International Journal of Creative and Arts Studies最新文献

{"title":"Creative Learning in Covid-19 Pandemic: A Case Study in Major Subject, Church Music Department-The Way Bethel Theological Institute","authors":"Johanes Kristianto","doi":"10.24821/ijcas.v9i1.7065","DOIUrl":"https://doi.org/10.24821/ijcas.v9i1.7065","url":null,"abstract":"Within the pandemic era, the traditional education system has been transformed into e-learning based, with learning held through the help of the hardware, software, and the internet. Music higher educational system in Indonesia usually used direct engagement, but the pandemic changed this system to be e-learning based. E-learning separated lecturer and student by distance, where both have a problem: a bad signal, limited insight about meeting application, and audio delay. Therefore, the lecturer has to find a new way to encourage the student to find a novel learning habit during the pandemic, for instance, give the task to the student to upload a video to YouTube. This paper describes a novel learning habit in the music learning system during a covid-19 pandemic. In the qualitative method used in this paper, the writer interviewed six enrolled students from different majors, including piano, drum, and guitar. Data was collected with semi-structured interviews through Zoom meetings. The interview was in Indonesian, just a point of view that was translated into English. This paper found that students could interpret some values from this pandemic as follows:1. How students got to manage a new approach based on remote learning?2. What expertise of students can support the major subject?3. How students got the priceless value of peer interaction during the pandemic? Pembelajaran Kreatif di Masa Pandemi Covid-19: Studi Kasus Mata Pelajaran Utama, Jurusan Musik Gereja-The Way Bethel Theological Institute Abstrak Dalam era pandemi, sistem pendidikan tradisional telah bertransformasi menjadi berbasis e-learning, pembelajaran tersebut ditunjang piranti keras, piranti lunak, dan internet. Sistem pendidikan musik di perguruan tinggi biasanya menggunakan pendekatan tatap muka langsung, tapi pandemik mengubah sistem tersebut ke dalam pembelajaran berbasis e-learning. E-learning memisahkan jarak dosen dan mahasiswa, keduanya memiliki kendala yang serupa, contohnya: sinyal yang buruk, pengetahuan yang terbatas dalam menggunakan aplikasi pertemuan, dan lambatnya suara yang diterima pendengar. Oleh karena itu, dosen perlu memikirkan ulang cara untuk mendorong mahasiswa menemukan kebiasaan belajar baru selama pandemi, misalnya memberikan tugas kepada mahasiswa dengan cara mengunggah video hasil belajar ke YouTube. Penelitian ini mendeskripsikan kebaruan dalam sistem pembelajaran musik selama pandemi. Kualitatif adalah metode yang digunakan dalam penelitian ini, penulis mewawancara enam mahasiswa aktif dari mayor yang berbeda; piano, drum, dan gitar. Data dikumpulkan melalui wawancara semi-terstruktur yang dilakukan di aplikasi Zoom. Wawancara dilakukan menggunakan bahasa Indonesia, hanya poin-poin penting yang ditranslasi ke dalam bahasa Inggris. Penelitian ini menemukan bahwa mahasiswa dapat menginterpretasi beberapa nilai yang berharga dari masa pandemi ini, misalnya: 1. bagaimana mahasiswa mengelola pendekatan baru dalam pembelajaran jarak jauh? 2. mampu meliha","PeriodicalId":53063,"journal":{"name":"International Journal of Creative and Arts Studies","volume":"67 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90645889","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Digital Platform Usage Among Young Graphic Designer as A Shortcut To The Fame: A Case Study on Visual Communication Design Students in Yogyakarta","authors":"P. Bangsa, Edi Jatmiko, Dwisanto Sayogo","doi":"10.24821/ijcas.v9i1.6978","DOIUrl":"https://doi.org/10.24821/ijcas.v9i1.6978","url":null,"abstract":"The Internet technology has triggered many transformations, including the emergence of digital platforms for graphic design. The rise of digital platforms is hailed as a driver of economic processes and technological innovation. Everyone can benefit greatly from this transformation as it empowers them to build a business online without relying on “offline” intermediaries, whether state or an established corporate without complicated regulations and unnecessary costs. As newcomers to the graphic design business, young graphic designers benefit greatly from this digital platform. They have a great opportunity to independently exhibit and sell their work to clients around the world, something that never happened in the days before the advent of Internet technology. This research aims to show that technological determination can have a very positive impact on those who master it. As a study material, this research uses José van Dijck's platform society theory. This research was conducted in early 2021 on several subjects consisting of Visual Communication Design students in Yogyakarta who run an online graphic design business. The conclusion of this research is that young graphic designers who utilize digital platforms become more visible, high exposure on their work, and zero dependence on intermediaries. This remote working method has now also proven effective as a solution in the midst of difficult circumstances due to the Covid-19 pandemic. Penggunaan Platform Digital di Antara Perancang Grafis Muda sebagai Jalan Pintas Menuju Populer: Studi Kasus pada Mahasiswa Desain Komunikasi Visual di Yogyakarta Abstrak Teknologi internet memicu banyak transformasi, termasuk memunculkan platform digital untuk desain grafis. Kemunculan platform digital digadang-gadang sebagai pendorong proses perekonomian dan inovasi teknologi. Setiap orang bisa mendapatkan keuntungan besar dari transformasi ini karena memberdayakan mereka untuk membangun bisnis secara daring tanpa bergantung pada perantara “offline”, baik itu negara atau perusahaan yang mapan tanpa regulasi yang rumit dan biaya yang tidak perlu. Desainer grafis muda sebagai pendatang baru di dunia bisnis desain grafis mendapatkan keuntungan yang luar biasa dengan adanya platform digital ini. Mereka mempunyai kesempatan besar untuk memamerkan dan menjual karya mereka kepada klien di seluruh dunia secara mandiri, sebuah hal yang tidak pernah terjadi pada masa sebelum kehadiran teknologi internet. Penelitian ini bertujuan untuk menunjukkan bahwa determinasi teknologi dapat berdampak sangat positif bagi mereka yang mampu menguasainya. Sebagai bahan kajian, penelitian ini memakai teori dari José van Dijck tentang masyarakat platform. Penelitian ini dilakukan pada awal tahun 2021 terhadap beberapa subjek yang terdiri dari para mahasiswa Desain Komunikasi Visual di Yogyakarta yang menjalankan bisnis desain grafis secara daring. Kesimpulan penelitian ini adalah bahwa desainer grafis muda yang memanfaatkan platform d","PeriodicalId":53063,"journal":{"name":"International Journal of Creative and Arts Studies","volume":"18 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83522993","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Lingkar Rupa Community Strategy in Developing the Actualization of Street Artists in Kota Tua, Jakarta","authors":"Fransisca Retno Setyowati Rahardjo","doi":"10.24821/ijcas.v9i1.6812","DOIUrl":"https://doi.org/10.24821/ijcas.v9i1.6812","url":null,"abstract":"This study will describe the method used by the initiators of the Lingkar Rupa Community as a basis for a strategy to develop the quality of the work of street artists in Kota Tua, as well as a description that archives the movement of a new art community in Jakarta. Lingkar Rupa in an effort to protect and actualize themselves and the work of street artists in Kota Tua. The community, which was initiated by an art and culture teacher, Ferry Kurniawan, is a social activity that arose from the founder's personal anxiety about art life at the grassroots level. This research will discuss the background, art activities and exhibitions, art strategies and the impact that Lingkar Rupa has carried out. With a qualitative method, namely using in-depth interview techniques from several founders and members of Lingkar Rupa's own informants. The theory of participatory art will be a surgical tool that examines the direction of this community's journey. It should be noted that the 'street art' that the author describes here is an art that is different from the terminology of 'street art' in the West which often emerges from elite academic circles and tries to present works of protest against the social situation around them in a very 'educated' manner. This research is also important to identify the 'underground' movement which is often not recognized because it is less popular and dapper. Strategi Komunitas Lingkar Rupa dalam Mengembangkan Aktualisasi Seniman Jalanan di Kota Tua, JakartaAbstrakPenelitian ini akan mengurai metode apa yang dipakai oleh penggagas Komunitas Lingkar Rupa sebagai dasar strategi mengembangkan kualitas berkarya para seniman jalanan di Kota Tua, selain sebagai deskripsi yang mengarsipkan gerakan sebuah komunitas seni baru di Jakarta. Lingkar Rupa dalam upaya mengayomi dan mengaktualisasi diri dan kekaryaan para seniman jalanan di Kota Tua. Komunitas yang digagas oleh seorang guru seni dan budaya, Ferry Kurniawan, merupakan aktivitas sosial yang muncul dari kegelisahan personal pendirinya mengenai kehidupan seni di kalangan akar rumput. Dalam penelitian ini akan dibahas mengenai latar belakang, kegiatan seni dan pameran, strategi kesenian, serta dampak yang telah Lingkar Rupa kerjakan, dengan metode kualitatif yaitu menggunakan teknik wawancara yang mendalam dari beberapa informan pendiri dan anggota Lingkar Rupa itu sendiri. Teori seni partisipatoris akan menjadi alat bedah yang mengkaji arah perjalanan komunitas ini. Perlu diketahui bahwa ‘seni jalanan’ yang penulis jabarkan di sini adalah seni yang berbeda dari terminologi ‘street art’ di Barat yang kerap kali muncul dari kalangan akademi elit dan mencoba menghadirkan karya protes terhadap situasi sosial di sekitarnya dengan sangat ‘terdidik’. Penelitian ini juga penting untuk mengidentifikasi gerakan ‘bawah tanah’ yang sering kali tidak terekognisi karena kurang populer dan necis.","PeriodicalId":53063,"journal":{"name":"International Journal of Creative and Arts Studies","volume":"52 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86871974","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Exploring Dance Aesthetic in Contemporary Choreography at Universitas Negeri Gorontalo","authors":"Riana Diah Sitharesmi","doi":"10.24821/ijcas.v9i1.6753","DOIUrl":"https://doi.org/10.24821/ijcas.v9i1.6753","url":null,"abstract":"In contemporary society, the creative concept of Indonesian choreography encounters the digitalisation and commercialisation, that can be both challenging and frightening. While young choreographers in Gorontalo are adjusting themselves in learning contemporary, they too need to appreciate traditional dance aesthetic, so they will have a clear concept while using ethnic elements in creating dance. One of the embodiments of North Sulawesi’s dance aesthetic is Dana Dana, developed in a limited way in Bolaang Mongondow. The similar dance is also existing in Gorontalo under the same name but slightly different in some components. As dance aesthetic is essential to construct the regional dance style, it is necessary to look further how the aesthetic of Bolaang Mongondow’s Dana Dana brings the distinctive features in the forms of choreographic development. Using a phenomenological approach integrated with creative-based choreographic, this research examined how the experimental and explorative works enrich the student’s experience to produce genuine vocabularies, and the embodiment of cultural values in their creation. Through a circle of observing-feeling-imagining-manifesting-forming, the concept of contemporary choreography embraces new artistic understanding that bring the transcendental realm of creativity. Mengeksplorasi Estetika Tari pada Koreografi Kontemporer di Universitas Negeri GorontaloAbstrakDalam masyarakat kontemporer, konsep kreatif koreografi Indonesia menghadapi tantangan digitalisasi dan komersialisasi, yang sekaligus menakutkan. Pada saat koreografer muda di Gorontalo sedang menyesuaikan diri dan mempelajari kontemporer, mereka juga perlu menghayati nilai-nilai budaya seperti estetika tari, sehingga mereka akan memiliki konsep yang jelas saat menggunakan elemen etnis dalam mencipta tari. Salah satu wujud estetika tari daerah Sulawesi Utara adalah tari Dana Dana yang dikembangkan secara terbatas di Bolaang Mongondow. Menarik, karena tarian serupa juga ada di Gorontalo dengan nama yang sama namun sedikit berbeda di beberapa komponen. Karena estetika tari sangat penting untuk membangun gaya tari daerah, maka perlu dilihat lebih jauh bagaimana estetika tari Dana Dana Bolaang Mongondow menghadirkan ciri khas dalam bentuk pengembangan koreografi. Menggunakan pendekatan fenomenologis yang terintegrasi dengan koreografi berbasis kreatif, penelitian ini mengkaji bagaimana kerja eksperimental dan eksploratif memperkaya pengalaman mahasiswa untuk menghasilkan kosakata gerak sejati, dan memberi wujud nilai-nilai budaya dalam penciptaannya. Melalui proses melingkar mengamati-merasakan- membayangkan-mewujudkan-membentuk, konsep koreografi kontemporer diarahkan untuk merengkuh pemahaman artistik secara baru yang membawa kreativitas pada ranah transendental.","PeriodicalId":53063,"journal":{"name":"International Journal of Creative and Arts Studies","volume":"37 7","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72632457","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Nurturing Sanity Through RajutKejut Craftivism","authors":"Sari Wulandari, G. Guntur, R. Goodfellow, M. D. Marianto","doi":"10.24821/ijcas.v9i1.6975","DOIUrl":"https://doi.org/10.24821/ijcas.v9i1.6975","url":null,"abstract":"As people in almost all countries in the world, Indonesians are currently struggling to deal with the Covid-19 pandemic by making their activities more selective and prioritizing their needs based on needs. Mental health is also a priority, and more attention needs to be paid to personal and environmental hygiene issues. The RajutKejut Community is a group of female crocheters who ‘yarn bomb’ in public spaces using crochet works. Given pandemic conditions, where most activities are limited, and loneliness and social isolation have become major concerns, this group remains connected using advanced digital technology to share news, views, and stories. And in doing so, they have supported each other in the best possible way: through an activity characterized by meditative nuances practised in a quarantined atmosphere. Thus, a new space for both contemplation and reflection has been created. This has preserved the quality of the community’s work but it has also resulted in other benefits as well. For example, the body's immune system can be strengthened by maintaining good mental health and especially by generating feelings of happiness and joy. To this end, the community has held yarn bombing activities in their respective neighbourhoods and then shared their collective and individual experiences. The research question that arises then is, how can a communal craft-related activity like crochet raise awareness and understanding of the human condition amid a pandemic? This study uses the phenomenology of perception developed by Maurice Merleau-Ponty as an analytical method to better comprehend the world of the RajutKejut community, with special reference to the current pandemic. Amongst other observations, this research illustrates that the pandemic has encouraged many people to look to the past and, in doing so, realize that their existence in the present can be defined by structured craft projects, which caused them to make better-informed decisions about the future. In this process, human beings begin to chart their existence using their bodies and, in doing so, awaken mindfulness of self. Memelihara Kewarasan Melalui Kraftivisme RajutKejut Abstrak Seperti halnya di hampir seluruh negara di dunia, masyarakat Indonesia saat ini sedang berjuang menghadapi pandemi Covid-19, mengharuskan membatasi aktivitasnya lebih selektif, dan memprioritaskan keperluan berdasarkan kebutuhan. Kesehatan mental juga menjadi prioritas, selain masalah kebersihan pribadi dan lingkungan. Komunitas RajutKejut adalah sekelompok perajut perempuan yang melakukan ‘yarn bombing’ di ruang publik menggunakan karya rajut. Dengan kondisi pandemi, di mana sebagian besar aktivitas dibatasi, kesendirian dan isolasi sosial menjadi perhatian utama, komunitas ini tetap terhubung satu sama lain dengan memanfaatkan kecanggihan teknologi digital, untuk berbagi berita, pandangan, dan cerita. Dan dalam melakukannya, mereka berusaha untuk saling mendukung dengan cara terbaik: melalui aktivitas ","PeriodicalId":53063,"journal":{"name":"International Journal of Creative and Arts Studies","volume":"16 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82744543","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Peircean Visual Semiotics for Tertiary Level Students on Storytelling of Lanna Mural Paintings at Wat Phumin, Nan Province, Thailand","authors":"Tawipas Pichaichanarong","doi":"10.24821/ijcas.v8i2.6339","DOIUrl":"https://doi.org/10.24821/ijcas.v8i2.6339","url":null,"abstract":"AbstractMost temples throughout Thailand have mural paintings upon their inner walls. Founder of Silpakorn University, Prof. Silpa Bhirasri, highlighted 13 temples in Thailand as having exceptional mural paintings. With its original Lanna Mural paintings, Wat Phumin in Nan is one such temple. These mural paintings depict three stories: the Buddha, the previous life of the Buddha and the ordinary lives of local people. In general, mural art is considered a medium designed to convey messages to the audience. Therefore, this study is designed to examine the capability of tertiary level students to comprehend the storytelling of the Lanna mural paintings at Wat Phumin. However, the target group of this study coincided with the data from the questionnaires which collected the data from a field trip on site, which is tertiary education. Various methodologies were used to explore the comprehension of the storytelling of Lanna mural paintings among the tertiary students via Peircean visual semiotics. As a result, the report of this research has been shown in this study. Finally, the knowledge from this study can be used to enhance teaching in various education fields related to visual semiotics and mural paintings. In addition, due to the COVID-19 Pandemic, the volume of visitors to Wat Phumin has been reduced. As the situation gets better, this study can educate anyone who plans to visit this temple. Semiotika Visual Peircean dalam Pengisahan Lukisan Mural Lanna di Wat Phumin, Provinsi Nan, Thailand pada Mahasiswa Abstrak Sebagian besar kuil di Thailand memiliki lukisan mural pada dinding bagian dalam. Pendiri Universitas Silpakorn, Prof. Silpa Bhirasri, menyoroti 13 kuil di Thailand yang memiliki lukisan mural yang luar biasa. Wat Phumin di Nan adalah salah satu kuil yang memiliki lukisan Mural Lanna Mural. Lukisan-lukisan mural ini menggambarkan tiga cerita: Sang Buddha, kehidupan Sang Buddha sebelumnya, dan kehidupan biasa masyarakat setempat. Secara umum, seni mural dianggap sebagai media yang dirancang untuk menyampaikan pesan kepada pengunjung. Oleh karena itu, penelitian ini dirancang untuk menguji kemampuan mahasiswa dalam memahami kisah pada lukisan mural Lanna yang ada di Wat Phumin. Kelompok sasaran penelitian ini berkesesuaian dengan data dari kuesioner yang didapat pada hasil kunjungan lapangan setempat, yaitu pendidikan tinggi. Berbagai metodologi digunakan untuk menggali pemahaman akan kisah pada lukisan mural Lanna di kalangan mahasiswa melalui semiotika visual Peircean. Hasilnya kemudian dilaporkan dalam penelitian ini. Pada akhirnya pengetahuan dari penelitian ini dapat digunakan untuk meningkatkan pengajaran di berbagai bidang pendidikan yang berkaitan dengan semiotika visual dan lukisan mural. Selain itu, karena pandemi COVID-19, jumlah pengunjung ke Wat Phumin menjadi berkurang. Dengan semakin membaiknya situasi, penelitian ini dapat mengedukasi siapa saja yang berencana untuk mengunjungi kuil ini.Peircean visual semiotics, tertiary","PeriodicalId":53063,"journal":{"name":"International Journal of Creative and Arts Studies","volume":"25 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74508564","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Effectivity of Asynchronous Learning on Theoretical Compared to Theoretical-Practical Courses at Film Department Universitas Multimedia Nusantara","authors":"A. Annita, Yosef Budi Susanto","doi":"10.24821/ijcas.v8i2.6305","DOIUrl":"https://doi.org/10.24821/ijcas.v8i2.6305","url":null,"abstract":"AbstractImplementation of the e-learning method is a necessity, both synchronous and asynchronous modes. Universitas Multimedia Nusantara (UMN) encourages all of its study programs to implement both synchronous and asynchronous. Meanwhile, there are two types, of course, theoretical and theoretical-practical courses. Due to the specific nature of its learning process, the effectiveness of asynchronous learning is not yet proven. This research aims to evaluate implementing the asynchronous method on theoretical and practical courses at Film Department, UMN. The research was done quantitatively, using descriptive analysis and comparative test method, involving two hundred ninety-five respondents who participated in the study by filling questionnaires. The evaluation was done on the effectiveness of seven courses categorized into two types: theoretical and theoretical-practical courses. The results indicate that the implementation of asynchronous e-learning on seven courses is effective. Furthermore, there is no significant difference between the implementation of asynchronous e-learning on theoretical and theoretical-practical courses. Based on this study, it is recommended that lecturers who apply asynchronous learning in their classes be more active in responding to the students. Challenging activities can also be added to make the discussion forum more active. Efektivitas Pembelajaran Asynchronous pada Mata Kuliah Teori dan Praktik di Prodi Film Universitas Multimedia Nusantara Abstrak Penerapan metode e-learning merupakan suatu kebutuhan, baik berbentuk sinkron maupun asinkron. Universitas Multimedia Nusantara (UMN) mendorong seluruh program studinya untuk menerapkan kedua bentuk e-learning ini. Sementara itu, ada dua jenis mata kuliah, teori dan praktik. Karena sifat spesifik dari proses pembelajarannya, efektivitas pembelajaran asinkron belum terbukti. Penelitian ini bertujuan untuk mengevaluasi efektivitas penerapan metode asinkron pada mata kuliah teori dan praktik di Prodi Film UMN. Penelitian ini dilakukan secara kuantitatif, menggunakan metode analisis deskriptif dan uji komparatif, dengan melibatkan dua ratus sembilan puluh lima responden yang berpartisipasi dalam penelitian dengan mengisi kuesioner. Evaluasi dilakukan terhadap efektivitas tujuh mata kuliah yang dikategorikan menjadi dua jenis, yaitu teori dan praktik. Hasil penelitian menunjukkan bahwa penerapan e-learning asynchronous pada tujuh mata kuliah sudah efektif. Tidak terdapat perbedaan yang signifikan antara penerapan e-learning asinkron pada mata kuliah teori dan praktik. Berdasarkan penelitian ini, disarankan agar dosen yang menerapkan pembelajaran asinkron di kelasnya lebih aktif dalam merespon mahasiswa. Kegiatan yang menarik juga dapat ditambahkan untuk membuat forum diskusi lebih aktif.","PeriodicalId":53063,"journal":{"name":"International Journal of Creative and Arts Studies","volume":"225 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80106460","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Art, the Ancient Spirit of ‘Gotong Royong’, and The Global Pandemic Village","authors":"Salima Hakim","doi":"10.24821/ijcas.v8i2.6304","DOIUrl":"https://doi.org/10.24821/ijcas.v8i2.6304","url":null,"abstract":"AbstractAccording to the World Giving Index, a study done by the Charities Aid Foundation that provides insights into the global trends of generosity, Indonesia has taken the top position of the chart and was named 2020’s most charitable country in the world. The notion of communality, consensus and collectivity, also known in Javanese as gotong royong or mutual assistance, a prominent characteristic associated with the traditional village life, appeared to also transpire within the global village. As we are universally connected through the digital world and are collectively experiencing a global pandemic where all art activities came to a halt, it is important to look further into how art adapted to these sudden changes and limitations of circumstances. Using a cultural studies approach and virtual ethnography data collecting, this paper will seek to examine how several online art initiatives try to embody the spirit of collectivity, using artworks as a tool of activism to help others survive the pandemic and at the same time reimagining the notion of gotong royong that can persist in the digital village that functions as a form of collective belonging to the concept of a nation. Aktivitas Seni sebagai Medium Gotong Royong di Era PandemiAbstrakMenurut World Giving Index, sebuah studi yang dilakukan oleh the Charities Aid Foundation yang memberikan wawasan tentang tren global kedermawanan, Indonesia menempati posisi teratas dan dinobatkan sebagai negara paling dermawan tahun 2020 di dunia. Gagasan komunalitas, konsensus dan kolektivitas, yang juga dikenal dalam bahasa Jawa sebagai gotong royong, karakteristik yang diasosiasikan dengan tradisi dan kehidupan wilayah desa, tampak juga terjadi di dalam desa virtual. Karena kita terhubung secara universal melalui dunia digital dan secara kolektif sedang mengalami pandemi global di mana semua kegiatan seni terhenti, penting untuk melihat lebih jauh bagaimana seni beradaptasi dengan perubahan dan keterbatasan keadaan yang terjadi. Dengan menggunakan pendekatan kajian budaya dan pengumpulan data etnografi virtual, makalah ini akan mencoba mengkaji bagaimana beberapa inisiatif seni daring mencoba untuk mewujudkan semangat kolektivitas, menggunakan karya seni sebagai alat aktivisme yang dapat membantu orang lain dalam kondisi pandemi, dan di saat yang sama kembali membayangkan gagasan gotong royong di desa digital sebagai usaha untuk menjadi bagian dari konsep sebuah bangsa.","PeriodicalId":53063,"journal":{"name":"International Journal of Creative and Arts Studies","volume":"1078 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88319006","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Non-Random Samples as a Data Collection Tool in Qualitative Art-Related Studies","authors":"E. Khalefa, Sri Nurhayati Selian","doi":"10.24821/ijcas.v8i1.5184","DOIUrl":"https://doi.org/10.24821/ijcas.v8i1.5184","url":null,"abstract":"ABSTRACT Non-random sampling as a tool in data collection has widely become a prominent issue in art-related phenomena and is more complicated than ever due to the heterogeneity of the study population. However, the foremost justification of this paper was the identification of several gaps of literatures in the selection of samples that usually lead to misunderstanding. This is because literatures mostly are not related to arts. The misunderstanding includes sample design and representative sample selected size determination. Nevertheless, there is a wide variety of techniques, different styles and trends that influence the field of contemporary art. Confusion is created when many researchers rely on a random sampling strategy that relies heavily on artists rather than works of art. The aim of this study is to explain how to select a representative sample of a heterogeneous population in art-related research. The investigation provided a new vision to select samples of artists, art works and art lovers. This study used an inductive approach through reading books, articles, newspapers, and opinions of philosophers and scholars in the field of research methodology. The most important result of this paper is that non-random sampling is better and more effective than random sampling strategy in art-related studies as it provides beneficial results for heterogeneous populations especially with regard to artists, works of art and art lovers. Sampel Tidak Acak sebagai Alat Pengumpulan Data dalam Studi Terkait Seni Kualitatif ABSTRAKPengambilan sampel tidak acak sebagai alat dalam pengumpulan data telah menjadi isu yang menonjol dalam fenomena yang berkaitan dengan seni dan lebih rumit dari sebelumnya dikarenakan heterogenitas populasi penelitian. Namun justifikasi utama dari makalah ini adalah identifikasi beberapa gap literatur dalam pemilihan sampel yang biasanya menimbulkan kesalahpahaman. Hal ini karena kebanyakan literatur tidak berkaitan dengan seni. Kesalahpahaman mencakup desain sampel dan penentuan ukuran sampel yang dipilih secara representatif. Namun demikian, ada berbagai macam teknik, gaya dan tren berbeda yang mempengaruhi bidang seni rupa kontemporer. Kebingungan tercipta ketika banyak peneliti mengandalkan strategi pengambilan sampel acak yang sangat bergantung pada seniman daripada karya seni. Tujuan dari penelitian ini adalah untuk menjelaskan bagaimana memilih sampel yang representatif dari populasi yang heterogen dalam penelitian yang terkait dengan seni. Investigasi memberikan visi baru untuk memilih sampel seniman, karya seni dan pecinta seni. Penelitian ini menggunakan pendekatan induktif melalui membaca buku, artikel, surat kabar, dan pendapat filsuf dan sarjana dalam bidang metodologi penelitian. Hasil terpenting dari makalah ini adalah pengambilan sampel tidak acak lebih baik dan lebih efektif daripada strategi pengambilan sampel secara acak dalam studi terkait seni karena memberikan hasil yang bermanfaat bagi populasi yang he","PeriodicalId":53063,"journal":{"name":"International Journal of Creative and Arts Studies","volume":"10 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80647169","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Art Form of Wedha’s Pop Art Portrait (WPAP)","authors":"Angga Kusuma Dawami, M. D. Marianto, Suwarno Wisetrotomo","doi":"10.24821/ijcas.v8i1.5375","DOIUrl":"https://doi.org/10.24821/ijcas.v8i1.5375","url":null,"abstract":"Wedha's Pop Art Portrait (WPAP) has become one of the most popular visual arts in Indonesia since Wedha Abdul Rasyid decided on this style in 2010. A decade later, WPAP became part of visual arts in Indonesia, used by many millennial designers, sheltered by the chapter community in regions; Jakarta chapter, Jogjakarta chapter, Surabaya chapter, etc. Visual arts-based on faces is a strong characteristic of WPAP. Only a few have achieved the WPAP form in accordance with the art form that Wedha first brought up. Economic motives became the biggest influence on the change in orientation from WPAP art to commodity. Therefore, the art form in WPAP tends to follow market trends. This paper tries to define the existing art in WPAP, with the formulation of the problem: what is the art form in WPAP in Indonesia? The formal approach to art is an important part of knowing art in WPAP. Through descriptive-analytic, an explanation of the art form in WPAP according to the Wedha’s experience is presented in this paper. The analysis is using an analysis of interactions between members of the WPAP community in several chapters which already have a \"chapter\" community. The art form in WPAP has almost the same characteristics as Wedha's work in the early appearance of WPAP. Wedha had a past that grapples with artwork; making illustrations, making magazine covers, making comics, and so on. The makers of WPAP in the WPAP community also have an art form in WPAP that is the same in pattern, because it is based on WPAP that was initiated by Wedha at the beginning of its appearance. The art form in WPAP has characteristics in color and line drawing. Bentuk Seni dari Wedha’s Pop Art Portrait (WPAP) Abstrak Wedha's Pop Art Portrait (WPAP) menjadi salah satu seni visual yang banyak digemari sejak Wedha Abdul Rasyid memutuskan gaya ini pada tahun 2010. Satu dekade berikutnya, WPAP menjadi bagian dari seni visual di Indonesia, digunakan oleh banyak desainer milenial, dinaungi oleh komunitas chapter yang ada di wilayah-wilayah; chapter Jakarta, chapter Jogjakarta, chapter Surabaya, dll. Seni visual berbasis pada wajah, menjadi ciri khas yang kuat pada WPAP. Hanya sedikit yang mencapai bentuk WPAP yang sesuai dengan bentuk seni yang Wedha munculkan pertama kali. Motif ekonomi menjadi pengaruh terbesar pada perubahan orientasi dari seni WPAP menjadi komoditi. Sehingga bentuk seni dalam WPAP cenderung untuk mengikuti tren pasar. Tulisan ini mencoba untuk mendefinisikan seni yang ada dalam WPAP, dengan rumusan masalah: Bagaimana bentuk seni dalam WPAP menurut komunitasnya di Indonesia? Pendekatan formal seni menjadi bagian penting untuk mengetahui seni dalam WPAP. Melalui diskriptif-analitik, penjelasan tentang bentuk seni dalam WPAP menurut komunitasnya disajikan dalam tulisan ini. Analisis yang digunakan adalah analisis interaksi antar anggota komunitas WPAP di beberapa chapter yang telah memiliki komunitas “chapter”. Bentuk seni dalam WPAP memiliki ciri khas yang hampir sama den","PeriodicalId":53063,"journal":{"name":"International Journal of Creative and Arts Studies","volume":"14 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87546420","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}