On the Horizon最新文献_第9页

REPLY TO ADONIS FRANGESKOU’S RESPONSE 回复adonis franeskou的回复

IF 3.2

On the Horizon Pub Date : 2020-01-01 DOI: 10.21638/2226-5260-2020-9-1-366-372

A. Yampolskaya

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INTRODUCTION: ROMAN INGARDEN’S PHILOSOPHY RECONSIDERED 简介:对罗马·英加登哲学的重新思考

IF 3.2

On the Horizon Pub Date : 2020-01-01 DOI: 10.21638/2226-5260-2020-9-2-489-494

W. Płotka, Thomas Byrne

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RESPONSE TO ANNA YAMPOLSKAYA’S REVIEW OF LEVINAS, KANT AND THE PROBLEMATIC OF TEMPORALITY 对安娜·扬波尔斯卡娅对列维纳斯、康德和时间性问题的评论的回应

IF 3.2

On the Horizon Pub Date : 2020-01-01 DOI: 10.21638/2226-5260-2020-9-1-355-365

Adonis Frangeskou

{"title":"RESPONSE TO ANNA YAMPOLSKAYA’S REVIEW OF LEVINAS, KANT AND THE PROBLEMATIC OF TEMPORALITY","authors":"Adonis Frangeskou","doi":"10.21638/2226-5260-2020-9-1-355-365","DOIUrl":"https://doi.org/10.21638/2226-5260-2020-9-1-355-365","url":null,"abstract":"The aim of this paper is to respond to Anna Yampolskaya’s challenge to the interpretative strategy of my book, Levinas, Kant and the Problematic of Temporality. I intend to refute her claim that by effectively withdrawing the problematic of sensibility from view my book has forgotten, or, at the very least, shaded the Rosenzweigian requirement of concreteness that Levinas first inherited from Heidegger, and to refute her corollary argument that my ethical reading of the schematism in Kant’s First Critique is not sufficiently justified because it suspends the problem of the symbolic imagination in Kant’s Third Critique. This double refutation will require me to reiterate the concrete unveiling of the Kantian schematism in Heidegger’s interpretation of Kant (according to its destruction of the schematism of the categories) and in Levinas’ explication of Rosenzweig (such as it unfolds a more radical destruction of the schematism of the ideas). It will also require me to demonstrate precisely how this ideal notion of the Kantian schematism in the form of the regulative ideas of pure reason (and more specifically, in the form of the regulative idea of God) is indeed read by Levinas himself in the ethical terms of the equivocation or enigma of diachrony, that is, in the ethical terms of his philosophy of ambiguity (such as it adheres to the Kantian antinomies). This is the interpretation that I propose to defend against Yampolskaya’s claim that my ethical reading of the First Critique should have taken this ambiguous form of rationality seriously.","PeriodicalId":47013,"journal":{"name":"On the Horizon","volume":"106 1","pages":"355-365"},"PeriodicalIF":3.2,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77882423","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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ROMAN INGARDEN’S CONCEPT OF THE FILMIC WORK OF ART: STRATA, SOUND, SPECTACLE 罗马·英加登的电影艺术概念:层次、声音、景观

IF 3.2

On the Horizon Pub Date : 2020-01-01 DOI: 10.21638/2226-5260-2020-9-2-683-702

Rob Luzecky

{"title":"ROMAN INGARDEN’S CONCEPT OF THE FILMIC WORK OF ART: STRATA, SOUND, SPECTACLE","authors":"Rob Luzecky","doi":"10.21638/2226-5260-2020-9-2-683-702","DOIUrl":"https://doi.org/10.21638/2226-5260-2020-9-2-683-702","url":null,"abstract":"In the present paper, I suggest a modification to some aspects of Ingarden’s analyses of the sound-synchronized filmic work of art. The argument progresses through two stages: (1) I clarify Ingarden’s claim that the work of art is a stratified formation in which the various aspects present objectivities; (2) I elucidate and critically assess Ingarden’s suggestion that the filmic work of art is a borderline case in respect to other types of works of art—paintings and literary works. Here, I identify a problem with Ingarden’s claims about the function of sound in the concretized filmic work’s presentation of its fictive world. Ingarden identifies the presented universe of the filmic work of art as a habitus of reality, but Ingarden seems oddly conflicted with respect to his notion of habitus. I argue that this stems from Ingarden’s conceptualization of the filmic work of art as primarily composed of the stratum of represented “visible aspects” in both the cases of the silent film and the sound-synchronized film, and his restriction of the role of phonetic content in the latter. I suggest that were we to reconceptualise the role of aurally presented phonetic content in the concretized sound-synchronized film, we could better understand how film has the seeming magical capacity to transfix us.","PeriodicalId":47013,"journal":{"name":"On the Horizon","volume":"5 1","pages":"683-702"},"PeriodicalIF":3.2,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89982879","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

ROMAN INGARDEN’S CONTRIBUTION TO SOLVING THE ONTOLOGICAL AND METHODOLOGICAL PROBLEMS OF PHENOMENOLOGY OF MUSIC 罗曼·英加登对解决音乐现象学的本体论和方法论问题的贡献

IF 3.2

On the Horizon Pub Date : 2020-01-01 DOI: 10.21638/2226-5260-2020-9-2-662-682

Anastasia A. Medova, Anna Kirichenko

{"title":"ROMAN INGARDEN’S CONTRIBUTION TO SOLVING THE ONTOLOGICAL AND METHODOLOGICAL PROBLEMS OF PHENOMENOLOGY OF MUSIC","authors":"Anastasia A. Medova, Anna Kirichenko","doi":"10.21638/2226-5260-2020-9-2-662-682","DOIUrl":"https://doi.org/10.21638/2226-5260-2020-9-2-662-682","url":null,"abstract":"Phenomenology of music has been a perspective trend of phenomenological aesthetics for more than a hundred years. The topic of the paper is fixation the main problems and vectors of development of phenomenology of music. The authors execute an analysis of Roman Ingarden’s position in the discussions concerning the methodological and ontological problems of phenomenology of music. The paper aims at revealing succession in Roman Ingarden’s solutions to the phenomenology of music problems. The other aim is reflection on the originality of Ingarden’s ideas in the context of phenomenological interpretations of music in 20th and 21st centuries. The solution to these tasks allows the authors to fix key problems and identify the principal positions of phenomenology of music. The main sources of the comparative and historical analysis are the studies carried out by Husserl, Sartre, Merleau-Ponty, Clifton, and Ihde. The most important ontological problems of phenomenology of music are: spatiotemporal constitution of music, reduction of a work of music to its performance, and ontological status of a work of music. The analysis of Ingarden’s position on these problems allows us to characterize it as something different from the existing versions. According to the conception, the time of music is a special type of time, that is, quasi-time. A piece of music is a purely intentional, heteronomous, and intersubjective object. There are a number of methodological specificities of Ingarden’s approach: a refusal of reduction of musical theoretical data, a tendency for independence of a piece of music from conscious and mental processes, and an interpretation of a piece of music as a non-sounding phenomenon. In conclusion, the authors demonstrate how the originality and radical nature of Ingarden’s conclusions made his position defenseless against critique and simultaneously marked the tendency in the contemporary phenomenological studies of music.","PeriodicalId":47013,"journal":{"name":"On the Horizon","volume":"12 1","pages":"662-682"},"PeriodicalIF":3.2,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81780071","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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A educação a distância na Universidade Estadual de Mato Grosso do Sul 南马托格罗索州立大学的远程教育

IF 3.2

On the Horizon Pub Date : 2019-12-19 DOI: 10.30612/hre.v7i14.10548

Glaucia Gabriel Sass, Maria Clebiana da Silva Peixoto

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O processo de formulação do Plano Municipal de Educação de Dourados-MS 杜拉多斯-MS市教育计划的制定过程

IF 3.2

On the Horizon Pub Date : 2019-12-19 DOI: 10.30612/hre.v7i14.10055

Flávia Paula Nogueira Aranda, F. Perboni

引用次数: 0

Corpo, práticas corporais e relações de gênero na educação física brasileira: uma pesquisa bibliográfica 巴西体育中的身体、身体练习和性别关系:文献研究