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Louder and Faster: Pain, Joy, and the Body Politic in Asian American Taiko 《越响越快:亚裔美国人太鼓中的痛苦、快乐和身体政治》
IF 0.7 1区 艺术学
ETHNOMUSICOLOGY Pub Date : 2021-10-01 DOI: 10.5406/ethnomusicology.65.3.0610
Mariko Anno
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引用次数: 0
Listening for Africa: Freedom, Modernity, and the Logic of Black Music’s African Origins 聆听非洲:自由、现代性和黑人音乐非洲起源的逻辑
IF 0.7 1区 艺术学
ETHNOMUSICOLOGY Pub Date : 2021-10-01 DOI: 10.5406/ethnomusicology.65.3.0612
Andrew J. Eisenberg
{"title":"Listening for Africa: Freedom, Modernity, and the Logic of Black Music’s African Origins","authors":"Andrew J. Eisenberg","doi":"10.5406/ethnomusicology.65.3.0612","DOIUrl":"https://doi.org/10.5406/ethnomusicology.65.3.0612","url":null,"abstract":"","PeriodicalId":51751,"journal":{"name":"ETHNOMUSICOLOGY","volume":" ","pages":""},"PeriodicalIF":0.7,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49120520","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Tale of Two Cities (and Two Ways of Being Inauthentic): The Politics of College Jazz in “Official Cleveland” and in the “Other Cleveland” 两座城市的故事（以及两种不真实的方式）：《官方克利夫兰》和《另一个克利夫兰》中的大学爵士乐政治
IF 0.7 1区 艺术学
ETHNOMUSICOLOGY Pub Date : 2021-10-01 DOI: 10.5406/ethnomusicology.65.3.0549
George Blake
{"title":"A Tale of Two Cities (and Two Ways of Being Inauthentic): The Politics of College Jazz in “Official Cleveland” and in the “Other Cleveland”","authors":"George Blake","doi":"10.5406/ethnomusicology.65.3.0549","DOIUrl":"https://doi.org/10.5406/ethnomusicology.65.3.0549","url":null,"abstract":"\u0000 In this article, I consider how discourses of jazz authenticity register social tensions in Cleveland, Ohio. Scholars have shown that the relationship between jazz and higher education is nothing new. However, fans and musicians express conflicting impulses toward college jazz. On the one hand, college jazz presents the financial and symbolic benefits of institutional legitimacy. Many musicians are themselves college jazz graduates and teachers. On the other hand, many express an aversion grounded in the belief that real jazz happens in urban nightclubs. I argue that people mobilize authenticity to critique college jazz in order to invoke the inequality of the city’s urban past and the invisibility of its rich jazz history.","PeriodicalId":51751,"journal":{"name":"ETHNOMUSICOLOGY","volume":" ","pages":""},"PeriodicalIF":0.7,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41992230","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Crowd in Flux: Atmosphere and the Governance of Public Affects at FC Union Berlin 流动中的人群:气氛与公共影响的治理，柏林FC联盟
IF 0.7 1区 艺术学
ETHNOMUSICOLOGY Pub Date : 2021-10-01 DOI: 10.5406/ethnomusicology.65.3.0497
Max Jack
{"title":"The Crowd in Flux: Atmosphere and the Governance of Public Affects at FC Union Berlin","authors":"Max Jack","doi":"10.5406/ethnomusicology.65.3.0497","DOIUrl":"https://doi.org/10.5406/ethnomusicology.65.3.0497","url":null,"abstract":"\u0000 Exploring the role of atmosphere in the context of soccer fandom, I examine hard-core fans called “ultras” at Football Club Union Berlin. In response to the ultras’ coordination of crowd performativity in the stadium, an assemblage of competing governing apparatuses has intervened with an interest in alleviating risk and potentially inflammatory dispositions of the fans. In contrast to the text-based rational-critical discourse idealized as characteristic of the public sphere (Warner 2002), I argue that atmosphere is an affective-discursive realm through which ultras negotiate subjectivity, which is perceived as deviant because it deconstructs individualism, interiority, and reason as assumed traits of liberal democratic citizenship.","PeriodicalId":51751,"journal":{"name":"ETHNOMUSICOLOGY","volume":" ","pages":""},"PeriodicalIF":0.7,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48795568","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Notes on Contributing Authors 特约作者说明
IF 0.7 1区 艺术学
ETHNOMUSICOLOGY Pub Date : 2021-10-01 DOI: 10.5406/ethnomusicology.58.2.vii
Frsc
{"title":"Notes on Contributing Authors","authors":"Frsc","doi":"10.5406/ethnomusicology.58.2.vii","DOIUrl":"https://doi.org/10.5406/ethnomusicology.58.2.vii","url":null,"abstract":"MICHAEL ASCH, FRSC, (Ph.D. in Anthropology, Columbia University, 1972) is the only child of Moses and Frances Asch, and is the host of Smithsonian Folkways: Sounds to Grow On, a radio series broadcast on CKUA, and podcast through the Smithsonian Folkways website. Dr. Asch is Visiting Professor of Anthropology at the University of Victoria and Professor Emeritus of Anthropology at the University of Alberta. He has published extensively on political relations between Indigenous peoples and the Canadian state.","PeriodicalId":51751,"journal":{"name":"ETHNOMUSICOLOGY","volume":" ","pages":""},"PeriodicalIF":0.7,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5406/ethnomusicology.58.2.vii","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43462473","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Echoes from the East: The Javanese Gamelan and Its Influence on the Music of Claude Debussy 来自东方的回响：爪哇的加美兰及其对德彪西音乐的影响
IF 0.7 1区 艺术学
ETHNOMUSICOLOGY Pub Date : 2021-10-01 DOI: 10.5406/ethnomusicology.65.3.0624
Meghan Hynson
{"title":"Echoes from the East: The Javanese Gamelan and Its Influence on the Music of Claude Debussy","authors":"Meghan Hynson","doi":"10.5406/ethnomusicology.65.3.0624","DOIUrl":"https://doi.org/10.5406/ethnomusicology.65.3.0624","url":null,"abstract":"","PeriodicalId":51751,"journal":{"name":"ETHNOMUSICOLOGY","volume":" ","pages":""},"PeriodicalIF":0.7,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49390044","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Music, Sound, and Architecture in Islam 伊斯兰教的音乐、声音和建筑
IF 0.7 1区 艺术学
ETHNOMUSICOLOGY Pub Date : 2021-10-01 DOI: 10.5406/ethnomusicology.65.3.0614
M. Rancier
{"title":"Music, Sound, and Architecture in Islam","authors":"M. Rancier","doi":"10.5406/ethnomusicology.65.3.0614","DOIUrl":"https://doi.org/10.5406/ethnomusicology.65.3.0614","url":null,"abstract":"","PeriodicalId":51751,"journal":{"name":"ETHNOMUSICOLOGY","volume":" ","pages":""},"PeriodicalIF":0.7,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47668134","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Yi Suyong and the Quiet of “Korea’s Hiroshima” 李素勇与“韩国广岛”的宁静
IF 0.7 1区 艺术学
ETHNOMUSICOLOGY Pub Date : 2021-10-01 DOI: 10.5406/ethnomusicology.65.3.0444
Joshua D. Pilzer
{"title":"Yi Suyong and the Quiet of “Korea’s Hiroshima”","authors":"Joshua D. Pilzer","doi":"10.5406/ethnomusicology.65.3.0444","DOIUrl":"https://doi.org/10.5406/ethnomusicology.65.3.0444","url":null,"abstract":"Bicultural residents of the Hapcheon Atomic Bomb Victims Welfare Center in rural southeastern Korea who were raised in Hiroshima and survived the bomb live in a complex world of quiet—of radiation-related vocal disability, Japanese and Korean cultural values of restraint and civility, religious practice and propriety, and traumatic memory. In this article, I musically encounter a world largely devoid of music, focusing on one survivor’s style of quietude. Manipulating rhythm, pitch, and silence in speech, testimony, and craftwork, she navigates between personal aims and the expectations she faces as a witness to Korean experiences of the atomic bomb. 히로시마에서 자랐고 원자폭탄의 폭격 속에서 생존한 합천원 폭피해자복지회관의 이중 문화 주민들은 복잡한 조용함의 세계에 살 고 있다. 방사선 관련 음성 장애, 일본과 한국 문화의 절제와 정중함 의 가치, 종교적 관습과 타당성, 그리고 외상 기억이 이 조용함의 많 은 원천 중 일부이다. 본 연구는 한 생존자의 조용함의 스타일을 중심 으로 음악이 많지 않은 이 세계를 음악적으로 조우한다. 이 생존자는 말, 증언, 공예품에서 리듬과 음조, 그리고 침묵을 조종하며, 한국인 의 원폭 경험에 대한 증인으로서 자신이 직면한 기대와 개인적인 목 표 사이를 탐색한다.","PeriodicalId":51751,"journal":{"name":"ETHNOMUSICOLOGY","volume":" ","pages":""},"PeriodicalIF":0.7,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41608272","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
COVID-Era Online Collective Research Initiatives in Yiddish Traditional Music 新冠肺炎时代意第绪语传统音乐在线集体研究计划
IF 0.7 1区 艺术学
ETHNOMUSICOLOGY Pub Date : 2021-10-01 DOI: 10.5406/ethnomusicology.65.3.0630
M. Slobin
{"title":"COVID-Era Online Collective Research Initiatives in Yiddish Traditional Music","authors":"M. Slobin","doi":"10.5406/ethnomusicology.65.3.0630","DOIUrl":"https://doi.org/10.5406/ethnomusicology.65.3.0630","url":null,"abstract":"COVID-Era Online Collective Research Initiatives in Yiddish Traditional Music is discussed. Lately, ethnomusicology has been recommending and extolling greater research consultation and collaboration between musicians and scholars. Some people give joint papers, which helps to downplay and even denigrate the solo heroics or\" field work while emphasizing inclusion. Still, analysis of collected material largely rests on the professional's shoulders, even if it is seen almost as a burden that comes with the status of expert. This participant-observer media review reports on a number of lively, interactive COVID-era (2020-early 2021) internet projects in Yiddish music studies that have leveraged the extensive free time of musicians, often serious researchers themselves, to work as a team with specialists and organizers in advancing an area of study, presentation, and performance.","PeriodicalId":51751,"journal":{"name":"ETHNOMUSICOLOGY","volume":" ","pages":""},"PeriodicalIF":0.7,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43445910","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Carnival Brass Bands in New Orleans and Rio de Janeiro: Disinheritance, Alternative Whiteness, and Musical Eclecticism 新奥尔良和里约热内卢的狂欢节铜管乐队:剥夺继承权、另类白人和音乐折衷主义
IF 0.7 1区 艺术学
ETHNOMUSICOLOGY Pub Date : 2021-10-01 DOI: 10.5406/ethnomusicology.65.3.0519
Andrew Snyder
{"title":"Carnival Brass Bands in New Orleans and Rio de Janeiro: Disinheritance, Alternative Whiteness, and Musical Eclecticism","authors":"Andrew Snyder","doi":"10.5406/ethnomusicology.65.3.0519","DOIUrl":"https://doi.org/10.5406/ethnomusicology.65.3.0519","url":null,"abstract":"\u0000 This article explores the predominantly White brass band scenes of the carnivals of New Orleans and Rio de Janeiro as producing rituals of intensified social distinction. The bands’ musical practices realize aesthetic preferences of distinct racialized communities forged through relational positioning. Offering alternatives to the “heritage repertoires” of these carnivals based in musical Blackness, these bands’ musical eclecticism forms an aesthetic articulation of “alternative Whiteness,” which seeks to “disinherit” both hegemonic Whiteness of conservative cultural politics and commodification of Blackness. The article theorizes contemporary carnivalesque translocality in consideration of longer histories of festive circulation in the Atlantic World.\u0000 Este artigo examina o cenário de bandas de sopros, formadas predominantemente por pessoas brancas, presentes nos carnavais de Nova Orleans e no Rio de Janeiro, caracterizando como rituais de intensificação da distinção social. As práticas musicais realizadas por essas bandas têm preferências estéticas distintas das comunidades negras forjadas por meio de posicionamento relacional. Oferecendo alternativas aos “repertórios de herança” desses carnavais baseados na negritude musical, o ecletismo musical dessas bandas forma uma articulação estética da “branquitude alternativa”, que busca “deserdar” tanto a branquitude hegemônica da política cultural conservadora quanto a comodificação da negritude. O artigo teoriza a translocalidade carnavalesca contemporânea em consideração a histórias mais longas de circulação festiva no Mundo Atlântico.","PeriodicalId":51751,"journal":{"name":"ETHNOMUSICOLOGY","volume":" ","pages":""},"PeriodicalIF":0.7,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43887096","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
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