GERMAN LIFE AND LETTERS最新文献

{"title":"WILHELM VON HUMBOLDT AND HEINRICH VON KLEIST: IMAGINING THE STATE IN THE WAKE OF THE FRENCH REVOLUTION","authors":"Yixu Lü","doi":"10.1111/glal.12321","DOIUrl":"10.1111/glal.12321","url":null,"abstract":"<p>Scholarship has paid scant attention to affinities between the thought of Wilhelm von Humboldt and that of Heinrich von Kleist. Both were, at different times, fascinated by the aftermath of the French Revolution and its influence on the shape of contemporary Europe. Humboldt's essays of the 1790s plead the cause of individual ‘Bildung’ against the hegemony of an interventionist state. His verdict on the new French constitution is ultimately pessimistic as he denies that history permits successful and sudden reversals of political structures. Kleist sees the Revolution as betrayed by Napoleon's ascendancy. His first work on his tragedy <i>Penthesilea</i> is dated between 1805 and 1806 in Königsberg, where he would have had ready access to Humboldt's publications. The calamitous defeat of Prussia in October 1806 overshadowed the play's completion in 1807. It is in this climate of the disintegration of a traditional order that Kleist invents the Amazon state as the tragic sequel to a revolution. Suppressing all individual freedom, it is the opposite of what Humboldt imagined a state should be, thus suggesting we may find in Humboldt's political thought a hitherto neglected source for <i>Penthesilea</i>.</p>","PeriodicalId":54012,"journal":{"name":"GERMAN LIFE AND LETTERS","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-01-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/glal.12321","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48284813","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"FREEDOM TIME: TEMPORAL INSURRECTIONS IN OLIVIA WENZEL'S 1000 SERPENTINEN ANGST AND SHARON DODUA OTOO'S ADAS RAUM","authors":"Sarah Colvin","doi":"10.1111/glal.12323","DOIUrl":"10.1111/glal.12323","url":null,"abstract":"<div>\u0000 \u0000 <p>Anthony Reed has developed the concepts of ‘racial time’ and ‘freedom time’ to explore the aesthetics of possibility in Black experimental writing in the USA. Here I build on that thinking, on Michelle Wright's concept of Epiphenomenal time, and on Priscilla Layne's exploration of Afrofuturist temporal aesthetics in Wenzel's dramatic work, to discuss how Wenzel and Otoo as contemporary European novelists explore literary storytelling that is temporally insurrectionary. Neither of the novels considered here is typically Afrofuturist: both, however, have resonances with the Afropean Contemporary as described by Philipp Khabo Koepsell. Each novel engages poetic strategies to historicise and denaturalise the present, to render different pasts thinkable, and to address the shape that a future order might take. Both use an aesthetic strategy I call transtemporality, where meaning is deepened and rendered complex across time-space. The transtemporal perspective is insurrectionary not least because it renders power's emergence and fall visible. Both Wenzel and Otoo develop narratives whose progression is not linear but moves in coils or loops (‘Serpentinen’, ‘Schleifen’) across what María Lugones calls ‘multiple, intersecting, co-temporaneous realities’. That, I argue, is an aesthetic strategy that represents vital movement in the face of the almost literally petrifying force that is necropolitical or racialised time.</p>\u0000 <p>Anthony Reeds Konzepte ʻracial timeʼ und ʻfreedom timeʼ erläutern eine Ästhetik der Möglichkeit im literarischen Schreiben Schwarzer avantgardistischer Autor*innen in den USA. Aufbauend darauf und in Anlehnung an Michelle Wrights Konzept der Epiphänomenalen Zeit und Priscilla Laynes Erforschung einer afrofuturistischen Ästhetik in Wenzels dramatischem Werk, geht dieser Beitrag der Frage nach, wie Wenzel und Otoo als zeitgenössische europäische Autorinnen literarische Erzählweisen erproben, die sich gegen konventionelle ästhetische Strukturen der Zeitlichkeit auflehnen. Die hier untersuchten Romane sind nicht typisch afrofuturistisch, haben jedoch Resonanzen mit der Afropean Contemporary, wie sie von Philipp Khabo Koepsell konzipiert worden ist. Poetische Strategien lassen die Gegenwart als bedingt und veränderbar erscheinen, unterschiedliche Vergangenheiten und eine andere zukünftige Ordnung werden denkbar. Beide Dichterinnen verwenden eine ästhetische Strategie, die ich Transtemporalität nenne, wobei die erzählerische Bewegung durch Zeit und Raum Bedeutungsmomente verdichtet. Diese transtemporale Perspektive bezeichne ich als aufständisch nicht zuletzt deshalb, weil sie die Vergänglichkeit der Macht offenlegt. Wenzel und Otoo erzählen nicht linear, sondern in Serpentinen bzw. Schleifen. Sie schaffen damit ʻmultiple, sich überschneidende, zeitgleiche Realitätenʼ (María Lugones). Das ist eine ästhetische Strategie, die angesichts der fast buchstäblich versteinernden Kraft einer nekropolitischen ode","PeriodicalId":54012,"journal":{"name":"GERMAN LIFE AND LETTERS","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-01-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/glal.12323","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47757989","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"SAUL FITELBERG'S FAILED SEDUCTION: WORLDLINESS IN DOKTOR FAUSTUS","authors":"Todd Kontje","doi":"10.1111/glal.12326","DOIUrl":"10.1111/glal.12326","url":null,"abstract":"<div>\u0000 \u0000 <p>This essay places Thomas Mann's treatment of the ‘Jewish question’ in the broader context of the artist's relationship to the world. Saul Fitelberg's offer to draw Leverkühn out of isolation engages questions about German national identity at a time when Mann insisted that he represented the true German tradition of cosmopolitan openness, in contrast to the Nazi effort to delimit Germanness to a racial core and eliminate those who threatened to contaminate the body politic. The article exposes multiple ambivalences that cling to the concept of German cosmopolitanism in relation to theories of world literature and the history of European imperialism, and, in doing so, argues for an intersectional approach to the ‘Jewish question’ in Thomas Mann's fiction.</p>\u0000 </div>","PeriodicalId":54012,"journal":{"name":"GERMAN LIFE AND LETTERS","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-01-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/glal.12326","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42632698","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE ‘DUNKELMÄNNER’ OF DOKTOR FAUSTUS: HUMANISTS VERSUS THEOLOGIANS","authors":"Peter Eagles","doi":"10.1111/glal.12325","DOIUrl":"10.1111/glal.12325","url":null,"abstract":"<p>This essay considers the treatment of theology in Thomas Mann's novel <i>Doktor Faustus</i>. Specifically, it proposes theology as meeting-point of the two opposing elements characteristic of German cultural history: humanism and fanaticism (‘the demonic’). The most significant representatives of humanism are the so-called ‘Dunkelmänner’: the Christian humanists of the Reformation period and authors of the <i>Epistolae obscurorum virorum</i>. In these letters, we encounter the refined creative capacity of the human mind and spirit, in contrast to the excessive coarseness of the protestant Reformation and Martin Luther. The novel's narrator Serenus Zeitblom identifies himself particularly with Crotus Rubianus and Erasmus as representatives of both the classical and the Christian cultural world, a tradition threatened by fanaticism and violence in the twentieth century as in the sixteenth. The <i>Epistolae</i> arose from the burning of Jewish literature, and Mann's point is that the enfeebled German intelligentsia of the Third Reich now contains no true ‘Dunkelmänner’ – except perhaps himself. The essay also examines the sources of the theological material in the novel, both with reference to the characters in the university faculty in Halle and to the theological concepts themselves which give the novel its essential substance and are therefore necessary to its understanding.</p>","PeriodicalId":54012,"journal":{"name":"GERMAN LIFE AND LETTERS","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-01-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/glal.12325","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41558522","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"PROTECTING THE PUBLIC SPHERE(S): THE CAMPAIGN FOR PETER-PAUL ZAHL","authors":"Catriona Corke","doi":"10.1111/glal.12322","DOIUrl":"10.1111/glal.12322","url":null,"abstract":"<p>Peter-Paul Zahl was a writer, printing press owner, and from 1972 to 1982 a prisoner suspected of belonging to the Red Army Faction (RAF). During the late 1970s, a number of prominent authors risked their reputations to campaign on his behalf. They did not argue that Zahl was innocent of violent crime, but instead protested that he had been handed an excessive prison sentence on account of his left-wing political views. This article examines the role that their shared identity as writers played in the campaign for Zahl, and how their self-awareness <i>as authors</i> translated into a sense of responsibility for civil society as a whole. They viewed the censorship of Zahl's printing press and of his prison writing as a threat to their own literary freedom, especially in the polarised political landscape that had emerged in response to the RAF. Authors used pre-existing literary networks – namely the ‘Verband deutscher Schriftsteller’ and PEN International – as political leverage. Zahl's case left a number of prominent writers feeling impelled to protect the public spheres – both mainstream and alternative – so that the voices which could hold the Federal Republic to account might be heard.</p><p>Peter-Paul Zahl war Schriftsteller, Drucker und von 1972 bis 1982 Gefangener, der der Mitgliedschaft in der Roten Armee Fraktion (RAF) verdächtigt wurde. In den späten siebziger Jahren riskierten prominente Autor:innen ihr öffentliches Ansehen, um sich für Zahl einzusetzen. Sie behaupteten nicht, dass Zahl unschuldig sei, sondern dass aufgrund seiner politisch linksradikalen Einstellung eine unangemessen hohe Haftstrafe gegen ihn verhängt wurde. Der folgende Beitrag untersucht, welche Bedeutung ihre gemeinsame Identität als Schriftsteller:innen in der Kampagne für Peter-Paul Zahl spielte. Die Autor:innen nutzten bereits existierende literarische Netzwerke wie den aerband deutscher Schriftstellerʼ sowie PEN International als politisches Druckmittel. Gerade in der durch die RAF polarisierten politischen Landschaft betrachteten sie die Zensur von Zahls Druckerei und seinen im Gefängnis geschriebenen Werken als Bedrohung der eigenen literarischen Freiheit. Ihr Selbstbewusstsein als Autor:innen brachte ein starkes Verantwortungsgefühl für die gesamte Zivilgesellschaft mit sich. Der Fall Peter-Paul Zahl führte dazu, dass sich eine Reihe von Autor:innen veranlasst sahen, die (Gegen-)Öffentlichkeit zu schützen, damit die Stimmen, die die Bundesrepublik zur Rechenschaft zogen, gehört werden konnten.</p>","PeriodicalId":54012,"journal":{"name":"GERMAN LIFE AND LETTERS","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-01-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/glal.12322","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44993562","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"QUEER ADOLESCENCE IN MÄDCHEN IN UNIFORM","authors":"Javier Samper Vendrell","doi":"10.1111/glal.12328","DOIUrl":"10.1111/glal.12328","url":null,"abstract":"<div>\u0000 \u0000 <p>Most critics have examined Leontine Sagan's <i>Mädchen in Uniform</i> (1931) within one of two frameworks: either the film depicts Germany's authoritarian nature or it is a ground-breaking work of lesbian filmmaking. This article considers an alternative possibility, namely, that the film illustrates the queerness of adolescence and society's efforts to repress it. To support this claim, it engages with the developmental theories of Charlotte Bühler (1893–1974) that circulated in the period when this film was produced. The psychologist argued that adolescent girls experience a phase of ‘Schwärmerei’, a word that evoked irrationality, an excess of emotion, and fleeting same-sex desire. Bühler's theories naturalised heterosexuality and played down the queerness of adolescence. Accordingly, Manuela's infatuation with the teacher could be considered a phase on her path towards marriage and motherhood. This analysis of the film, however, allows us to imagine a possibility in which Manuela resists the heterosexist norms enforced by the school and follows a queer path.</p>\u0000 </div>","PeriodicalId":54012,"journal":{"name":"GERMAN LIFE AND LETTERS","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/glal.12328","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49372045","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"MAKING THE CASE AGAINST PARAGRAPH 218: NARRATIVE AND DISCURSIVE STRATEGIES IN ELSE KIENLE'S FRAUEN: AUS DEM TAGEBUCH EINER ÄRZTIN★","authors":"Katherine E. Calvert","doi":"10.1111/glal.12327","DOIUrl":"10.1111/glal.12327","url":null,"abstract":"<p>This article analyses Dr Else Kienle's 1932 text <i>Frauen: Aus dem Tagebuch einer Ärztin</i> within the context of the debates around women's access to abortion in Weimar Germany. Access to abortion was a widely debated topic in Weimar Germany and public demonstrations against Paragraph 218 of the Weimar penal code, which outlawed abortion, occurred following the 1931 arrest of Dr Kienle. I argue that, as a non-partisan work written from the perspective of a practising doctor, Kienle's text offers an innovative contribution to these debates. While Kienle's arrest is frequently cited as a key moment in the Weimar abortion debates, her writing has received limited critical attention. My analysis of the literary and discursive strategies employed by Kienle in <i>Frauen: Aus dem Tagebuch einer Ärztin</i> reveals that Kienle goes beyond the arguments of the women's and socialist movements. Kienle's text should be read as an attempt to broaden the reach of the campaign against Paragraph 218. The book adopts an innovative and experience-led approach, which reveals the medical, psychological, and social implications of limiting women's access to abortion, and which only re-emerged in the Federal Republic of Germany in the 1970s.</p>","PeriodicalId":54012,"journal":{"name":"GERMAN LIFE AND LETTERS","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/glal.12327","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45415933","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"EDUARD TRAUTNER (1890–1978): AN ELUSIVE LATE-EXPRESSIONIST WRITER","authors":"Wes Wallace,&nbsp;Christa Steinle","doi":"10.1111/glal.12316","DOIUrl":"10.1111/glal.12316","url":null,"abstract":"<div>\u0000 \u0000 <p>The poet, doctor, writer and editor Eduard Trautner (1890–1978) was a central figure in the literary Expressionist and New Objectivist movements in Germany of the 1920s. This is the first detailed study of his life and literary legacy. His most important works are the short play <i>Haft</i> (1921), the political crime study <i>Der Mord am Polizeiagenten Blau</i> (1924), and the novel <i>Gott, Gegenwart und Kokain</i> (1927). He took part in the Munich revolution of 1919 and was co-editor of the Munich cultural-revolutionary journal <i>Der Weg</i>. He served a prison sentence for helping Ernst Toller to escape lynching. After moving to Berlin, he completed his medical studies, worked as an editor for the publishing houses of Kiepenheuer and Die Schmiede, and became a leading figure in the ‘Novembergruppe’ and ‘Gruppe 1925’. A dark but gregarious person, he was a regular presence at the ‘Romanisches Café’, where he was known as a ‘father-confessor’ to the artists there. In 1930, after a controversial relationship with the French writer Colette Peignot, aka Laure, he withdrew from literary life, finding his way to Mallorca, England and, eventually, Australia, where he achieved distinction as a biomedical researcher with pioneering studies on the psychopharmacology of lithium.</p>\u0000 </div>","PeriodicalId":54012,"journal":{"name":"GERMAN LIFE AND LETTERS","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-09-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/glal.12316","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42818103","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"WORDS THAT MIGHT SAVE NECKS: PHILIPP KHABO KOEPSELL, EPISTEMIC MURDER AND POETIC JUSTICE1","authors":"Sarah Colvin","doi":"10.1111/glal.12318","DOIUrl":"10.1111/glal.12318","url":null,"abstract":"<p>I begin with a poem of Koepsell's that questions the writing of poetry in times of political upheaval, and whether words can save necks. I then examine the collection <i>Die Akte James Knopf</i> for possible answers to those questions. José Medina conceptualises epistemic death, and Koepsell reveals the closeness of epistemic and actual death. I read <i>Die Akte James Knopf</i> as both a poetry collection and a dossier of evidence in a case of epistemic murder; it uncovers the mechanisms of racialised knowledge production/perpetuation, and produces what David Lloyd has called poetic justice. Medina writes of guerilla pluralism, which in this context I call provoking pluralism, because it privileges linguistic intervention over violence. In its grammar and effects, provoking pluralism is both irritating and potentially generative. I also conceive of ‘guerilla epistemology’, which operates a reversal, or revolution, of epistemic privilege. Koepsell provokingly acknowledges that the violence of epistemic injustice is, like other kinds of violence, tied to pleasure: racialised injustice sells. With his poetry and strategic use of humour, I argue, he produces counter-pleasure, which infiltrates dominant knowledge and stimulates change. It might one day save someone's neck.</p>","PeriodicalId":54012,"journal":{"name":"GERMAN LIFE AND LETTERS","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/glal.12318","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44284702","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE NEW PRUSSIAN RENAISSANCE: LITERARY COMMEMORATIONS OF QUEEN LUISE","authors":"Rhoslyn Beckwith","doi":"10.1111/glal.12320","DOIUrl":"10.1111/glal.12320","url":null,"abstract":"<div>\u0000 \u0000 <p>In the wake of World War Two, Germany abandoned its onetime national idols, including Queen Luise of Prussia (1776–1810). Yet despite assertions that her legend has become obsolete (Förster, 2011), contemporary writers are rediscovering Queen Luise following the renaissance of interest in Prussia during the first ‘Prussian Wave’ (1977–82) and the ‘Prussian Year’ of 2001. This article argues that she is being repurposed by what I term a ‘third wave’ of Prussian nostalgia currently occurring in Germany. Drawing on memory studies and nostalgia studies, I argue that Queen Luise can be considered a ‘lieu de mémoire’ (Nora, 1984) whose changing commemorations reflect modulating perspectives on the Prussian era during the twentieth and twenty-first centuries. The article provides an overview of the rediscovery of Prussian history before analysing three representative texts that reflect shifting attitudes towards Prussia and the Queen: Gertrud Mander's conventional biography <i>Königin Luise</i> (1981), Friedrich Christian Delius's novel, <i>Der Königsmacher</i> (2001), which features a cameo appearance from the Queen, and Thomas Hettche's fictional account of the early nineteenth-century Pfaueninsel in Berlin-Wannsee, <i>Pfaueninsel</i> (2014). I propose that these commemorations reflect both the twenty-first century trend for nostalgia (Boym, 2001), as well as a tendency towards ‘perverse nostalgia’ (Kohlke, 2017).</p>\u0000 </div>","PeriodicalId":54012,"journal":{"name":"GERMAN LIFE AND LETTERS","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-08-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/glal.12320","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43487134","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}