穆哲学的明珠:独立阿塞拜疆的诗歌与音乐解释学

IF 0.6 1区 艺术学 0 MUSIC
Polina Dessiatnitchenko
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引用次数: 0

摘要

2019年,阿塞拜疆备受爱戴的诗人Imadaddin Nasimi(1369–1417)诞辰650周年,他创作了两首作品,其中以他著名的qşzşl“sığmazam”为背景。Qāzāl诗歌通常在穆阿姆音乐中表演,穆阿姆是阿塞拜疆传统音乐的一个分支,流行歌星在这两首作品中对其非正统的使用引发了激烈的争论。在这篇文章中,我讨论了在后苏联背景下,诗歌所具有的深刻意义和工具性是如何解释这两首诗的强大影响的。我展示了对穆阿姆中qşzşl含义的解释和想象,特别是超越的主题,是如何创造社会和政治现实的一种方式,并阐明后苏联时代的主观主义,这些主观主义是通过对损失的叙述以及与对苏联过去的信仰有关而出现的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Pearl of Muğam Philosophy: Qəzəl Poetry and Musical Hermeneutics in Independent Azerbaijan
The 650th anniversary of Azerbaijan's beloved poet Imadaddin Nasimi (1369–1417) in 2019 was marked by two compositions in which his famous qəzəl “Sığmazam” was set to music. Qəzəl poetry is usually performed in muğam, a branch of traditional Azerbaijani music, and its unorthodox use by pop stars in these two compositions sparked intense debates. In this article, I discuss how the deep significance and instrumentality that qəzəl poetry holds in the post-Soviet context explains the powerful impact of the two pieces. I show how interpretation and imagination of qəzəl meanings in muğam, especially the theme of the beyond, is a way to make social and political realities and articulate post-Soviet subjectivities that emerge through the narrative of loss and in relation to beliefs about the Soviet past.
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来源期刊
CiteScore
1.30
自引率
14.30%
发文量
30
期刊介绍: As the official journal of the Society for Ethnomusicology, Ethnomusicology is the premier publication in the field. Its scholarly articles represent current theoretical perspectives and research in ethnomusicology and related fields, while playing a central role in expanding the discipline in the United States and abroad. Aimed at a diverse audience of musicologists, anthropologists, folklorists, cultural studies scholars, musicians, and others, this inclusive journal also features book, recording, film, video, and multimedia reviews. Peer-reviewed by the Society’s international membership, Ethnomusicology has been published three times a year since the 1950s.
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