The Social Spaces of Music Traditions in Baghdad before and after Destruction

IF 0.6 1区艺术学 0 MUSIC

ETHNOMUSICOLOGY Pub Date : 2022-04-01 DOI:10.5406/21567417.66.1.03

S. Hassan

引用次数: 1

Abstract

It is a great honor for me to have been invited to deliver the Charles Seeger Lecture. Besides celebrating the legacy of a humanist who covered many and varied aspects of music, the occasion gives me the opportunity to share with you, through my personal involvement, the state of music and its sound space in my country, Iraq, and particularly in its historical capital, Baghdad, and how it was affected after the destructive war, embargo, and invasion.

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毁灭前后巴格达音乐传统的社会空间

我很荣幸受邀发表查尔斯·西格的演讲。除了庆祝一位涵盖音乐许多方面的人文主义者的遗产外，这次活动还让我有机会通过我的个人参与，与大家分享我国伊拉克，特别是其历史首都巴格达的音乐现状及其声音空间，以及它在破坏性战争、禁运和入侵后受到的影响。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

ETHNOMUSICOLOGY MUSIC-

CiteScore

1.30

自引率

14.30%

发文量

期刊介绍： As the official journal of the Society for Ethnomusicology, Ethnomusicology is the premier publication in the field. Its scholarly articles represent current theoretical perspectives and research in ethnomusicology and related fields, while playing a central role in expanding the discipline in the United States and abroad. Aimed at a diverse audience of musicologists, anthropologists, folklorists, cultural studies scholars, musicians, and others, this inclusive journal also features book, recording, film, video, and multimedia reviews. Peer-reviewed by the Society’s international membership, Ethnomusicology has been published three times a year since the 1950s.