the Ham: A Grouping of Pompeian Wall Writings and Its Engagement with Elegy and Roman Comedy 他舔了盘子，但没有品尝火腿:庞培城墙上的一组文字及其与挽歌和罗马喜剧的关系
Illinois classical studies Pub Date : 2019-11-14 DOI: 10.5406/illiclasstud.44.1.0042
M. Hanses
{"title":"He Licks the Dish but Does Not Taste the Ham: A Grouping of Pompeian Wall Writings and Its Engagement with Elegy and Roman Comedy","authors":"M. Hanses","doi":"10.5406/illiclasstud.44.1.0042","DOIUrl":"https://doi.org/10.5406/illiclasstud.44.1.0042","url":null,"abstract":"Abstract:This article examines a sequence of four elegiac couplets and two iambic senarii that was etched into the northern wall of the basilica in Pompeii. I argue that this graffito was produced by multiple writers and that it alludes to characters familiar from elegy and Roman comedy. More specifically, the inscription's different blocks of text are attributable to three separate stock types: a lena who recommends locking out the lover who comes without gifts; an exclusus amator who is determined to persevere; and a slave who mocks his owner with the sarcasm he characteristically displays in the fabula palliata.","PeriodicalId":81501,"journal":{"name":"Illinois classical studies","volume":"44 1","pages":"42 - 65"},"PeriodicalIF":0.0,"publicationDate":"2019-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47400804","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Women and Masculinity in the Life of Alexander 亚历山大一生中的女性与男性
Illinois classical studies Pub Date : 2019-11-14 DOI: 10.5406/illiclasstud.44.1.0141
E. Carney
{"title":"Women and Masculinity in the Life of Alexander","authors":"E. Carney","doi":"10.5406/illiclasstud.44.1.0141","DOIUrl":"https://doi.org/10.5406/illiclasstud.44.1.0141","url":null,"abstract":"Abstract:In Plutarch's The Life of Alexander Alexander embodied and yet sometimes disregarded a conventional Hellenic understanding of masculinity. Plutarch explicates Alexander's arete as man and king by comparison to two other male rulers, his father Philip II and Darius III, but Alexander's dealings with women also play an important role in defining Alexander's masculinity. The vivid picture the Life paints of Alexander's parents and their literally fateful union casts a shadow over the entire biography, complicating any understanding of masculinity in the Alexander and contributing to its tragic feel.","PeriodicalId":81501,"journal":{"name":"Illinois classical studies","volume":"44 1","pages":"141 - 155"},"PeriodicalIF":0.0,"publicationDate":"2019-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49555618","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Introduction: Plutarch and Gender 导言:普鲁塔克与性别
Illinois classical studies Pub Date : 2019-11-14 DOI: 10.5406/illiclasstud.44.1.0138
Daniel W. Leon
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引用次数: 0
Cinematic Signatures of Orpheus and Operatic Evocations 俄耳甫斯的电影特征与歌剧的启示
Illinois classical studies Pub Date : 2019-11-14 DOI: 10.5406/illiclasstud.44.1.0111
J. Solomon
{"title":"Cinematic Signatures of Orpheus and Operatic Evocations","authors":"J. Solomon","doi":"10.5406/illiclasstud.44.1.0111","DOIUrl":"https://doi.org/10.5406/illiclasstud.44.1.0111","url":null,"abstract":"Abstract:This paper traces the tradition of the myth of Orpheus and Eurydice from Ovid and Vergil through Poliziano to late Renaissance, Baroque, early classical, and early twentieth-century opera as antecedents to Cocteau's Orphée and a number of contemporary films, including Imagining Argentina, Slumdog Millionaire, The City of Your Final Destination, Rabbit Hole, Remember Me, and The Book of Life. Because tragic and non-tragic endings are not reliable identifiers in the Orpheus tradition, the paper focuses on such narrative signatures as retrieval from death, playing a stringed instrument in the face of death, and dying twice.","PeriodicalId":81501,"journal":{"name":"Illinois classical studies","volume":"44 1","pages":"111 - 136"},"PeriodicalIF":0.0,"publicationDate":"2019-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47891356","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Hephaestus the Hobbling Humorist: The Club-Footed God in the History of Early Greek Comedy 蹒跚的幽默家赫菲斯托斯:早期希腊喜剧史上的跛足之神
Illinois classical studies Pub Date : 2019-04-10 DOI: 10.5406/ILLICLASSTUD.43.2.0366
E. Hall
{"title":"Hephaestus the Hobbling Humorist: The Club-Footed God in the History of Early Greek Comedy","authors":"E. Hall","doi":"10.5406/ILLICLASSTUD.43.2.0366","DOIUrl":"https://doi.org/10.5406/ILLICLASSTUD.43.2.0366","url":null,"abstract":"Abstract:This article argues that Hephaestus, the only physically disabled Olympian deity, occupies an important position in the history of comedy and the Greek tradition of laughter. From the Homeric epics to fourth-century comedy and vase-painting, Hephaestus is consistently to be found in cultural contexts which explore the instrumentality of laughter in domestic and social relationships, rituals and entertainments. The article proposes that the structure of the mythical narrative of the Return of Hephaestus, with its estrangement of the protagonist from his community, riotous reconciliation, and komastic procession, underlies several Old Comedies. It also suggests that his banausic profession and deformity helped to make him particularly popular in cultural artifacts—vases and dramas—produced in Athens in the democratic period because neither his trade nor his appearance would have disqualified him from wielding sovereign power, κράτος, as a citizen there.","PeriodicalId":81501,"journal":{"name":"Illinois classical studies","volume":"43 1","pages":"366 - 387"},"PeriodicalIF":0.0,"publicationDate":"2019-04-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43727074","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Aretaeus's "Stomachic" Patients: Comic Features in a Medical Discussion? 阿雷泰乌斯的“胃病”患者:医学讨论中的喜剧特征?
Illinois classical studies Pub Date : 2019-04-10 DOI: 10.5406/ILLICLASSTUD.43.2.0473
Chiara Thumiger
{"title":"Aretaeus's \"Stomachic\" Patients: Comic Features in a Medical Discussion?","authors":"Chiara Thumiger","doi":"10.5406/ILLICLASSTUD.43.2.0473","DOIUrl":"https://doi.org/10.5406/ILLICLASSTUD.43.2.0473","url":null,"abstract":"Abstract:Food, eating, and the human drives and functions related to them are stock features of ancient comedy and comic discourse in general. Food and drink intake are also key areas of observation and therapy in ancient medicine; they lie at the center of the \"regimen\" which is so important in medical thought from the Hippocratics onwards. In this paper, I briefly contextualize the discussions about food in ancient medicine up to the beginning of our era, and then concentrate on a unique document, the discussion of the disease stomachikon by Aretaeus. This text contains many elements of parody, and even grotesque characterization, which are nowhere to be found in earlier sources. I present in detail these features of the text and their comic effects, and explore the questions of why such parodic elements are absent from classical medicine. I propose that Aretaeus's unusually comic take on the disease sheds light on some crucial developments in medicine as a professional activity and as a technical literary genre during the first and second centuries C.E.","PeriodicalId":81501,"journal":{"name":"Illinois classical studies","volume":"43 1","pages":"473 - 487"},"PeriodicalIF":0.0,"publicationDate":"2019-04-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48229660","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Life as a Cyclops: Mythology and the Mockery of the Visually Impaired 独眼巨人的生活:神话和对视障人士的嘲弄
Illinois classical studies Pub Date : 2019-04-10 DOI: 10.5406/ILLICLASSTUD.43.2.0404
J. Draycott
{"title":"Life as a Cyclops: Mythology and the Mockery of the Visually Impaired","authors":"J. Draycott","doi":"10.5406/ILLICLASSTUD.43.2.0404","DOIUrl":"https://doi.org/10.5406/ILLICLASSTUD.43.2.0404","url":null,"abstract":"Abstract:This article examines a number of cases in ancient literature in which a visually impaired individual is equated with the Cyclopes: such an individual might be one-eyed, blind in one or both eyes, or simply have poor eyesight. It suggests several reasons why these mythological figures were utilized in this way and seeks to explain what, precisely, the individuals making these allusions were aiming to accomplish. It seems likely that it was Polyphemus rather than any of antiquity's other Cyclopes that was intended, and while it could have been his single eye that was the prime motivator, it is notable that he is portrayed in different ways before and after his blinding by Odysseus, and aspects of these portrayals could also have been relevant when insulting the visually impaired.","PeriodicalId":81501,"journal":{"name":"Illinois classical studies","volume":"43 1","pages":"404 - 419"},"PeriodicalIF":0.0,"publicationDate":"2019-04-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47884425","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
It All Comes Out: Vomit as a Source of Comedy in Roman Moralizing Texts 一切都出来了:呕吐在罗马说教文本中的喜剧来源
Illinois classical studies Pub Date : 2019-04-10 DOI: 10.5406/ILLICLASSTUD.43.2.0438
I. Goh
{"title":"It All Comes Out: Vomit as a Source of Comedy in Roman Moralizing Texts","authors":"I. Goh","doi":"10.5406/ILLICLASSTUD.43.2.0438","DOIUrl":"https://doi.org/10.5406/ILLICLASSTUD.43.2.0438","url":null,"abstract":"Abstract:Retching is important for Roman cultural history and medicine; in this article I assess vomit's appearances in Latin literature. Humor is created by the detailed revelation of habitual, inappropriate, and excessive behaviors by named targets, such as the emperors Claudius and Vitellius, and Mark Antony, accused by Cicero in Philippics 2, especially. Alcohol abuse and gluttony feature in invective against character types who vomit, such as the stock figures of the drunken hostess and faithful wife at sea in Juvenal 6, Martial's lesbian Philaenis, and the cautionary tale of the patient who relapses and dies to which the hungover Stoic student is subjected in Persius 3. I end with the self-mocking visualizations of (bad) poetry as vomit in several Horatian passages alongside Nero's voice-training purges.","PeriodicalId":81501,"journal":{"name":"Illinois classical studies","volume":"43 1","pages":"438 - 458"},"PeriodicalIF":0.0,"publicationDate":"2019-04-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46358695","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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