{"title":"穆哲学的明珠:独立阿塞拜疆的诗歌与音乐解释学","authors":"Polina Dessiatnitchenko","doi":"10.5406/21567417.66.1.06","DOIUrl":null,"url":null,"abstract":"\n The 650th anniversary of Azerbaijan's beloved poet Imadaddin Nasimi (1369–1417) in 2019 was marked by two compositions in which his famous qəzəl “Sığmazam” was set to music. Qəzəl poetry is usually performed in muğam, a branch of traditional Azerbaijani music, and its unorthodox use by pop stars in these two compositions sparked intense debates. In this article, I discuss how the deep significance and instrumentality that qəzəl poetry holds in the post-Soviet context explains the powerful impact of the two pieces. I show how interpretation and imagination of qəzəl meanings in muğam, especially the theme of the beyond, is a way to make social and political realities and articulate post-Soviet subjectivities that emerge through the narrative of loss and in relation to beliefs about the Soviet past.","PeriodicalId":51751,"journal":{"name":"ETHNOMUSICOLOGY","volume":" ","pages":""},"PeriodicalIF":0.6000,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Pearl of Muğam Philosophy: Qəzəl Poetry and Musical Hermeneutics in Independent Azerbaijan\",\"authors\":\"Polina Dessiatnitchenko\",\"doi\":\"10.5406/21567417.66.1.06\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n The 650th anniversary of Azerbaijan's beloved poet Imadaddin Nasimi (1369–1417) in 2019 was marked by two compositions in which his famous qəzəl “Sığmazam” was set to music. Qəzəl poetry is usually performed in muğam, a branch of traditional Azerbaijani music, and its unorthodox use by pop stars in these two compositions sparked intense debates. In this article, I discuss how the deep significance and instrumentality that qəzəl poetry holds in the post-Soviet context explains the powerful impact of the two pieces. I show how interpretation and imagination of qəzəl meanings in muğam, especially the theme of the beyond, is a way to make social and political realities and articulate post-Soviet subjectivities that emerge through the narrative of loss and in relation to beliefs about the Soviet past.\",\"PeriodicalId\":51751,\"journal\":{\"name\":\"ETHNOMUSICOLOGY\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2022-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ETHNOMUSICOLOGY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5406/21567417.66.1.06\",\"RegionNum\":1,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ETHNOMUSICOLOGY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5406/21567417.66.1.06","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
The Pearl of Muğam Philosophy: Qəzəl Poetry and Musical Hermeneutics in Independent Azerbaijan
The 650th anniversary of Azerbaijan's beloved poet Imadaddin Nasimi (1369–1417) in 2019 was marked by two compositions in which his famous qəzəl “Sığmazam” was set to music. Qəzəl poetry is usually performed in muğam, a branch of traditional Azerbaijani music, and its unorthodox use by pop stars in these two compositions sparked intense debates. In this article, I discuss how the deep significance and instrumentality that qəzəl poetry holds in the post-Soviet context explains the powerful impact of the two pieces. I show how interpretation and imagination of qəzəl meanings in muğam, especially the theme of the beyond, is a way to make social and political realities and articulate post-Soviet subjectivities that emerge through the narrative of loss and in relation to beliefs about the Soviet past.
期刊介绍:
As the official journal of the Society for Ethnomusicology, Ethnomusicology is the premier publication in the field. Its scholarly articles represent current theoretical perspectives and research in ethnomusicology and related fields, while playing a central role in expanding the discipline in the United States and abroad. Aimed at a diverse audience of musicologists, anthropologists, folklorists, cultural studies scholars, musicians, and others, this inclusive journal also features book, recording, film, video, and multimedia reviews. Peer-reviewed by the Society’s international membership, Ethnomusicology has been published three times a year since the 1950s.