不让任何人评判：记住卡利普森主义与遏制风险

IF 0.6 1区艺术学 0 MUSIC

ETHNOMUSICOLOGY Pub Date : 2022-04-01 DOI:10.5406/21567417.66.1.08

D. Lewis

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引用次数: 0

摘要

当calypsonian Merchant于1999年死于与艾滋病毒有关的原因时，他的生与死成为特立尼达和多巴哥公众讨论艾滋病毒/艾滋病的渠道。麦钱特在人们的记忆中，是一个沉溺于女人的、工人阶级的卡利普派主义者，同时也是一个未出柜的同性恋者。这些公共叙述，就像与疾病或流行病有关的其他个人的叙述一样，利用音乐将风险分配给边缘化群体，并通过暗示将风险分配给特立尼达广大公众。

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Let No Man Judge: Remembering the Calypsonian and Containing Risk

When calypsonian Merchant died of HIV-related causes in 1999, his life and death became a conduit for the public discussion of HIV/AIDS in Trinidad and Tobago. Merchant was remembered simultaneously as a womanizing, working-class calypsonian and as a closeted gay man. These public narratives, like narratives of other individuals associated with disease or epidemics, used music to allocate risk to marginalized groups and, by implication, away from much of the general Trinidadian public.

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来源期刊

ETHNOMUSICOLOGY MUSIC-

CiteScore

1.30

自引率

14.30%

发文量

期刊介绍： As the official journal of the Society for Ethnomusicology, Ethnomusicology is the premier publication in the field. Its scholarly articles represent current theoretical perspectives and research in ethnomusicology and related fields, while playing a central role in expanding the discipline in the United States and abroad. Aimed at a diverse audience of musicologists, anthropologists, folklorists, cultural studies scholars, musicians, and others, this inclusive journal also features book, recording, film, video, and multimedia reviews. Peer-reviewed by the Society’s international membership, Ethnomusicology has been published three times a year since the 1950s.