红树林Pub Date : 2022-02-17DOI: 10.1093/oso/9780197572443.003.0010
Lydia D. Goehr
{"title":"Bohemia-Bohemian-Bohème","authors":"Lydia D. Goehr","doi":"10.1093/oso/9780197572443.003.0010","DOIUrl":"https://doi.org/10.1093/oso/9780197572443.003.0010","url":null,"abstract":"Chapter 10 explores the friction that makes and breaks the hyphens between Bohemia-Bohemian-Bohème. It begins and ends with the theological and secular winds that bring Shakespeare’s Winter’s Tale into deliberately enigmatic representations of la vie de bohème. A seascape helps then to remake a rural landscape into a cityscape of Paris in its embattled to-and-fro with London. With walking and wandering always at stake, the chapter investigates the many strains of wit in the painting of shoes.","PeriodicalId":62574,"journal":{"name":"红树林","volume":"302 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75438281","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
红树林Pub Date : 2022-02-17DOI: 10.1093/oso/9780197572443.003.0005
Lydia D. Goehr
{"title":"Testament and Table","authors":"Lydia D. Goehr","doi":"10.1093/oso/9780197572443.003.0005","DOIUrl":"https://doi.org/10.1093/oso/9780197572443.003.0005","url":null,"abstract":"Chapter 5 brings Kierkegaard’s contrast of a joyful and dismal economics of thinking into contact with the writers of the Parisian bohème, and with Murger most of all. The transfiguration of the commonplace is now a constant reckoning with the marketplace. The common sign, often carved with a knife of prejudice, becomes a shared contribution to a philosophical furniture art and to a modern discourse on property as theft, where the deepest theft is of a person’s selfhood. An existential thesis dominates, whereby, through unresolved patterns and paradoxes about artworks and thoughts, artists and philosophers constantly turn back to how they are living their lives. The patterning turns borrowed materials into thoughts owned, into a property for the self. Once owned, how are the thoughts expressed to render them public for others, if keeping thoughts to oneself cannot be the answer for the one who chooses to be a writer? How does talk about owning one’s self become a claim of one’s liberation from an external possession experienced as a servitude, and with what social and artistic results?","PeriodicalId":62574,"journal":{"name":"红树林","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88982058","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
红树林Pub Date : 2022-02-17DOI: 10.1093/oso/9780197572443.003.0004
Lydia D. Goehr
{"title":"Passages of Bohème","authors":"Lydia D. Goehr","doi":"10.1093/oso/9780197572443.003.0004","DOIUrl":"https://doi.org/10.1093/oso/9780197572443.003.0004","url":null,"abstract":"Part II foregrounds the Red Sea anecdote in contrasting emancipatory narratives: in Murger’s story of Marcel’s painting, in Kierkegaard’s pursuit of a life result, and in Puccini’s La Bohème. The anecdote, being about a painting produced contrary to expectation, offers an explanation. What is the relation between expectation and explanation? What are the modern stakes in the social patterns of art’s production? The many ways of social critique are worked through contra the nasty prejudices of anti-Semitic complaint. Chapter 4 reads Murger’s scenes for la vie de bohème given their constant invocations of the Red Sea Passage. What and who was included and excluded from the life? Far from recommending the life, Murger undercut its possibility before its passage even began. What the chapter’s end reveals about the Red Sea painting proves what the chapter argues first: that no masterpiece could be completed by an artist living for the sake of la vie de bohème.","PeriodicalId":62574,"journal":{"name":"红树林","volume":"83 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80345044","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
红树林Pub Date : 2022-02-17DOI: 10.1093/oso/9780197572443.003.0001
Lydia D. Goehr
{"title":"Thought Experiment","authors":"Lydia D. Goehr","doi":"10.1093/oso/9780197572443.003.0001","DOIUrl":"https://doi.org/10.1093/oso/9780197572443.003.0001","url":null,"abstract":"Part I reads the writings of Arthur Danto with the purpose to unpack his Red Squares thought experiment. Chapter 1 presents that experiment within the context of his life work. Why did it begin with a borrowed anecdote of Exodus, the Red Sea Passage? Why the color of red and what significance a square? How did the thought experiment inspire his end of art thesis, of which the philosophical result was an analytical definition of art? Chapter 2 treats his end of art thesis contextualized by his philosophy of history, and Chapter 3, his engagement with others who have used the Red Sea anecdote, including writers of la vie de bohème. The book thereafter investigates what it has long meant to picture freedom with a wit that attends the mind’s constant experimentation with its thoughts, moods, and perspectives.","PeriodicalId":62574,"journal":{"name":"红树林","volume":"45 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82976937","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
红树林Pub Date : 2022-02-17DOI: 10.1093/oso/9780197572443.003.0003
Lydia D. Goehr
{"title":"From Sea to Square to Sea","authors":"Lydia D. Goehr","doi":"10.1093/oso/9780197572443.003.0003","DOIUrl":"https://doi.org/10.1093/oso/9780197572443.003.0003","url":null,"abstract":"Chapter 3 asks when and how Danto became acquainted with the Red Sea anecdote. It sifts through his many responses to critics, artists, and earlier writers to explain why he designed his thought experiment with images that were red and square. The explanation continues to rest with his commitment to an emancipation narrative drawn from his American times, of which the result for art’s concept was not a partial but a full inclusion. By stretching the red and by stretching the square, he sought the analytical terms to admit all art to his Promised Land from sea to shining sea. Toward its end, the chapter introduces an art-historical and literary material to prepare for the broader enquiry into the Red Sea Passage and its anecdote.","PeriodicalId":62574,"journal":{"name":"红树林","volume":"98 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76213973","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
红树林Pub Date : 2022-02-17DOI: 10.1093/oso/9780197572443.003.0015
Lydia D. Goehr
{"title":"Proverbs on the Path to the Absolute","authors":"Lydia D. Goehr","doi":"10.1093/oso/9780197572443.003.0015","DOIUrl":"https://doi.org/10.1093/oso/9780197572443.003.0015","url":null,"abstract":"Chapter 15 presents a philosophy of proverbial wisdom written into and out of the spirit of the dialectic. Its colors are black, white, and grey. The proverbial wisdom engages what the ancients called contraries: binaries of values and qualities twisted and turned in the pursuit of truth and knowledge. In its middle, the chapter reads from Hegel’s two great prefaces, to the Phenomenology of Spirit and to the Philosophy of Right. In one preface, we meet cows and cats in a contest of black with grey; in the other, the owl of Minerva in a contest with a pure dove, presumably white. The philosophical issue is monochromatic formalism, that is, a tendency of a theory, associated with a picturing of a freedom, to give, in contrary senses, nothing away.","PeriodicalId":62574,"journal":{"name":"红树林","volume":"48 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84828474","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
红树林Pub Date : 2022-02-17DOI: 10.1093/oso/9780197572443.003.0016
Lydia D. Goehr
{"title":"Thought Experiments in Color","authors":"Lydia D. Goehr","doi":"10.1093/oso/9780197572443.003.0016","DOIUrl":"https://doi.org/10.1093/oso/9780197572443.003.0016","url":null,"abstract":"Chapter 16 moves between thought experiments and puzzles regarding epigraphs in a print culture of black and white. It explores the interaction of the philosophical critique of monochromatic formalism with the monochrome technique broadly applied to the one-colored, non-colored, and all-colored canvases and pages of painting, literature, and history. It offers more twists and turns of perspective drawn from the Red Sea anecdote to connect the red of a sea, square, and thread to the red corner of a room redesigned for the living.","PeriodicalId":62574,"journal":{"name":"红树林","volume":"189 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73534489","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
红树林Pub Date : 2022-02-17DOI: 10.1093/oso/9780197572443.003.0017
Lydia D. Goehr
{"title":"Red Thread","authors":"Lydia D. Goehr","doi":"10.1093/oso/9780197572443.003.0017","DOIUrl":"https://doi.org/10.1093/oso/9780197572443.003.0017","url":null,"abstract":"Pursuing the sources for the Red Thread, chapter 17 presents a literature of high and low wit. Bringing out the double perspective of land and sea, the literature exposes breaches in a society beginning at home. The chapter explores the marine terms of a threaded rope and its strategic adaptation by Goethe most of all. How and why did Goethe turn something foreign and commonplace into a divine or poetic thread for life, thought, and art: invisible and unbroken? What bearing has the twist of the thread in the making of personal relationships, family tapestries, and a nation’s bonding? We know why the thread must be red (as the color of all colors). But why a thread (Faden) and not a line, a yarn, or a fiber?","PeriodicalId":62574,"journal":{"name":"红树林","volume":"49 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91324906","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
红树林Pub Date : 2022-02-17DOI: 10.1093/oso/9780197572443.003.0007
Lydia D. Goehr
{"title":"Sea Scenes","authors":"Lydia D. Goehr","doi":"10.1093/oso/9780197572443.003.0007","DOIUrl":"https://doi.org/10.1093/oso/9780197572443.003.0007","url":null,"abstract":"Chapter 7 reads Puccini’s La Bohème to highlight the agonistic leitmotifs and life-motifs that thread the concept of bohème back to the Red Sea. What has the landscape of Marcello’s painting, which starts the opera, to do with the portrait of Mimi’s life and final death? If we answer, nothing directly, we play to the idea that the opera’s true beginning is not its first start but its second, when Mimi climbs the stairs to become a muse in the poet’s garret. Yet why not play to both starts, relating them as they are so related in Murger’s scenes?","PeriodicalId":62574,"journal":{"name":"红树林","volume":"33 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87378667","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
红树林Pub Date : 2022-02-17DOI: 10.1093/oso/9780197572443.003.0019
Lydia D. Goehr
{"title":"Street Signs of Libation and Liberation","authors":"Lydia D. Goehr","doi":"10.1093/oso/9780197572443.003.0019","DOIUrl":"https://doi.org/10.1093/oso/9780197572443.003.0019","url":null,"abstract":"Chapter 19 offers a history of signboards. It pursues a dialectic between sobriety and insobriety that gave wit to the quarrel between philosophy and the arts from the very start. The history of commercial signs and painted boards raises subtle puzzles of social reformation and artistic reclassification in discourses of family and property. The history of signboards affords insight into the emerging modern market of art where artworks-on-sale fed into the first declared public exhibitions. When this happened in London, Hogarth had a particular role to play as a brother laughing and crying in-arms. It was a doubled-up role for a brotherhood later re-dressed by writers of la vie de bohème. By the chapter’s end, something new is known about the London brotherhood that inspired the Red Sea anecdote before the anecdote traveled to Paris.","PeriodicalId":62574,"journal":{"name":"红树林","volume":"2 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73315033","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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