Journal of Research in Music Education最新文献_第8页

Burnout and Perceived Agency Among Texas Choir Teachers 得克萨斯州合唱团教师的倦怠与代理意识

IF 1.4 4区教育学

Journal of Research in Music Education Pub Date : 2022-09-29 DOI: 10.1177/00224294221126889

Jessica Nápoles, Jamey Kelley, Thomas J. Rinn

{"title":"Burnout and Perceived Agency Among Texas Choir Teachers","authors":"Jessica Nápoles, Jamey Kelley, Thomas J. Rinn","doi":"10.1177/00224294221126889","DOIUrl":"https://doi.org/10.1177/00224294221126889","url":null,"abstract":"The purpose of this exploratory study was to examine variables that contribute to burnout among Texas choral teachers. Specific research questions included: (1) What demographic variables predict burnout in Texas choir teachers? and (2) How do perceptions of teacher agency impact Texas choir teachers’ experience of burnout? After providing demographic information, participants (N = 151) completed a researcher-designed questionnaire assessing perceived teacher agency and the Maslach Burnout Inventory. We conducted three multiple regression analyses for each of the three dimensions of burnout: emotional exhaustion, depersonalization, and personal accomplishment. Four variables (perceived teacher agency, teaching at a Title 1 school, years of teaching experience, and outside employment work hours) significantly predicted emotional exhaustion. Perceived teacher agency, gender, teaching at a Title 1 school, and years of teaching experience significantly predicted depersonalization. Perceived teacher agency and years of teaching experience significantly predicted personal accomplishment. When perceived teacher agency was lower, teachers experienced greater emotional exhaustion, more depersonalization, and reduced personal accomplishment. Women experienced more depersonalization compared to men, and teachers who taught at Title 1 schools reported more emotional exhaustion and depersonalization. Years of teaching experience correlated negatively with emotional exhaustion and depersonalization but positively with personal accomplishment.","PeriodicalId":47469,"journal":{"name":"Journal of Research in Music Education","volume":"71 1","pages":"283 - 296"},"PeriodicalIF":1.4,"publicationDate":"2022-09-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44234547","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"教育学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 3

Relationships Between Self-Regulated Learning, Big Five Personality Traits, and Amount of Instrument Practice 自主学习、五大人格特质与乐器练习量的关系

IF 1.4 4区教育学

Journal of Research in Music Education Pub Date : 2022-09-21 DOI: 10.1177/00224294221125183

Sabahat Burak, Oğuzhan Atabek

{"title":"Relationships Between Self-Regulated Learning, Big Five Personality Traits, and Amount of Instrument Practice","authors":"Sabahat Burak, Oğuzhan Atabek","doi":"10.1177/00224294221125183","DOIUrl":"https://doi.org/10.1177/00224294221125183","url":null,"abstract":"The purpose of this research was to investigate the potential relationships between self-regulated learning with regard to instrument practice, amount of instrument practice time, and Big Five personality traits. Participants were 172 preservice teachers enrolled in music teaching undergraduate programs of three universities in Turkey. Data were collected via a demographics questionnaire, musical behaviors questionnaire, the Big Five Inventory (BFI), and the Self-Regulated Learning in Instrument Practice Scale (SRLIPS). BFI includes neuroticism, extraversion, openness, agreeableness, and conscientiousness dimensions, and SRLIPS has forethought, performance, and self-reflection dimensions. The results revealed that preservice music teachers’ last exam grade and daily practice hours on their main instrument and SRLIPS scores did not differ significantly by their year of study. Participants’ last exam grades correlated significantly with their scores on the dimensions of conscientiousness, forethought, performance, and self-reflection. Daily practice hours correlated with the dimensions of conscientiousness, forethought, and performance. Years of playing the main instrument correlated significantly with performance dimension. Moreover, each SRLIPS dimension correlated significantly with each dimension in the BFI. Regression analyses revealed that forethought and self-reflection were predicted by conscientiousness and performance scores were explained by openness. Finally, last exam grade was predicted by forethought and conscientiousness dimensions.","PeriodicalId":47469,"journal":{"name":"Journal of Research in Music Education","volume":"71 1","pages":"208 - 228"},"PeriodicalIF":1.4,"publicationDate":"2022-09-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47820618","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"教育学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Who Takes Music With Them When They Transition to High School? 当他们升入高中时，谁会带上音乐？

IF 1.4 4区教育学

Journal of Research in Music Education Pub Date : 2022-09-13 DOI: 10.1177/00224294221121053

Tevis L. Tucker, A. Winsler

{"title":"Who Takes Music With Them When They Transition to High School?","authors":"Tevis L. Tucker, A. Winsler","doi":"10.1177/00224294221121053","DOIUrl":"https://doi.org/10.1177/00224294221121053","url":null,"abstract":"According to music educators, persistence beyond a student’s initial enrollment in middle and high school music is a problem; however, there has been little research to substantiate this claim. Although several recent large-scale, longitudinal studies of initial selection into music classes have been conducted, longitudinal studies on who persists (vs. quits) in music—especially from middle to high school—are overdue. We prospectively followed a large (n = 3,393), ethnically diverse (62% Hispanic, 29% Black), predominately low-income (77% free/reduced-price lunch) sample of eighth-grade middle school music students to high school (ninth grade) to understand predictors of persistence. Overall, only 24.5% of students taking a music elective in eighth grade continued to do so in ninth grade (band = 20.4%, chorus = 21.8%, guitar = 12.3%, orchestra = 20.4%). Initially more academically competent students (higher eighth-grade grade point average and reading and math scores) and students with disabilities were more likely to persist with music from eighth to ninth grade. Predictors varied somewhat by music type. A multigroup analysis showed moderation across music types with respect to the effect of gender, gifted status, and math on music persistence (e.g., high math scores predict band but did not predict other music-type persistence). Implications for music educators and researchers are discussed.","PeriodicalId":47469,"journal":{"name":"Journal of Research in Music Education","volume":"71 1","pages":"22 - 48"},"PeriodicalIF":1.4,"publicationDate":"2022-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47698728","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"教育学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

Characteristics and Formative Experiences of DEI Leaders in Music Education Professional Associations 音乐教育专业协会DEI领导者的特点及形成经验

IF 1.4 4区教育学

Journal of Research in Music Education Pub Date : 2022-09-09 DOI: 10.1177/00224294221123076

K. Salvador, Amy Sierzega

{"title":"Characteristics and Formative Experiences of DEI Leaders in Music Education Professional Associations","authors":"K. Salvador, Amy Sierzega","doi":"10.1177/00224294221123076","DOIUrl":"https://doi.org/10.1177/00224294221123076","url":null,"abstract":"In music education professional associations (MEPAs), volunteer member-leaders collaborate to guide music education and provide services such as professional development. Recently, we observed some MEPAs creating diversity, equity, and inclusion (DEI) initiatives, positions, or committees. The purpose of this survey study was to examine the characteristics and formative experiences of the people leading these efforts. Survey participants (n = 62) were representative of the music educator profession in terms of gender. Regarding other characteristics, respondents were older, more educated, and more racially diverse than music educators as a group. Respondents were nearly all practicing music educators who taught a variety of content areas in PK–16 settings. Most did not feel prepared to lead DEI initiatives. While few respondents described their undergraduate education as relevant to DEI leadership, some named graduate education as an important formative experience. Respondents described life experiences as catalysts and preparation for leadership and indicated they taught themselves about DEI through reading, social media, and attending optional professional development. We discuss how these findings illustrate a leadership conundrum and exemplify structural issues in MEPA DEI action. We conclude with implications for teacher education and professional development.","PeriodicalId":47469,"journal":{"name":"Journal of Research in Music Education","volume":"71 1","pages":"133 - 154"},"PeriodicalIF":1.4,"publicationDate":"2022-09-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45481286","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"教育学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

You Don’t Look Sick: Voices of Music Educators Living With Chronic Illnesses 你看起来不生病：患有慢性病的音乐教育工作者的声音

IF 1.4 4区教育学

Journal of Research in Music Education Pub Date : 2022-08-23 DOI: 10.1177/00224294221118899

Kristina R. Weimer, Jessica Vaughan-Marra

引用次数: 0

Editorial Forum 编辑论坛

IF 1.4 4区教育学

Journal of Research in Music Education Pub Date : 2022-08-10 DOI: 10.1177/00224294221109854

Peter Miksza

引用次数: 0

Effects of Transitional Elements on Listeners’ Aesthetic Responses to a Choral Performance 过渡元素对听众合唱审美反应的影响

IF 1.4 4区教育学

Journal of Research in Music Education Pub Date : 2022-07-20 DOI: 10.1177/00224294221111715

K. Adams, D. G. Springer, John M. Geringer, Jessica Nápoles, M. Davis

{"title":"Effects of Transitional Elements on Listeners’ Aesthetic Responses to a Choral Performance","authors":"K. Adams, D. G. Springer, John M. Geringer, Jessica Nápoles, M. Davis","doi":"10.1177/00224294221111715","DOIUrl":"https://doi.org/10.1177/00224294221111715","url":null,"abstract":"The purpose of this study was to investigate the effect of transitional elements on listeners’ aesthetic responses. Participants (N = 81) viewed an excerpt of a choral performance while manipulating a Continuous Response Digital Interface to record their aesthetic responses. Participants in one group viewed the original choral performance, which included two purposeful transitions and no applause between pieces. In the other group, participants viewed the same choral performance but with applause over a black screen added between pieces. Participants then answered two open-ended questions to indicate the features of the performance most salient to their aesthetic responses. Mean aesthetic responses during each transition were higher for the continuous transition group compared to the applause group; however, differences between groups were statistically significant only during the attacca transition between the second and third piece. In response to “What factors contributed the most to your aesthetic response?” participants most commonly cited ensemble musicianship, followed by compositional elements such as harmonic, melodic, or rhythmic material; performer engagement; and song choices. When describing what kept them most engaged, participants mentioned programming most frequently, with the majority of comments referencing variety. We discuss implications for music teaching and learning.","PeriodicalId":47469,"journal":{"name":"Journal of Research in Music Education","volume":"71 1","pages":"111 - 128"},"PeriodicalIF":1.4,"publicationDate":"2022-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47354888","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"教育学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Preservice Music Teachers’ World Music Preference for Taught Pieces and Its Transfer to Untaught Pieces 保留音乐教师对已教作品的世界音乐偏好及其向未教作品的转移

IF 1.4 4区教育学

Journal of Research in Music Education Pub Date : 2022-07-03 DOI: 10.1177/00224294221108497

Sangmi Kang, C. Fung, Hyesoo Yoo

{"title":"Preservice Music Teachers’ World Music Preference for Taught Pieces and Its Transfer to Untaught Pieces","authors":"Sangmi Kang, C. Fung, Hyesoo Yoo","doi":"10.1177/00224294221108497","DOIUrl":"https://doi.org/10.1177/00224294221108497","url":null,"abstract":"We investigated whether preference transfer occurred from 18 taught world music pieces to 18 untaught pieces from the same regions among preservice music teachers. Eighty-three preservice music teachers participated in an interactive, culturally diverse music curriculum over the course of a semester. Participants learned 18 African, Asian, and Latin American folk songs in small groups from culture bearers via video conferencing. They then team-taught the same songs to their peers. Before and after the curriculum intervention with taught pieces only, we tested participants’ preferences for the taught and untaught pieces. Wilcoxon signed-rank test results indicated that the participants’ preference scores increased from the pretest to posttest for both taught and untaught world music pieces in all three regions. This result suggests the existence of possible preference transfer from taught to untaught pieces. Through follow-up interviews and instructor’s reflective notes analyses, we identified four interconnected themes across cognitive, cultural, social, and pedagogical dimensions that explained reasons for preference transfer: applying principles from taught pieces, appreciating cultures with authenticity and legitimacy, learning safely via intra- and intergroup interactions, and experiencing reciprocal course structure. We discuss implications for the profession that bridge formal and informal endeavors of teaching and learning music from diverse cultures.","PeriodicalId":47469,"journal":{"name":"Journal of Research in Music Education","volume":"71 1","pages":"91 - 110"},"PeriodicalIF":1.4,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46433080","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"教育学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Experiential and Cognitive Predictors of Sight-Singing Performance in Music Higher Education. 音乐高等教育中视唱表现的经验和认知预测因素。

IF 1.2 4区教育学

Journal of Research in Music Education Pub Date : 2022-07-01 Epub Date: 2021-10-25 DOI: 10.1177/00224294211049425

Justine Pomerleau-Turcotte, Maria Teresa Moreno Sala, Francis Dubé, François Vachon

{"title":"Experiential and Cognitive Predictors of Sight-Singing Performance in Music Higher Education.","authors":"Justine Pomerleau-Turcotte, Maria Teresa Moreno Sala, Francis Dubé, François Vachon","doi":"10.1177/00224294211049425","DOIUrl":"10.1177/00224294211049425","url":null,"abstract":"Sight-singing is prevalent in aural skill classes, where learners differ in experience and cognitive abilities. In this research, we investigated whether musical experience, level of study, and working memory capacity (WMC) can predict sight-singing performance and if there is a correlation between WMC and performance among some subgroups of participants. We hypothesized that more experienced students and those with a higher WMC might sight-sing better than those with less experience and lesser WMC. We also hypothesized that the relationship between WMC and sight-singing performance would be more salient for less experienced and less proficient sight-singers. We surveyed 56 subjects about their experience with music, assessed their WMC, and evaluated their performance on a short sight-singing task. The results showed that the age when students began learning music could predict sight-singing performance independently from the number of years of experience and the educational level, suggesting a possible developmental component to sight-singing skill. We also found a negative relationship between WMC and pitch score in the low-performing group and between rhythm and pitch score, suggesting that pitch and rhythm are processed differently. Teachers should be aware of how students' backgrounds might be related to performance and encourage them to develop strong automated skills, such as reading music or singing basic tonal patterns.","PeriodicalId":47469,"journal":{"name":"Journal of Research in Music Education","volume":"70 2","pages":"206-227"},"PeriodicalIF":1.2,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://ftp.ncbi.nlm.nih.gov/pub/pmc/oa_pdf/2c/3d/10.1177_00224294211049425.PMC9242514.pdf","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"40568109","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"教育学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Effects of Attentional Focus on Motor Performance and Physiology in a Slow-Motion Violin Bow-Control Task: Evidence for the Constrained Action Hypothesis in Bowed String Technique. 在慢动作小提琴弓控制任务中注意焦点对运动表现和生理的影响:弓弦技术约束动作假说的证据。

IF 1.4 4区教育学

Journal of Research in Music Education Pub Date : 2022-07-01 Epub Date: 2021-08-05 DOI: 10.1177/00224294211034735

Emma Allingham, Clemens Wöllner

{"title":"Effects of Attentional Focus on Motor Performance and Physiology in a Slow-Motion Violin Bow-Control Task: Evidence for the Constrained Action Hypothesis in Bowed String Technique.","authors":"Emma Allingham, Clemens Wöllner","doi":"10.1177/00224294211034735","DOIUrl":"https://doi.org/10.1177/00224294211034735","url":null,"abstract":"The constrained action hypothesis states that focusing attention on action outcomes rather than body movement improves motor performance. Dexterity of motor control is key to successful music performance, making this a highly relevant topic to music education. We investigated effects of focus of attention (FOA) on motor skill performance and EMG muscle activity in a violin bowing task among experienced and novice upper strings players. Following a pedagogically informed exercise, participants attempted to produce single oscillations of the string at a time under three FOA: internal (on arm movement), external (on sound produced), and somatic (on string resistance). Experienced players' number of bow slips was significantly reduced under somatic focus relative to internal, although number of successful oscillations was not affected. Triceps electromyographic activity was also significantly lower in somatic compared to internal foci for both expertise groups, consistent with physiological understandings of FOA effects. Participants' reported thoughts during the experiment provided insight into whether aspects of constrained action may be evident in performers' conscious thinking. These results provide novel support for the constrained action hypothesis in violin bow control, suggesting a somatic FOA as a promising performance-enhancing strategy for bowed string technique.","PeriodicalId":47469,"journal":{"name":"Journal of Research in Music Education","volume":"70 2","pages":"168-189"},"PeriodicalIF":1.4,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/00224294211034735","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"40568110","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"教育学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2