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ETHNOMUSICOLOGY最新文献

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Chimichagua and the Musical Ecosystem of the Tambora in the Depresión Momposina Chimichagua和Depresión Momposina的Tambora的音乐生态系统
IF 0.7 1区 艺术学
ETHNOMUSICOLOGY Pub Date : 2022-10-01 DOI: 10.5406/21567417.66.3.06
Bernardo A. Ciro-Gómez, Juan F. Sans
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引用次数: 0
Kulintang Kultura: Danongan Kalanduyan and Gong Music of the Philippine Diaspora 库林堂文化:菲律宾侨民的达农安卡兰度扬和锣乐
IF 0.7 1区 艺术学
ETHNOMUSICOLOGY Pub Date : 2022-10-01 DOI: 10.5406/21567417.66.3.16
Mayco A. Santaella
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引用次数: 0
Global Perspectives on Orchestras: Collective Creativity and Social Agency 全球视野下的管弦乐队：集体创造力与社会能动性
IF 0.7 1区 艺术学
ETHNOMUSICOLOGY Pub Date : 2022-10-01 DOI: 10.5406/21567417.66.3.12
Kailan R. Rubinoff
{"title":"Global Perspectives on Orchestras: Collective Creativity and Social Agency","authors":"Kailan R. Rubinoff","doi":"10.5406/21567417.66.3.12","DOIUrl":"https://doi.org/10.5406/21567417.66.3.12","url":null,"abstract":"","PeriodicalId":51751,"journal":{"name":"ETHNOMUSICOLOGY","volume":" ","pages":""},"PeriodicalIF":0.7,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49238968","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Singing a Great Dream: The Revolutionary Songs and Life of Khusiram Pakhrin 歌唱伟大的梦想：Khusiram Pakhrin的革命歌曲与人生
IF 0.7 1区 艺术学
ETHNOMUSICOLOGY Pub Date : 2022-07-01 DOI: 10.5406/21567417.66.2.09
Mason Brown
{"title":"Singing a Great Dream: The Revolutionary Songs and Life of Khusiram Pakhrin","authors":"Mason Brown","doi":"10.5406/21567417.66.2.09","DOIUrl":"https://doi.org/10.5406/21567417.66.2.09","url":null,"abstract":"","PeriodicalId":51751,"journal":{"name":"ETHNOMUSICOLOGY","volume":" ","pages":""},"PeriodicalIF":0.7,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42166263","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Listening to Kora in New York City: Constructing Africa and Blackness in the United States 听科拉在纽约:在美国建设非洲和黑人
IF 0.7 1区 艺术学
ETHNOMUSICOLOGY Pub Date : 2022-07-01 DOI: 10.5406/21567417.66.2.07
Althea SullyCole
{"title":"Listening to Kora in New York City: Constructing Africa and Blackness in the United States","authors":"Althea SullyCole","doi":"10.5406/21567417.66.2.07","DOIUrl":"https://doi.org/10.5406/21567417.66.2.07","url":null,"abstract":"\u0000 Drawing upon ethnographic fieldwork with New York City-based musicians, this article observes how the kora, a twenty-one stringed harp from the Mandé region of West Africa, has become integrated into a Black cultural expression in the United States. It highlights the disjunctures between migrant West African kora players and Black musicians and audiences in the United States that result from particular modes of listening. How these conflicts are manifest in the performance context, the author argues, reveals both who and what means, historically, have been authorized to organize a social imaginary around the idea of “Africa” and its traditions.","PeriodicalId":51751,"journal":{"name":"ETHNOMUSICOLOGY","volume":" ","pages":""},"PeriodicalIF":0.7,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46774334","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Gendhing Sekaten. (2010) 2020Gendhing Pahargyan. (2012) 2020Gendhing Kurmat Dalem. 2020Gendhing Gati. (2015) 2020Gendhing Gati Volume 2. 2020Gendhing Soran Volume 1. 2021 Gendhing Sekaten。（2010）2020Gendhing Pahargyan。（2012）2020Gendhing Kurmat Dalem。2020Gendhing准备就绪。（2015）2020Gendhing Gati第2卷。2020Gendhing Soran第1卷。2021
IF 0.7 1区 艺术学
ETHNOMUSICOLOGY Pub Date : 2022-07-01 DOI: 10.5406/21567417.66.2.11
R. Vetter
{"title":"Gendhing Sekaten. (2010) 2020Gendhing Pahargyan. (2012) 2020Gendhing Kurmat Dalem. 2020Gendhing Gati. (2015) 2020Gendhing Gati Volume 2. 2020Gendhing Soran Volume 1. 2021","authors":"R. Vetter","doi":"10.5406/21567417.66.2.11","DOIUrl":"https://doi.org/10.5406/21567417.66.2.11","url":null,"abstract":"","PeriodicalId":51751,"journal":{"name":"ETHNOMUSICOLOGY","volume":" ","pages":""},"PeriodicalIF":0.7,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46485011","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Hindi Film Songs in the Home: Gendered Experiences of Singing Popular Songs in Tamale, Northern Ghana 家里的印地语电影歌曲：在加纳北部塔马莱演唱流行歌曲的性别体验
IF 0.7 1区 艺术学
ETHNOMUSICOLOGY Pub Date : 2022-07-01 DOI: 10.5406/21567417.66.2.05
Katie Young
{"title":"Hindi Film Songs in the Home: Gendered Experiences of Singing Popular Songs in Tamale, Northern Ghana","authors":"Katie Young","doi":"10.5406/21567417.66.2.05","DOIUrl":"https://doi.org/10.5406/21567417.66.2.05","url":null,"abstract":"\u0000 Beginning in the 1950s, Dagbamba and Hausa women in Tamale listened to Hindi film songs in their homes, via gramophone records and through state-run women's radio programs. Hindi film songs were soon integrated into existing domestic singing practices, including songs meant for domestic labor (tuma-yila) and childcare (biyola-yila). Through an analysis of oral history interviews as well as recorded performances of Hindi film songs sung by women, men, and youth in Tamale, I show how everyday performances of Hindi film songs reveal gendered and intergenerational experiences of domestic space, labor, and social life in Tamale.","PeriodicalId":51751,"journal":{"name":"ETHNOMUSICOLOGY","volume":" ","pages":""},"PeriodicalIF":0.7,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42693240","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Matrix Listening; or, What and How We Can Learn from Historical Sound Recordings 矩阵听;或者，我们可以从历史录音中学到什么以及如何学习
IF 0.7 1区 艺术学
ETHNOMUSICOLOGY Pub Date : 2022-07-01 DOI: 10.5406/21567417.66.2.06
M. Luker
{"title":"Matrix Listening; or, What and How We Can Learn from Historical Sound Recordings","authors":"M. Luker","doi":"10.5406/21567417.66.2.06","DOIUrl":"https://doi.org/10.5406/21567417.66.2.06","url":null,"abstract":"\u0000 A matrix number is an alphanumeric code that is inscribed into the run-out area of commercially recorded gramophone discs. In this article, I argue that orienting our scholarly listening around matrix numbers—what I call “matrix listening”—can help us reframe our engagement with historical sound recordings as primary sources and thereby lend valuable insights into any number of scholarly questions. It can also help us revisit the issue of materiality in recorded sound specifically and music in general, approaching sound recordings not only as container technologies for “music” as a purified domain but as complexly agentive material things.","PeriodicalId":51751,"journal":{"name":"ETHNOMUSICOLOGY","volume":"1 1","pages":""},"PeriodicalIF":0.7,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70697873","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Post-Tarab: Music and Affective Politics in the US SWANA Diaspora 后塔拉布：散居美国的音乐与情感政治
IF 0.7 1区 艺术学
ETHNOMUSICOLOGY Pub Date : 2022-07-01 DOI: 10.5406/21567417.66.2.04
Michael A. Figueroa
{"title":"Post-Tarab: Music and Affective Politics in the US SWANA Diaspora","authors":"Michael A. Figueroa","doi":"10.5406/21567417.66.2.04","DOIUrl":"https://doi.org/10.5406/21567417.66.2.04","url":null,"abstract":"\u0000 In this article, I answer Anne K. Rasmussen's call for a “migration of ethnomusicology toward the ‘Diasporic Domestic’” (2019) through an ethnographic study of post-tarab, a postmigrant aesthetic practice among musicians and participants in the Southwest Asian and North African diaspora in the United States. In documenting how this emergent musical vernacular promotes a sense of “diasporic affect” among participants through intersubjective musical encounters, I propose a concentric model that accounts for post-tarab's metacognitive, liminal, and experiential dimensions. Ultimately, I argue that an attention to affective politics presents productive challenges to predominant ethnomusicological models of “culture.”\u0000","PeriodicalId":51751,"journal":{"name":"ETHNOMUSICOLOGY","volume":" ","pages":""},"PeriodicalIF":0.7,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43087724","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Social Spaces of Music Traditions in Baghdad before and after Destruction 毁灭前后巴格达音乐传统的社会空间
IF 0.7 1区 艺术学
ETHNOMUSICOLOGY Pub Date : 2022-04-01 DOI: 10.5406/21567417.66.1.03
S. Hassan
{"title":"The Social Spaces of Music Traditions in Baghdad before and after Destruction","authors":"S. Hassan","doi":"10.5406/21567417.66.1.03","DOIUrl":"https://doi.org/10.5406/21567417.66.1.03","url":null,"abstract":"It is a great honor for me to have been invited to deliver the Charles Seeger Lecture. Besides celebrating the legacy of a humanist who covered many and varied aspects of music, the occasion gives me the opportunity to share with you, through my personal involvement, the state of music and its sound space in my country, Iraq, and particularly in its historical capital, Baghdad, and how it was affected after the destructive war, embargo, and invasion.","PeriodicalId":51751,"journal":{"name":"ETHNOMUSICOLOGY","volume":" ","pages":""},"PeriodicalIF":0.7,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44046553","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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