Hindi Film Songs in the Home: Gendered Experiences of Singing Popular Songs in Tamale, Northern Ghana

IF 0.6 1区艺术学 0 MUSIC

ETHNOMUSICOLOGY Pub Date : 2022-07-01 DOI:10.5406/21567417.66.2.05

Katie Young

引用次数: 0

Abstract

Beginning in the 1950s, Dagbamba and Hausa women in Tamale listened to Hindi film songs in their homes, via gramophone records and through state-run women's radio programs. Hindi film songs were soon integrated into existing domestic singing practices, including songs meant for domestic labor (tuma-yila) and childcare (biyola-yila). Through an analysis of oral history interviews as well as recorded performances of Hindi film songs sung by women, men, and youth in Tamale, I show how everyday performances of Hindi film songs reveal gendered and intergenerational experiences of domestic space, labor, and social life in Tamale.

查看原文本刊更多论文

家里的印地语电影歌曲：在加纳北部塔马莱演唱流行歌曲的性别体验

从20世纪50年代开始，塔马利的达班巴族和豪萨族妇女在家中通过留声机唱片和国营妇女广播节目收听印度电影歌曲。印地语电影歌曲很快融入了现有的国内歌唱实践，包括为家务劳动(tuma-yila)和儿童保育(biyola-yila)而唱的歌曲。通过对口述历史访谈的分析，以及在塔马利由女性、男性和青年演唱的印地语电影歌曲的表演记录，我展示了印地语电影歌曲的日常表演如何揭示了塔马利家庭空间、劳动和社会生活的性别和代际体验。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

求助全文

约1分钟内获得全文求助全文

来源期刊

ETHNOMUSICOLOGY MUSIC-

CiteScore

1.30

自引率

14.30%

发文量

期刊介绍： As the official journal of the Society for Ethnomusicology, Ethnomusicology is the premier publication in the field. Its scholarly articles represent current theoretical perspectives and research in ethnomusicology and related fields, while playing a central role in expanding the discipline in the United States and abroad. Aimed at a diverse audience of musicologists, anthropologists, folklorists, cultural studies scholars, musicians, and others, this inclusive journal also features book, recording, film, video, and multimedia reviews. Peer-reviewed by the Society’s international membership, Ethnomusicology has been published three times a year since the 1950s.