ETHNOMUSICOLOGY最新文献_第8页

Motivating Traditional Musicians to Learn a Heritage Language in Gaelic Nova Scotia 鼓励传统音乐家学习盖尔语新斯科舍省的传统语言

IF 0.7 1区艺术学

ETHNOMUSICOLOGY Pub Date : 2022-04-01 DOI: 10.5406/21567417.66.1.09

H. Sparling, P. MacIntyre, S. Baker

引用次数: 0

Inside Arabic Music: Arabic Maqam Performance and Theory in the 20th Century 深入阿拉伯音乐:20世纪阿拉伯Maqam演奏与理论

IF 0.7 1区艺术学

ETHNOMUSICOLOGY Pub Date : 2022-04-01 DOI: 10.5406/21567417.66.1.12

Ann E. Lucas

引用次数: 8

Gagaku, Ensemble OnoTeruhisa Fukuda, maître de shakuhachi. Offrande musicale

IF 0.7 1区艺术学

ETHNOMUSICOLOGY Pub Date : 2022-04-01 DOI: 10.5406/21567417.66.1.18

Jay Keister

引用次数: 0

The Magic of Beverly Sills 贝弗利希尔斯的魔法

IF 0.7 1区艺术学

ETHNOMUSICOLOGY Pub Date : 2022-04-01 DOI: 10.5406/21567417.66.1.19

John R. Pippen

引用次数: 0

Gamelan Girls: Gender, Childhood, and Politics in Balinese Music Ensembles 佳美兰女孩:巴厘音乐合奏中的性别、童年与政治

IF 0.7 1区艺术学

ETHNOMUSICOLOGY Pub Date : 2022-04-01 DOI: 10.5406/21567417.66.1.11

J. Mcintosh

引用次数: 0

Issues in African American Music: Power, Gender, Race, Representation 非裔美国人音乐中的问题：权力、性别、种族、代表性

IF 0.7 1区艺术学

ETHNOMUSICOLOGY Pub Date : 2022-04-01 DOI: 10.5406/21567417.66.1.13

S. Graham

引用次数: 0

Effects of C-Factor on Bond Strength of Universal Adhesives to Floor and Wall Dentin in Class-I Composite Restorations. C 因子对 I 类复合树脂修复体中通用粘合剂与底层和壁层牙本质粘接强度的影响

1区艺术学

ETHNOMUSICOLOGY Pub Date : 2022-03-01 DOI: 10.3290/j.jad.b2701599

Nafiseh Fazelian, Shahin Kasraei, Zahra Khamverdi

{"title":"Effects of C-Factor on Bond Strength of Universal Adhesives to Floor and Wall Dentin in Class-I Composite Restorations.","authors":"Nafiseh Fazelian, Shahin Kasraei, Zahra Khamverdi","doi":"10.3290/j.jad.b2701599","DOIUrl":"10.3290/j.jad.b2701599","url":null,"abstract":"Purpose: To evaluate the effects of C-factor on the bond strength of universal adhesives to floor and wall dentin in class-I composite restorations using a bulk-fill composite.Materials and methods: 108 non-carious humans third molars were randomly divided into four groups as follows: flat wall, flat floor, cavity wall, and cavity floor (n = 36). Then, each group was subdivided into three subgroups according to the type of adhesive used: Single Bond Universal, G-premio Bond (both universal adhesives), or Adper Single Bond 2 (an etch-and-rinse adhesive). After the bonding procedure, X-tra fill resin composite was applied in bulk to build up the flat surfaces or fill the cavities.Then the teeth were sectioned into 1-mm2 sticks and microtensile bond strength (µTBS) was measured using a universal testing machine. µTBS (MPa) was analyzed by one-way, two-way, and three-way ANOVA using SPSS Version 23 (a = 0.05).Results: Interactions between adhesives and bonding surfaces, as well as C-factor and bonding surfaces showed statistically significant differences, but the interaction between the C-factor and type of adhesive was not statistically significant. The comparison of bonded surfaces including the flat wall and the flat floor in Adper Single Bond 2 was statistically significant (p < 0.05), except for the cavity wall and cavity floor.Conclusion: Regardless of the type of adhesives, the C-factor reduced the µTBS of the composite resin to dentin. Adper Single Bond 2 mediated higher µTBS than did the universal adhesives G-premio Bond and Single Bond Universal.","PeriodicalId":51751,"journal":{"name":"ETHNOMUSICOLOGY","volume":"25 1","pages":"2-8"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90738914","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Ethnomusicology and Higher Education: Challenges, Trends, and Lessons from the Humanities 民族音乐学与高等教育:人文学科的挑战、趋势和教训

IF 0.7 1区艺术学

ETHNOMUSICOLOGY Pub Date : 2021-10-01 DOI: 10.5406/ethnomusicology.65.3.0413

R. Moore, Luis Ricardo Silva Queiroz, John Bimbiras, C. Rohm, A. Thornton

{"title":"Ethnomusicology and Higher Education: Challenges, Trends, and Lessons from the Humanities","authors":"R. Moore, Luis Ricardo Silva Queiroz, John Bimbiras, C. Rohm, A. Thornton","doi":"10.5406/ethnomusicology.65.3.0413","DOIUrl":"https://doi.org/10.5406/ethnomusicology.65.3.0413","url":null,"abstract":"\u0000 Many authors in recent years note threats to humanistic studies within higher education. They express concern about the overproduction of PhD graduates, the increasing costs of higher education, and other topics. Ethnomusicologists are undoubtedly aware of such issues, yet as a society SEM has not engaged with related publications, nor has it collected much data on specific challenges to our own field. This essay synthesizes literature on trends within the humanities and considers its potential relevance for ethnomusicology. Then, based on interviews with faculty, as well as a 2018 survey circulated to current and former students on the SEM LISTSERV, it briefly considers the state of our discipline in terms of core training, student support, student placement, and other topics. The data suggest that many issues confronting ethnomusicologists resonate with those in other disciplines and that we would benefit from engagement with nationwide dialogues involving the future of graduate studies. Suggestions proposed are many and include an orientation of research toward issues impacting communities near one’s university, greater focus on team-based inquiry rather than individual scholarship, more active collaborations across disciplines, diverse professional training, more attention to shaping the content of K–12 education, communication with diverse audiences, and a research focus on areas of broad public concern whenever possible.","PeriodicalId":51751,"journal":{"name":"ETHNOMUSICOLOGY","volume":" ","pages":""},"PeriodicalIF":0.7,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46865522","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Deep Polyphony in the Hymns of Julien Jouga 儒艮赞美诗中的深层复调

IF 0.7 1区艺术学

ETHNOMUSICOLOGY Pub Date : 2021-10-01 DOI: 10.5406/ethnomusicology.65.3.0574

Christine Thu Nhi Dang

{"title":"Deep Polyphony in the Hymns of Julien Jouga","authors":"Christine Thu Nhi Dang","doi":"10.5406/ethnomusicology.65.3.0574","DOIUrl":"https://doi.org/10.5406/ethnomusicology.65.3.0574","url":null,"abstract":"\u0000 Arguably the foremost pioneer of indigenized hymnody in Senegal, Julien Jouga composed hymns that achieved remarkable popularity beyond the Catholic Church, beloved by Muslims and Christians alike. In his compositions, Jouga did not limit himself to conventional Catholic materials but drew extensively upon the practices of mystical Islam and African traditional religions. Amalgamating divergent musical, cultural, and spiritual sources, Jouga entered into dialogue with the voices of religious others, voices whom he confronted as equals within the polyphonic lines of his hymns. Through this radically dialogic approach, Jouga’s compositions became performances of deep polyphony: of inclusive hymnody that recognizes the truths of others and celebrates the simultaneity of moral and spiritual paths in the midst of religious difference.\u0000 Sans doute le plus grand pionnier de l’hymnodie au Sénégal, Julien Jouga a composé des hymnes qui ont acquis une popularité remarquable, audelà même de l‘Église catholique, aimés des musulmans comme des chrétiens. Dans ses compositions, Jouga ne s’est pas limité aux matériaux catholiques conventionnels et s’est largement inspiré des pratiques de l’Islam mystique et des religions traditionnelles africaines. Amalgamant des éléments musicaux, culturels et spirituels distincts, Jouga est entré en dialogue au sein de la pluralité religieuse, voix qu’il a traitées d‘égal à égal dans les lignes polyphoniques de ses hymnes. Par cette approche radicalement dialogique, les compositions de Jouga sont devenues des performances de polyphonie profonde, d’hymnodie inclusive qui reconnaît les vérités d’autrui et célèbre la simultanéité des chemins moraux et spirituels au coeur de la différence religieuse.","PeriodicalId":51751,"journal":{"name":"ETHNOMUSICOLOGY","volume":" ","pages":""},"PeriodicalIF":0.7,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46881180","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

American Music Documentary: Five Case Studies of Ciné-Ethnomusicology 美国音乐纪录片：中国民族音乐学的五个个案研究

IF 0.7 1区艺术学

ETHNOMUSICOLOGY Pub Date : 2021-10-01 DOI: 10.5406/ethnomusicology.65.3.0617

Jennie Gubner

引用次数: 0