红色的线

Lydia D. Goehr
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引用次数: 0

摘要

第十七章追寻《红线》的来源,呈现了一种高雅与低俗的文学。文学展现了陆地和海洋的双重视角,揭露了一个从家庭开始的社会的裂痕。这一章探讨了海洋术语的螺纹绳和其战略适应的歌德最重要的。歌德是如何以及为什么把一些陌生的和平凡的东西变成一条神圣的或诗意的生命、思想和艺术的线索:无形的和不间断的?在个人关系、家庭挂毯和国家纽带的形成中,线头的扭转有什么作用?我们知道为什么线必须是红色的(作为所有颜色的颜色)。但为什么是线(法登)而不是线、纱线或纤维呢?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Red Thread
Pursuing the sources for the Red Thread, chapter 17 presents a literature of high and low wit. Bringing out the double perspective of land and sea, the literature exposes breaches in a society beginning at home. The chapter explores the marine terms of a threaded rope and its strategic adaptation by Goethe most of all. How and why did Goethe turn something foreign and commonplace into a divine or poetic thread for life, thought, and art: invisible and unbroken? What bearing has the twist of the thread in the making of personal relationships, family tapestries, and a nation’s bonding? We know why the thread must be red (as the color of all colors). But why a thread (Faden) and not a line, a yarn, or a fiber?
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