色彩思维实验

Lydia D. Goehr
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引用次数: 0

摘要

第16章在黑白印刷文化中关于铭文的思想实验和困惑之间移动。它探讨了对单色形式主义的哲学批判与广泛应用于单色、非彩色和全彩色画布和绘画、文学和历史页面的单色技术之间的相互作用。它提供了更多从红海轶事中提取的曲折的视角,将海洋的红色、正方形和线与重新设计的起居室的红色角落联系起来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Thought Experiments in Color
Chapter 16 moves between thought experiments and puzzles regarding epigraphs in a print culture of black and white. It explores the interaction of the philosophical critique of monochromatic formalism with the monochrome technique broadly applied to the one-colored, non-colored, and all-colored canvases and pages of painting, literature, and history. It offers more twists and turns of perspective drawn from the Red Sea anecdote to connect the red of a sea, square, and thread to the red corner of a room redesigned for the living.
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