GERMAN LIFE AND LETTERS最新文献_第6页

EIN INTERVIEW MIT DEM LYRIKER UND THEOLOGEN CHRISTIAN LEHNERT: GESPRÄCH ÜBER DICHTUNG, RELIGION, NATURMYSTIK UND SEINEN LYRIKBAND OPUS 8. IM FLECHTWERK (2022). MIT ZWEI UNVERÖFFENTLICHTEN GEDICHTEN VON CHRISTIAN LEHNERT 采访LYRIC和理论家CHRISTIAN LEARS：谈谈诗歌、宗教、自然奥秘和他的LYRIC乐队OPUS 8。在实地工作中（2022年）。从克里斯蒂安的两首未完成的诗中学习

IF 0.2 3区文学

GERMAN LIFE AND LETTERS Pub Date : 2023-05-23 DOI: 10.1111/glal.12382

Hanna Bingel-Jones

引用次数: 0

PRIVATE RELIGION AS RESISTANCE IN ANNA SEGHERS’ DER PROZESS DER JEANNE D'ARC ZU ROUEN 1431 (1937) AND BERTOLT BRECHT'S 1952 STAGE ADAPTATION 私人宗教：安娜·塞格尔《贞德对鲁的过程》1431（1937）和布莱希特1952年的舞台改编

IF 0.2 3区文学

GERMAN LIFE AND LETTERS Pub Date : 2023-05-23 DOI: 10.1111/glal.12384

Cordula Böcking

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引用次数: 0

GOD IS BEAUTIFUL, UGLY, DEAD: NAVID KERMANI, FERIDUN ZAIMOGLU AND (MORE THAN) CHRISTIAN ART 上帝是美丽的，丑陋的，死亡的：navidkermani，feridunzaimoglu和（不止）基督教艺术

IF 0.2 3区文学

GERMAN LIFE AND LETTERS Pub Date : 2023-05-23 DOI: 10.1111/glal.12383

Joseph Twist

{"title":"GOD IS BEAUTIFUL, UGLY, DEAD: NAVID KERMANI, FERIDUN ZAIMOGLU AND (MORE THAN) CHRISTIAN ART","authors":"Joseph Twist","doi":"10.1111/glal.12383","DOIUrl":"10.1111/glal.12383","url":null,"abstract":"Navid Kermani's and Feridun Zaimoglu's engagements as Muslims with Christian art reveal the possibilities and limitations of aesthetic experiences of the divine beyond all doctrinal divides. Although Kermani's own research into the aesthetic dimension of Islam highlights the potential for art to offer spiritual insight, his rejection of some Christian imagery, especially of the crucifix, in his book Ungläubiges Staunen: Über das Christentum (2015), suggests this potential has limits which are not only matters of subjective taste but also epistemological barriers that are difficult to overcome. However, some of Kermani's interpretations lead to a syncretic understanding of Christian and Islamic ideas and aesthetics, pointing towards new notions of the divine. Similarly, Zaimoglu's series of contemporary icons featuring Jesus and other Biblical figures opens up spiritual possibilities beyond religious divides through their ambiguous links to Christianity and Islam. This distinction between an experience of the divine across religious boundaries and its failure can be theorised through Jean-Luc Marion's understanding of the ‘icon’ and the ‘idol’ respectively, whereby the former returns the viewer's gaze and unleashes a destabilising openness to the sacred, whereas the latter involves the dominant gaze of the viewer and reinforces what they already know.","PeriodicalId":54012,"journal":{"name":"GERMAN LIFE AND LETTERS","volume":"76 3","pages":"410-430"},"PeriodicalIF":0.2,"publicationDate":"2023-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/glal.12383","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48512728","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

SELF-IDENTITY AND THE JEWISH BODY: ASSIMILATED GERMAN-SPEAKING JEWISH AUTHORS ON TRADITIONAL JUDAISM 自我认同与犹太身体&被同化的德语犹太作家对传统犹太教的思考

IF 0.2 3区文学

GERMAN LIFE AND LETTERS Pub Date : 2023-05-21 DOI: 10.1111/glal.12381

Yael Almog

引用次数: 0

HUGO BALL'S RELIGIOUS CONVERSION 雨果·鲍尔的宗教皈依

IF 0.2 3区文学

GERMAN LIFE AND LETTERS Pub Date : 2023-05-21 DOI: 10.1111/glal.12378

Deborah Lewer

{"title":"HUGO BALL'S RELIGIOUS CONVERSION","authors":"Deborah Lewer","doi":"10.1111/glal.12378","DOIUrl":"10.1111/glal.12378","url":null,"abstract":"This essay investigates the German ex-Dadaist Hugo Ball (1886–1927) and his 1920s work on religious conversion from Paul, Augustine and Francis to writers and poets in modernity. This intense engagement was rooted in Ball's own radical conversion, or ‘re-conversion’, to an austere form of the Catholicism of his childhood in 1920, just a few years after breaking with the Dada movement he had helped found in Zurich in 1916. In letters, books, his edited diaries and essays such as ‘Die religiöse Konversion’ of 1925, Ball wrestled with the phenomenon of conversion. He traced it in religious culture, monasticism, psychiatry and politics. This article explores Ball's imaginative emphasis on the condition of chaos that precedes resolution into ‘order’ in the convert. It considers his model of conversion not only as salvific but also as remedial and therapeutic. Further, it interrogates his connection of conversion with the breakdown of language in mysticism and in Dada. Ball's intensive study of the mystical theology of Pseudo-Dionysius the Areopagite and others provided much of the epistemological ground for this work. More provocative was his imagined possibility of collective national ‘conversion’ to Catholicism – for the whole of Germany.","PeriodicalId":54012,"journal":{"name":"GERMAN LIFE AND LETTERS","volume":"76 3","pages":"376-391"},"PeriodicalIF":0.2,"publicationDate":"2023-05-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/glal.12378","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46466110","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

INFERNAL MATTER(S) AND THE POWER OF THE WORD IN FERIDUN ZAIMOGLU'S EVANGELIO 费里敦·扎伊莫格鲁福音中的地狱物质与话语的力量

IF 0.2 3区文学

GERMAN LIFE AND LETTERS Pub Date : 2023-05-21 DOI: 10.1111/glal.12385

Margaret Littler

{"title":"INFERNAL MATTER(S) AND THE POWER OF THE WORD IN FERIDUN ZAIMOGLU'S EVANGELIO","authors":"Margaret Littler","doi":"10.1111/glal.12385","DOIUrl":"10.1111/glal.12385","url":null,"abstract":"<div>\u0000 \u0000 Feridun Zaimoglu's ‘Luther-Roman’ Evangelio (2017) concerns Martin Luther's incarceration in the Wartburg (1521–2), evoking his struggles with Satan, his translation of the New Testament into German, and the spiritual and political volatility of his world. Reception of the novel was mixed, some readers delighting in the archaic idiom that echoes Luther's own Early New High German, others disappointed by the absence of a recognisable engagement with Luther's theology. This essay locates the novel in the context of two important features of Zaimoglu's work: his fascination with the transformative potential of religious belief and the well-known virtuosity of his literary language. Drawing on the materialist philosophy of Gilles Deleuze and Félix Guattari it adopts a non-representational approach to the novel's immersive narrative, viewing the forces unleashed by Luther's heresy in terms of the Deleuzian war machine, rendering reality unstable before the Reformation takes its historically documented course. This is achieved in a poetic language that evokes the demotic idiom of Luther's own translation. The novel may not represent Luther's theology, but it enacts the power of the word so central to his translation project.\u0000 </div>","PeriodicalId":54012,"journal":{"name":"GERMAN LIFE AND LETTERS","volume":"76 3","pages":"431-446"},"PeriodicalIF":0.2,"publicationDate":"2023-05-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49212574","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

THE GERMAN MUSEUM AND THE EARLY RECEPTION OF GERMAN LETTERS IN BRITAIN, 1800–18011 德国博物馆与德国信件在英国的早期接收，1800–1801 1

IF 0.2 3区文学

GERMAN LIFE AND LETTERS Pub Date : 2023-03-30 DOI: 10.1111/glal.12372

Oliver Puckey

{"title":"THE GERMAN MUSEUM AND THE EARLY RECEPTION OF GERMAN LETTERS IN BRITAIN, 1800–18011","authors":"Oliver Puckey","doi":"10.1111/glal.12372","DOIUrl":"10.1111/glal.12372","url":null,"abstract":"The early reception of German letters in London can be better understood through a close reading of the bookseller Constantin Geisweiler's short-lived journal The German Museum (1800–1801). The 1790s have been described as an era of literary ‘Germanomania’, as numerous translations of German works appeared for the first time in English. By 1800, however, an increasingly pejorative assessment of the supposedly pro-Jacobin and atheistic character of German culture had entrenched itself among British critics. Geisweiler and his co-contributors responded to this through wide-ranging analyses of German literature and philosophy. Although Geisweiler's enterprise was, commercially speaking, a failure, this article argues that The German Museum was nevertheless significant for breaking out of the rigid mould of ‘Schauer-, Ritter- and Räuberromane’ that had superficially characterised earlier British interest in German culture. This article will argue that the period around 1800 was a particularly febrile one for processes of Anglo-German cultural transfer due to the consolidation of transnational networks of booksellers, printers and publishers – networks whose activities would be severely compromised following Napoleon's Continental Blockade of 1806. In the final analysis, nascent British ideas of ‘Germany’ at the turn of the nineteenth century can be more robustly historicised through a scrutinous reading of Geisweiler's journal.","PeriodicalId":54012,"journal":{"name":"GERMAN LIFE AND LETTERS","volume":"76 2","pages":"222-244"},"PeriodicalIF":0.2,"publicationDate":"2023-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/glal.12372","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45891562","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

MADE BY HISTORY: HEINRICH VON TREITSCHKE'S HERO AND THE ANXIETIES OF NINETEENTH-CENTURY GERMAN HISTORIOGRAPHY 历史制造：海因里希·冯的英雄与十九世纪德国史学的焦虑

IF 0.2 3区文学

GERMAN LIFE AND LETTERS Pub Date : 2023-03-28 DOI: 10.1111/glal.12376

Jack Graveney

{"title":"MADE BY HISTORY: HEINRICH VON TREITSCHKE'S HERO AND THE ANXIETIES OF NINETEENTH-CENTURY GERMAN HISTORIOGRAPHY","authors":"Jack Graveney","doi":"10.1111/glal.12376","DOIUrl":"10.1111/glal.12376","url":null,"abstract":"The German historian Heinrich von Treitschke has traditionally been associated with the notion of ‘great men’ in history and seen as a naïve personalist who concentrated agency in the hands of a select few heroic individuals. This article advances an alternative interpretation of Treitschke's historical writings, suggesting that the oft-repeated axiom ‘great men make history’ is overwhelmingly unsatisfactory in capturing his stance on historical subjecthood. Rather, Treitschke's historiography is shown to evince a profound concern with ideal, structural and material factors, upon which the will of the heroic individual supervenes and without which their actions cannot be understood. This article then contextualises Treitschke's work within the historiographic landscape of nineteenth-century Germany, investigating why the construct of the heroic individual appeared uniquely appealing even as it became ever less plausible. This development is explained above all with reference to increasing historiographic narrativisation, historical constructivism and anxieties around socioeconomic change.","PeriodicalId":54012,"journal":{"name":"GERMAN LIFE AND LETTERS","volume":"76 2","pages":"245-268"},"PeriodicalIF":0.2,"publicationDate":"2023-03-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/glal.12376","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48667451","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

GERMAN COLONIALISM IN EAST AFRICA AND ITS AFTERMATH IN ABDULRAZAK GURNAH'S NOVELS PARADISE AND AFTERLIVES AND IN CONTEMPORARY GERMAN LITERATURE 古尔纳小说《天堂与来世》和当代德国文学中德国在东非的殖民主义及其后果

IF 0.2 3区文学

GERMAN LIFE AND LETTERS Pub Date : 2023-03-27 DOI: 10.1111/glal.12374

Dirk Göttsche

引用次数: 1

THE (QUEER) AESTHETICS OF JEAN PAUL'S SIEBENKÄS 论让·保罗小说中的酷儿美学

IF 0.2 3区文学

GERMAN LIFE AND LETTERS Pub Date : 2023-03-24 DOI: 10.1111/glal.12373

Anchit Sathi

{"title":"THE (QUEER) AESTHETICS OF JEAN PAUL'S SIEBENKÄS","authors":"Anchit Sathi","doi":"10.1111/glal.12373","DOIUrl":"10.1111/glal.12373","url":null,"abstract":"This article proposes that the eighteenth-century novel Siebenkäs contains the formulation of an aesthetic theory that embraces same-sex desire. The novel's author, Jean Paul Friedrich Richter, still relatively unknown among literary scholars today, uses the myth of Narcissus as an aesthetic blueprint for the novel. In doing so, he appears to comply with the aesthetic conventions espoused by his German Romantic peers, many of whom considered self-contemplation to be a prerequisite for gaining access to the Absolute, a term that designates an unconditioned totality that was dear to authors, artists and philosophers at the time. However, the article suggests that Jean Paul's true purpose is to employ the myth to subversive ends. In particular, the author builds upon the myth's homoerotic underpinnings – largely (but not entirely) forgotten in the eighteenth century – to articulate a theory of aesthetics that no longer seeks to efface homosexual desire. The aesthetic worldview that emerges from this process is one that foregrounds imitation as a fundamental building-block of queer aesthetics and that, in contraposition to some of the dominant aesthetic thinking of the age, advocates the legitimacy of an aesthetics that celebrates desire rather than suppressing it.","PeriodicalId":54012,"journal":{"name":"GERMAN LIFE AND LETTERS","volume":"76 2","pages":"198-221"},"PeriodicalIF":0.2,"publicationDate":"2023-03-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/glal.12373","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44891552","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0