{"title":"色彩思维实验","authors":"Lydia D. Goehr","doi":"10.1093/oso/9780197572443.003.0016","DOIUrl":null,"url":null,"abstract":"Chapter 16 moves between thought experiments and puzzles regarding epigraphs in a print culture of black and white. It explores the interaction of the philosophical critique of monochromatic formalism with the monochrome technique broadly applied to the one-colored, non-colored, and all-colored canvases and pages of painting, literature, and history. It offers more twists and turns of perspective drawn from the Red Sea anecdote to connect the red of a sea, square, and thread to the red corner of a room redesigned for the living.","PeriodicalId":62574,"journal":{"name":"红树林","volume":"189 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Thought Experiments in Color\",\"authors\":\"Lydia D. Goehr\",\"doi\":\"10.1093/oso/9780197572443.003.0016\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Chapter 16 moves between thought experiments and puzzles regarding epigraphs in a print culture of black and white. It explores the interaction of the philosophical critique of monochromatic formalism with the monochrome technique broadly applied to the one-colored, non-colored, and all-colored canvases and pages of painting, literature, and history. It offers more twists and turns of perspective drawn from the Red Sea anecdote to connect the red of a sea, square, and thread to the red corner of a room redesigned for the living.\",\"PeriodicalId\":62574,\"journal\":{\"name\":\"红树林\",\"volume\":\"189 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-02-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"红树林\",\"FirstCategoryId\":\"1089\",\"ListUrlMain\":\"https://doi.org/10.1093/oso/9780197572443.003.0016\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"红树林","FirstCategoryId":"1089","ListUrlMain":"https://doi.org/10.1093/oso/9780197572443.003.0016","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Chapter 16 moves between thought experiments and puzzles regarding epigraphs in a print culture of black and white. It explores the interaction of the philosophical critique of monochromatic formalism with the monochrome technique broadly applied to the one-colored, non-colored, and all-colored canvases and pages of painting, literature, and history. It offers more twists and turns of perspective drawn from the Red Sea anecdote to connect the red of a sea, square, and thread to the red corner of a room redesigned for the living.