ETHNOMUSICOLOGY最新文献_第10页

The Magic of Beverly Sills 贝弗利希尔斯的魔法

IF 0.7 1区艺术学

ETHNOMUSICOLOGY Pub Date : 2022-04-01 DOI: 10.5406/21567417.66.1.19

John R. Pippen

引用次数: 0

Ethnomusicology and Higher Education: Challenges, Trends, and Lessons from the Humanities 民族音乐学与高等教育:人文学科的挑战、趋势和教训

IF 0.7 1区艺术学

ETHNOMUSICOLOGY Pub Date : 2021-10-01 DOI: 10.5406/ethnomusicology.65.3.0413

R. Moore, Luis Ricardo Silva Queiroz, John Bimbiras, C. Rohm, A. Thornton

{"title":"Ethnomusicology and Higher Education: Challenges, Trends, and Lessons from the Humanities","authors":"R. Moore, Luis Ricardo Silva Queiroz, John Bimbiras, C. Rohm, A. Thornton","doi":"10.5406/ethnomusicology.65.3.0413","DOIUrl":"https://doi.org/10.5406/ethnomusicology.65.3.0413","url":null,"abstract":"\u0000 Many authors in recent years note threats to humanistic studies within higher education. They express concern about the overproduction of PhD graduates, the increasing costs of higher education, and other topics. Ethnomusicologists are undoubtedly aware of such issues, yet as a society SEM has not engaged with related publications, nor has it collected much data on specific challenges to our own field. This essay synthesizes literature on trends within the humanities and considers its potential relevance for ethnomusicology. Then, based on interviews with faculty, as well as a 2018 survey circulated to current and former students on the SEM LISTSERV, it briefly considers the state of our discipline in terms of core training, student support, student placement, and other topics. The data suggest that many issues confronting ethnomusicologists resonate with those in other disciplines and that we would benefit from engagement with nationwide dialogues involving the future of graduate studies. Suggestions proposed are many and include an orientation of research toward issues impacting communities near one’s university, greater focus on team-based inquiry rather than individual scholarship, more active collaborations across disciplines, diverse professional training, more attention to shaping the content of K–12 education, communication with diverse audiences, and a research focus on areas of broad public concern whenever possible.","PeriodicalId":51751,"journal":{"name":"ETHNOMUSICOLOGY","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46865522","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

American Music Documentary: Five Case Studies of Ciné-Ethnomusicology 美国音乐纪录片：中国民族音乐学的五个个案研究

IF 0.7 1区艺术学

ETHNOMUSICOLOGY Pub Date : 2021-10-01 DOI: 10.5406/ethnomusicology.65.3.0617

Jennie Gubner

引用次数: 0

Listening for Africa: Freedom, Modernity, and the Logic of Black Music’s African Origins 聆听非洲:自由、现代性和黑人音乐非洲起源的逻辑

IF 0.7 1区艺术学

ETHNOMUSICOLOGY Pub Date : 2021-10-01 DOI: 10.5406/ethnomusicology.65.3.0612

Andrew J. Eisenberg

引用次数: 0

Louder and Faster: Pain, Joy, and the Body Politic in Asian American Taiko 《越响越快:亚裔美国人太鼓中的痛苦、快乐和身体政治》

IF 0.7 1区艺术学

ETHNOMUSICOLOGY Pub Date : 2021-10-01 DOI: 10.5406/ethnomusicology.65.3.0610

Mariko Anno

引用次数: 0

A Tale of Two Cities (and Two Ways of Being Inauthentic): The Politics of College Jazz in “Official Cleveland” and in the “Other Cleveland” 两座城市的故事（以及两种不真实的方式）：《官方克利夫兰》和《另一个克利夫兰》中的大学爵士乐政治

IF 0.7 1区艺术学

ETHNOMUSICOLOGY Pub Date : 2021-10-01 DOI: 10.5406/ethnomusicology.65.3.0549

George Blake

引用次数: 1

The Crowd in Flux: Atmosphere and the Governance of Public Affects at FC Union Berlin 流动中的人群:气氛与公共影响的治理，柏林FC联盟

IF 0.7 1区艺术学

ETHNOMUSICOLOGY Pub Date : 2021-10-01 DOI: 10.5406/ethnomusicology.65.3.0497

Max Jack

引用次数: 1

Deep Polyphony in the Hymns of Julien Jouga 儒艮赞美诗中的深层复调

IF 0.7 1区艺术学

ETHNOMUSICOLOGY Pub Date : 2021-10-01 DOI: 10.5406/ethnomusicology.65.3.0574

Christine Thu Nhi Dang

{"title":"Deep Polyphony in the Hymns of Julien Jouga","authors":"Christine Thu Nhi Dang","doi":"10.5406/ethnomusicology.65.3.0574","DOIUrl":"https://doi.org/10.5406/ethnomusicology.65.3.0574","url":null,"abstract":"\u0000 Arguably the foremost pioneer of indigenized hymnody in Senegal, Julien Jouga composed hymns that achieved remarkable popularity beyond the Catholic Church, beloved by Muslims and Christians alike. In his compositions, Jouga did not limit himself to conventional Catholic materials but drew extensively upon the practices of mystical Islam and African traditional religions. Amalgamating divergent musical, cultural, and spiritual sources, Jouga entered into dialogue with the voices of religious others, voices whom he confronted as equals within the polyphonic lines of his hymns. Through this radically dialogic approach, Jouga’s compositions became performances of deep polyphony: of inclusive hymnody that recognizes the truths of others and celebrates the simultaneity of moral and spiritual paths in the midst of religious difference.\u0000 Sans doute le plus grand pionnier de l’hymnodie au Sénégal, Julien Jouga a composé des hymnes qui ont acquis une popularité remarquable, audelà même de l‘Église catholique, aimés des musulmans comme des chrétiens. Dans ses compositions, Jouga ne s’est pas limité aux matériaux catholiques conventionnels et s’est largement inspiré des pratiques de l’Islam mystique et des religions traditionnelles africaines. Amalgamant des éléments musicaux, culturels et spirituels distincts, Jouga est entré en dialogue au sein de la pluralité religieuse, voix qu’il a traitées d‘égal à égal dans les lignes polyphoniques de ses hymnes. Par cette approche radicalement dialogique, les compositions de Jouga sont devenues des performances de polyphonie profonde, d’hymnodie inclusive qui reconnaît les vérités d’autrui et célèbre la simultanéité des chemins moraux et spirituels au coeur de la différence religieuse.","PeriodicalId":51751,"journal":{"name":"ETHNOMUSICOLOGY","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46881180","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Notes on Contributing Authors 特约作者说明

IF 0.7 1区艺术学

ETHNOMUSICOLOGY Pub Date : 2021-10-01 DOI: 10.5406/ethnomusicology.58.2.vii

Frsc

引用次数: 0

Echoes from the East: The Javanese Gamelan and Its Influence on the Music of Claude Debussy 来自东方的回响：爪哇的加美兰及其对德彪西音乐的影响

IF 0.7 1区艺术学

ETHNOMUSICOLOGY Pub Date : 2021-10-01 DOI: 10.5406/ethnomusicology.65.3.0624

Meghan Hynson

引用次数: 1