Reading Aeschylus through Seneca: Scenes of Capitulation in Agamemnon and Thyestes

Adriana Brook
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引用次数: 0

Abstract

Abstract:Reception theory holds that close analysis of chronologically later literature has the potential to shape the interpretation of earlier works. This paper investigates the way in which Seneca's treatment of the House of Atreus in Thyestes suggests a new reading of Aeschylus's Agamemnon. I show that both plays reiterate a pattern of capitulation that can be traced throughout the generations of the family they describe. The clear causal connection between two such capitulation scenes in Thyestes helps us to understand Agamemnon's reluctant agreement to sacrifice Iphigenia as contributing to his decision to yield to Clytemnestra in the so-called 'tapestry scene.'
读埃斯库罗斯到塞内加:阿伽门农和提斯忒斯的投降场景
摘要:接受理论认为,对后期文学作品的深入分析有可能影响对早期作品的解释。本文探讨了塞内加在《提俄斯忒斯》中对阿特柔斯之家的处理方式对埃斯库罗斯的《阿伽门农》的一种新的解读方式。我指出,两部戏剧都重申了一种投降的模式,这种模式可以追溯到它们所描述的家族的几代人。《提俄斯忒斯》中两个投降场景之间明显的因果关系有助于我们理解阿伽门农不情愿地同意牺牲伊菲菲涅尼亚,这是他决定向克吕泰涅斯特拉屈服的原因,也就是所谓的"挂毯场景"
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CiteScore
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