ETHNOMUSICOLOGYPub Date : 2022-10-01DOI: 10.5406/21567417.66.3.11
John-Carlos Perea
{"title":"Travels with Frances Densmore: Her Life, Work, and Legacy in Native American Studies","authors":"John-Carlos Perea","doi":"10.5406/21567417.66.3.11","DOIUrl":"https://doi.org/10.5406/21567417.66.3.11","url":null,"abstract":"","PeriodicalId":51751,"journal":{"name":"ETHNOMUSICOLOGY","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43347232","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ETHNOMUSICOLOGYPub Date : 2022-10-01DOI: 10.5406/21567417.66.3.15
Jamil Jorge
{"title":"River City Drumbeat","authors":"Jamil Jorge","doi":"10.5406/21567417.66.3.15","DOIUrl":"https://doi.org/10.5406/21567417.66.3.15","url":null,"abstract":"","PeriodicalId":51751,"journal":{"name":"ETHNOMUSICOLOGY","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43403271","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ETHNOMUSICOLOGYPub Date : 2022-10-01DOI: 10.5406/21567417.66.3.07
A. Morcom
{"title":"Following the People, Refracting Hindustani Music, and Critiquing Genre-Based Research","authors":"A. Morcom","doi":"10.5406/21567417.66.3.07","DOIUrl":"https://doi.org/10.5406/21567417.66.3.07","url":null,"abstract":"\u0000 Ethnomusicologists and Indian musicologists have overwhelmingly studied Hindustani music as classical music, focusing on khyal, dhrupad, and instrumental solo, and its transmission in lineages. In my research, rather than following genre, I followed people, a ground-up method that equates to basic principles of practice theory. Focusing on the extended family of the Rampur-Sahaswan gharana, known for khyal, I looked for musicians regardless of the kind of music they were doing. This brought numerous “hidden musicians” (Finnegan 1989) and genres into view as an integral part of a “classical” lineage: singers of ghazal, qawwali, fusion, or commercial music. The greatest musicians of the past were in fact not “classical” ones, but versatile or chaumukhi artistes who sang “all genres.” My approach is also historical and political-economic, focusing on the lives and livelihoods of musicians and mobility. This enables me to map Hindustani music not just in the famous centers where classical music flourishes today, but in smaller cities and towns. Inspired in particular by Erik Wolf's (1982) history of capitalism, which revealed cultures and societies as interrelated and unbounded, I explore the shifts in and connections of centers and peripheries of Hindustani music—for example, the key role played by semi-classical and light genres in sustaining classical music. I critique genre as a frame for research, showing it as contributing to an ongoing process of classicizing Hindustani music. I show Hindustani music, rather, to be a sprawling, unbounded, but organically interconnected phenomenon created by people and their navigation of life's opportunities, resources, and structures.","PeriodicalId":51751,"journal":{"name":"ETHNOMUSICOLOGY","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48758911","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ETHNOMUSICOLOGYPub Date : 2022-10-01DOI: 10.2307/j.ctt1xp3mg2.7
D. Wong
{"title":"Curtain Up","authors":"D. Wong","doi":"10.2307/j.ctt1xp3mg2.7","DOIUrl":"https://doi.org/10.2307/j.ctt1xp3mg2.7","url":null,"abstract":"A new drug for pancreatic cancer takes the stage for clinical trials, thanks to the Masonic Cancer Center experts who developed it What does it take to get to that moment in a clinic when a doctor gives a patient a compound never before used in modern medicine? The story of Minnelide, an investigational drug for pancreatic cancer patients now in a Phase IA clinical trial at the University of Minnesota, illustrates just how complex and exhilarating that journey can be. \" What we did here with Minnelide, we did at the speed of light, \" says Gunda Georg, Ph.D., director of the College of Pharmacy's Institute for Therapeutics Discovery and Development (ITDD) and a member of the Masonic Cancer Center. \" Going from drug design to clinical trial in just five years is almost unheard of. Ten years is more typical. \" While Georg played a key role, the Minnelide team stretched across campus and beyond, encompassing laboratory investigators, veterinarians, clinical physicians, attorneys, administrators, philanthropists … the group would need a pretty big stage if they all gathered together. \" Each person has their own core area of expertise, \" says Georg, \" but bring them all together, and you can do powerful things. \" continued on page 2","PeriodicalId":51751,"journal":{"name":"ETHNOMUSICOLOGY","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45244928","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ETHNOMUSICOLOGYPub Date : 2022-10-01DOI: 10.5406/21567417.66.3.16
Mayco A. Santaella
{"title":"Kulintang Kultura: Danongan Kalanduyan and Gong Music of the Philippine Diaspora","authors":"Mayco A. Santaella","doi":"10.5406/21567417.66.3.16","DOIUrl":"https://doi.org/10.5406/21567417.66.3.16","url":null,"abstract":"","PeriodicalId":51751,"journal":{"name":"ETHNOMUSICOLOGY","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46580294","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ETHNOMUSICOLOGYPub Date : 2022-10-01DOI: 10.5406/21567417.66.3.06
Bernardo A. Ciro-Gómez, Juan F. Sans
{"title":"Chimichagua and the Musical Ecosystem of the Tambora in the Depresión Momposina","authors":"Bernardo A. Ciro-Gómez, Juan F. Sans","doi":"10.5406/21567417.66.3.06","DOIUrl":"https://doi.org/10.5406/21567417.66.3.06","url":null,"abstract":"\u0000 The tambora is a traditional celebration geographically dispersed across the Depresión Momposina—a vast area along the Magdalena River Basin in northern Colombia—and one of the well-known bailes cantaos, as the sung dances of this region are commonly known. Few in-depth studies into this celebration have been conducted so far, and none of them have devoted particular attention to the tambora of the town of Chimichagua. In this study, the results of the fieldwork carried out in Chimichagua reveal peculiar characteristics of this tambora, which clearly distinguish it from others in the area. Its musical and choreographic specificities make it possible to speak of a complex musical ecosystem in the region, whose diversity is threatened by several factors that will be discussed in this article.","PeriodicalId":51751,"journal":{"name":"ETHNOMUSICOLOGY","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44785004","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ETHNOMUSICOLOGYPub Date : 2022-10-01DOI: 10.5406/21567417.66.3.12
Kailan R. Rubinoff
{"title":"Global Perspectives on Orchestras: Collective Creativity and Social Agency","authors":"Kailan R. Rubinoff","doi":"10.5406/21567417.66.3.12","DOIUrl":"https://doi.org/10.5406/21567417.66.3.12","url":null,"abstract":"","PeriodicalId":51751,"journal":{"name":"ETHNOMUSICOLOGY","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49238968","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ETHNOMUSICOLOGYPub Date : 2022-07-01DOI: 10.5406/21567417.66.2.09
Mason Brown
{"title":"Singing a Great Dream: The Revolutionary Songs and Life of Khusiram Pakhrin","authors":"Mason Brown","doi":"10.5406/21567417.66.2.09","DOIUrl":"https://doi.org/10.5406/21567417.66.2.09","url":null,"abstract":"","PeriodicalId":51751,"journal":{"name":"ETHNOMUSICOLOGY","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42166263","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ETHNOMUSICOLOGYPub Date : 2022-07-01DOI: 10.5406/21567417.66.2.07
Althea SullyCole
{"title":"Listening to Kora in New York City: Constructing Africa and Blackness in the United States","authors":"Althea SullyCole","doi":"10.5406/21567417.66.2.07","DOIUrl":"https://doi.org/10.5406/21567417.66.2.07","url":null,"abstract":"\u0000 Drawing upon ethnographic fieldwork with New York City-based musicians, this article observes how the kora, a twenty-one stringed harp from the Mandé region of West Africa, has become integrated into a Black cultural expression in the United States. It highlights the disjunctures between migrant West African kora players and Black musicians and audiences in the United States that result from particular modes of listening. How these conflicts are manifest in the performance context, the author argues, reveals both who and what means, historically, have been authorized to organize a social imaginary around the idea of “Africa” and its traditions.","PeriodicalId":51751,"journal":{"name":"ETHNOMUSICOLOGY","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46774334","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}