{"title":"Bohemia-Bohemian-Boheme","authors":"Lydia D. Goehr","doi":"10.1093/oso/9780197572443.003.0010","DOIUrl":null,"url":null,"abstract":"Chapter 10 explores the friction that makes and breaks the hyphens between Bohemia-Bohemian-Bohème. It begins and ends with the theological and secular winds that bring Shakespeare’s Winter’s Tale into deliberately enigmatic representations of la vie de bohème. A seascape helps then to remake a rural landscape into a cityscape of Paris in its embattled to-and-fro with London. With walking and wandering always at stake, the chapter investigates the many strains of wit in the painting of shoes.","PeriodicalId":62574,"journal":{"name":"红树林","volume":"302 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Bohemia-Bohemian-Bohème\",\"authors\":\"Lydia D. Goehr\",\"doi\":\"10.1093/oso/9780197572443.003.0010\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Chapter 10 explores the friction that makes and breaks the hyphens between Bohemia-Bohemian-Bohème. It begins and ends with the theological and secular winds that bring Shakespeare’s Winter’s Tale into deliberately enigmatic representations of la vie de bohème. A seascape helps then to remake a rural landscape into a cityscape of Paris in its embattled to-and-fro with London. With walking and wandering always at stake, the chapter investigates the many strains of wit in the painting of shoes.\",\"PeriodicalId\":62574,\"journal\":{\"name\":\"红树林\",\"volume\":\"302 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-02-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"红树林\",\"FirstCategoryId\":\"1089\",\"ListUrlMain\":\"https://doi.org/10.1093/oso/9780197572443.003.0010\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"红树林","FirstCategoryId":"1089","ListUrlMain":"https://doi.org/10.1093/oso/9780197572443.003.0010","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Chapter 10 explores the friction that makes and breaks the hyphens between Bohemia-Bohemian-Bohème. It begins and ends with the theological and secular winds that bring Shakespeare’s Winter’s Tale into deliberately enigmatic representations of la vie de bohème. A seascape helps then to remake a rural landscape into a cityscape of Paris in its embattled to-and-fro with London. With walking and wandering always at stake, the chapter investigates the many strains of wit in the painting of shoes.
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