Authority, Deference, and Disregard in Catholic Liturgical Music in Central Cameroon

IF 0.6 1区艺术学 0 MUSIC

ETHNOMUSICOLOGY Pub Date : 2022-04-01 DOI:10.5406/21567417.66.1.04

Byron Dueck

引用次数: 0

Abstract

This article examines Catholic liturgical music in indigenous idioms in central Cameroon, focusing on a Sanctus by composer Jean André Yebnoun Ngann. We consider how musicians enact deference and authority through the sounding materials of music, discussions of music, and social interactions that allow music-making to occur, proposing that all of these might usefully be analyzed with the help of the linguistic concept of deixis. Study of four different performances of the Sanctus reveals how contemporary music-making elaborates forms of deference shaped not only by colonialism and Catholicism but also by older ways of leading and following.

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喀麦隆中部天主教礼乐的权威、反抗与无视

本文考察了喀麦隆中部土著习语中的天主教礼仪音乐，重点是作曲家让·安德烈·耶布农·恩格恩的《圣歌》。我们考虑音乐家如何通过音乐的声音材料、音乐的讨论和允许音乐创作的社会互动来制定尊重和权威，并提出所有这些都可以在指示的语言概念的帮助下进行有用的分析。对四种不同的《圣都》表演的研究揭示了当代音乐制作如何阐述了不仅受殖民主义和天主教影响，而且受旧的领导和追随方式影响的尊重形式。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

ETHNOMUSICOLOGY MUSIC-

CiteScore

1.30

自引率

14.30%

发文量

期刊介绍： As the official journal of the Society for Ethnomusicology, Ethnomusicology is the premier publication in the field. Its scholarly articles represent current theoretical perspectives and research in ethnomusicology and related fields, while playing a central role in expanding the discipline in the United States and abroad. Aimed at a diverse audience of musicologists, anthropologists, folklorists, cultural studies scholars, musicians, and others, this inclusive journal also features book, recording, film, video, and multimedia reviews. Peer-reviewed by the Society’s international membership, Ethnomusicology has been published three times a year since the 1950s.