Literature Compass最新文献

筛选
英文 中文
“The Difference” of Objects “Is Spreading”: A Non-Anthropocentric Reading of Tender Buttons 对象的“差异”“正在蔓延”:对温柔纽扣的非人类中心解读
IF 0.2 3区 文学
Literature Compass Pub Date : 2026-04-03 DOI: 10.1111/lic3.70052
Joon Ho Hwang
{"title":"“The Difference” of Objects “Is Spreading”: A Non-Anthropocentric Reading of Tender Buttons","authors":"Joon Ho Hwang","doi":"10.1111/lic3.70052","DOIUrl":"https://doi.org/10.1111/lic3.70052","url":null,"abstract":"<p>This article discusses the nonreferentiality of both language and the object in Gertrude Stein's <i>Tender Buttons</i> through an analysis of “Book.,” a section of the chapter “Objects.” While the inaccessibility of <i>Tender Buttons</i> is well known due to Stein's linguistic experimentalism, the objects presented as section titles also challenge conventional perceptions of the “object” by encompassing non-material and living entities. These title-objects remain largely obscure, as they are partially described but simultaneously left largely undescribed throughout the text. At the same time, other objects continue to appear with a similar kind of inaccessibility, and consequently the text remains elusive despite the scholarly attention it has received since its publication in 1914. <i>Tender Buttons</i> thus suggests that language cannot be entirely controlled, nor can objects be fully possessed from an anthropocentric perspective. In this regard, a recognition of strangeness when encountering objects in the text may be viewed as a step toward perceiving a lesser-known aspect of reality in which, to modify Stein's manifesto, “[t]he difference” of objects “is spreading.”</p>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"23 2","pages":""},"PeriodicalIF":0.2,"publicationDate":"2026-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://compass.onlinelibrary.wiley.com/doi/epdf/10.1111/lic3.70052","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147707913","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Rewriting History in Two Tongues: Shih-I Hsiung's The Bridge of Heaven (1943) and Tianqiao (1960) 用两种语言改写历史:熊师义的《天桥》(1943)与《天桥》(1960)
IF 0.2 3区 文学
Literature Compass Pub Date : 2026-03-25 DOI: 10.1111/lic3.70051
Yue Kong
{"title":"Rewriting History in Two Tongues: Shih-I Hsiung's The Bridge of Heaven (1943) and Tianqiao (1960)","authors":"Yue Kong","doi":"10.1111/lic3.70051","DOIUrl":"https://doi.org/10.1111/lic3.70051","url":null,"abstract":"<div>\u0000 \u0000 <p>This article argues that Shih-I Hsiung's <i>The Bridge of Heaven</i> (1943) and <i>Tianqiao</i> (1960) together constitute a bilingual continuum of historical rewriting through which diasporic Chinese modernism binds diplomatic mediation to historiographic reclamation across imperial and Sinophone contexts. Written in wartime London, <i>The Bridge of Heaven</i> enacts diplomatic mediation by securing China's cultural visibility within an imperial regime of legibility shaped by Allied wartime discourse. Its narrative architecture and paratextual design reframe late-Qing reform and revolution as a process of historical agency rather than a static cultural spectacle, converting externally imposed legibility into narrative control. Seventeen years later, <i>Tianqiao</i>, produced in colonial Hong Kong under the conditions of serial publication and a historically attentive readership, realises historiographic reclamation by reorienting the same historical materials toward Sinophone readers shaped by migration and colonial pedagogy. The Chinese version expands revolutionary narration, restores provincial specificity, and incorporates archival materials accumulated over decades within a reconfigured horizon of address. Read together, the two versions articulate bilingual resistance as a historically situated textual practice that links diplomatic mediation to historiographic reclamation across languages. The article thus advances historical rewriting as an alternative axis of modernist innovation beyond canonical paradigms of formal rupture.</p>\u0000 </div>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"23 2","pages":""},"PeriodicalIF":0.2,"publicationDate":"2026-03-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147569396","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Beyond Material Circuits and Formal Imprints: The Global Novel as a Critical Concept 超越物质回路与形式印记:作为批判概念的全球小说
IF 0.2 3区 文学
Literature Compass Pub Date : 2026-03-03 DOI: 10.1111/lic3.70046
Neus Rotger, Marta Puxan-Oliva
{"title":"Beyond Material Circuits and Formal Imprints: The Global Novel as a Critical Concept","authors":"Neus Rotger,&nbsp;Marta Puxan-Oliva","doi":"10.1111/lic3.70046","DOIUrl":"https://doi.org/10.1111/lic3.70046","url":null,"abstract":"<p>This article is an introduction to the special issue ‘Critical Responses to the Global-Novel Debate: Bridging Material Objects and Forms’. It looks critically at the global novel debate and proposes to understand the novelistic interests for representing a global imagination from a different angle. Scholarship on the global novel debate has been mostly divided between formal and sociological approaches and has taken a dominant Anglophone perspective and corpus. The four essays that compose the issue cross circulation data and formal features in order to highlight new aspects that deserve attention. They do so by analysing a corpus from diverse literary traditions that is not usually included in the global novel discussion. The articles shed new light on understudied critical problems in the global novel scholarship such as ecotemporalities, evolving interpretations derived from uneven re-publishing paths, branding of exotic discourses, contradictory uses of multilingualism and translation in the promotion of peripheral writers, and gatekeeping in growing promotional forms such as literary festivals.</p>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"23 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2026-03-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://compass.onlinelibrary.wiley.com/doi/epdf/10.1111/lic3.70046","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147618125","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Beyond the Imperial Edifice: Re-Placing the Cathedral in Willa Cather's Death Comes for the Archbishop (1927) 《超越帝国大厦:在威拉·凯瑟的死中取代大教堂》(1927年)
IF 0.2 3区 文学
Literature Compass Pub Date : 2026-02-28 DOI: 10.1111/lic3.70049
Hansong Dan
{"title":"Beyond the Imperial Edifice: Re-Placing the Cathedral in Willa Cather's Death Comes for the Archbishop (1927)","authors":"Hansong Dan","doi":"10.1111/lic3.70049","DOIUrl":"https://doi.org/10.1111/lic3.70049","url":null,"abstract":"<div>\u0000 \u0000 <p>This essay reconsiders the most conspicuous lacuna in Willa Cather's <i>Death Comes for the Archbishop</i> (1927)—the omission of how Bishop Latour's cathedral is actually built. Rather than assuming that this gap masks coerced Indigenous labor, I triangulate Cather's fiction with the archival and legal history of the Santa Fe cathedral under Jean-Baptiste Lamy, revealing a wage-based, financially precarious project that resists easy analogy with Acoma. The article then draws on borderlands theory to propose an anthropological reading of Latour's cathedral. To temper overpoliticized interpretations, I argue that the church's foreign style is a negotiated form shaped in dialogic space, where Cather sustains logics of difference and equivalence. Finally, in conversation with settler colonial studies, this essay shows how Cather's “deep time” can both invite ideological suspicion and interrupt triumphalist imperial temporality by decentering human agency within the Southwestern landscape.</p>\u0000 </div>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"23 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2026-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147649425","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“rather ridicule than censure”: Lady Caroline Lamb, Frances Arabella Rowden, and the Art of Respectability “与其责难,不如嘲笑”:卡罗琳·兰姆夫人、弗朗西斯·阿拉贝拉·罗登和《体面的艺术》
IF 0.2 3区 文学
Literature Compass Pub Date : 2026-02-18 DOI: 10.1111/lic3.70048
Lindsey Eckert
{"title":"“rather ridicule than censure”: Lady Caroline Lamb, Frances Arabella Rowden, and the Art of Respectability","authors":"Lindsey Eckert","doi":"10.1111/lic3.70048","DOIUrl":"https://doi.org/10.1111/lic3.70048","url":null,"abstract":"<div>\u0000 \u0000 <p>Extending recent work in feminist book history and critical bibliography, this article offers a reassessment of Lady Caroline Lamb's public reputation after her affair with Lord Byron in 1812 and the publication of her first novel <i>Glenarvon</i> in 1816. Lamb's complex public standing manifests most interestingly in her relationship with the respected author and educator Frances Arabella Rowden. While previous scholars have noted Lamb's brief attendance at Rowden's school, the significance and longevity of their associations remain underexplored. This article presents new research about Lamb's decades-long connections to Rowden in print and her notable presence at Rowden's girls' school in London, even after the Byron affair. This ongoing relationship with Rowden contradicts common narratives about Lamb's irreparably fallen status. Lamb's case has wider implications for studying celebrity culture and respectability, and it demonstrates how understandings of the gendered nuances of the Romantic-era public sphere shift significantly when we de-center canonical (male) figures.</p>\u0000 </div>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"23 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2026-02-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147299813","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Of Temporal Stasis and Cosmic Contamination: Precarious Lives in H. P. Lovecraft's Fiction 时间停滞与宇宙污染:h·p·洛夫克拉夫特小说中的不稳定生活
IF 0.2 3区 文学
Literature Compass Pub Date : 2026-02-09 DOI: 10.1111/lic3.70047
Subhasis Pal
{"title":"Of Temporal Stasis and Cosmic Contamination: Precarious Lives in H. P. Lovecraft's Fiction","authors":"Subhasis Pal","doi":"10.1111/lic3.70047","DOIUrl":"https://doi.org/10.1111/lic3.70047","url":null,"abstract":"<div>\u0000 \u0000 <p>This article undertakes a transtemporal reading of H. P. Lovecraft's <i>The Call of Cthulhu</i> (1928) and <i>The Colour Out of Space</i> (1927) through twenty-first-century frameworks of precarity in the Anthropocene. Contending that Lovecraft's cosmic horror anticipates contemporary ontological vulnerabilities, the analysis deploys Lauren Berlant's concept of ‘slow death’ and Andrew van der Vlies's notion of ‘blocked futurity’ to demonstrate the ways Lovecraft's fiction stages species-level precarity through attritional violence and temporal impasse. Reading Lovecraft both historically—as a product of modernist racial and scientific anxieties, and proleptically—as a theorist of planetary-scale precarity, the article reveals how his narratives collapse deep geological time into the present, rendering the familiar world porous to archaic, nonhuman forces. <i>Cthulhu</i> is analysed as an antiquarian uncanny, whose presence forecloses progressive futurity, while <i>Colour</i> exemplifies slow death as environmental contamination that gradually dissolves bodily and ecological thresholds. Such an approach demonstrates that Lovecraft's generic distortions offer not mere nihilism but a critical hermeneutics for navigating our own age of destruction, transforming his pulp weird fiction into an art of noticing humanity's contingent tenure in an indifferent cosmos.</p>\u0000 </div>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"23 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2026-02-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"146680336","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mapping Tenderness: Ocean Vuong and the Afterlives of Modernist Geography 测绘温柔:海洋之王和现代主义地理学的来世
IF 0.2 3区 文学
Literature Compass Pub Date : 2026-02-04 DOI: 10.1111/lic3.70045
Kent Su
{"title":"Mapping Tenderness: Ocean Vuong and the Afterlives of Modernist Geography","authors":"Kent Su","doi":"10.1111/lic3.70045","DOIUrl":"https://doi.org/10.1111/lic3.70045","url":null,"abstract":"<div>\u0000 \u0000 <p>This paper examines Ocean Vuong's <i>Night Sky with Exit Wounds</i> (2016) through the lens of affective geography. It argues that Vuong reimagines modernist ideas of space through emotion and the body. He adopts techniques like fragmentation, montage, and disjunction but redirects them toward relation rather than separation. His poems use the bodily acts of breath and touch to connect moments and histories that could otherwise remain apart. The paper employs close readings of “Self-Portrait as Exit Wounds” and “On Earth We're Briefly Gorgeous” in two separate sections in order to demonstrate how Vuong turns themes of displacement into possibilities of intimacy. The notions of space in his work cannot be fixed or measured in the physical sense. Space instead is experienced through movement, sensation, and the body's awareness. The body becomes both map and memory, carrying history and rewriting it through tenderness. Vuong thus turns modernist geography inward, grounding it in queer and diasporic life. His poetry builds an emotional landscape where vulnerability fosters relation and belonging can exist even within fracture.</p>\u0000 </div>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"23 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2026-02-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"146129989","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Stanzas of Woe, Stanzas of Anger: Ann Yearsley and Poetry as Complaint and Instruction 《哀怨诗,愤怒诗:安·耶尔斯利与诗的抱怨与教导》
IF 0.2 3区 文学
Literature Compass Pub Date : 2026-01-28 DOI: 10.1111/lic3.70043
Catherine Keohane
{"title":"Stanzas of Woe, Stanzas of Anger: Ann Yearsley and Poetry as Complaint and Instruction","authors":"Catherine Keohane","doi":"10.1111/lic3.70043","DOIUrl":"https://doi.org/10.1111/lic3.70043","url":null,"abstract":"<div>\u0000 \u0000 <p>After servants of the former Bristol Mayor terrorized and beat her sons, Ann Yearsley found she did not have the money or clout to continue with an official legal complaint. She could, however, make her complaint in print, writing <i>Stanzas of Woe</i> (1790). This understudied short volume serves as a complaint against Levi Eames, as it details her and her sons' experiences with his servants as well as her emotional distress. This essay explores Yearsley's attempts to express her anger and sorrow, and to win public opinion. It argues that <i>Stanzas of Woe</i> is more than complaint: it is also didactic literature, offering instruction in human connections. If the anger percolating through the volume reflects Yearsley's hurt, her advocacy of connection seeks to teach Eames and other readers to engage in kinder treatment of others. After considering the structure of the volume and its place in Yearsley studies, the essay looks more closely at the title poem, analyzing how Yearsley mixes instruction with complaint. As a way of understanding the success of her complaint, the end of the essay looks at contemporary reviews of the volume.</p>\u0000 </div>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"23 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2026-01-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"146136879","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Crip-Diasporic Cartographies: Non-Normative Geographies in Theresa Hak Kyung Cha's Dictée (1982) Crip-Diasporic制图学:Theresa Hak Kyung Cha的dicdicen(1982)中的非规范地理学
IF 0.2 3区 文学
Literature Compass Pub Date : 2026-01-25 DOI: 10.1111/lic3.70044
Jiaying Chen
{"title":"Crip-Diasporic Cartographies: Non-Normative Geographies in Theresa Hak Kyung Cha's Dictée (1982)","authors":"Jiaying Chen","doi":"10.1111/lic3.70044","DOIUrl":"https://doi.org/10.1111/lic3.70044","url":null,"abstract":"<div>\u0000 \u0000 <p>Moving beyond the critical binary between formalism and sociohistoricism that has polarized readings of Theresa Hak Kyung Cha's <i>Dictée</i>, this article specifies how Cha forges avant-garde formalism into a political instrument for diasporic expression. Synthesizing crip theory, new materialism, and affect theory, this article argues that <i>Dictée</i> functions as a performative cartography, mapping the diasporic condition as a specific mode of structural and somatic disablement. Integrating Asian American disability studies, this study analyzes this practice less as a representation of trauma and more as a mode of knowing grounded in the experience of being socially and linguistically disabled by normative national structures. It traces three interlocking layers: the unsettled temporalities of crip time, the material geography of the book as an archival body, and the affective terrains generated within the reader. In so doing, this reading offers Asian American literary studies a critical vocabulary for reframing formal difficulty as an embodied political strategy and expands postmodern geography by positioning the body as a primary site of historical inscription.</p>\u0000 </div>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"23 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2026-01-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"146091414","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Romantic Temporalities 浪漫的短暂性
IF 0.2 3区 文学
Literature Compass Pub Date : 2026-01-18 DOI: 10.1111/lic3.70042
Stephen Tedeschi
{"title":"Romantic Temporalities","authors":"Stephen Tedeschi","doi":"10.1111/lic3.70042","DOIUrl":"https://doi.org/10.1111/lic3.70042","url":null,"abstract":"<div>\u0000 \u0000 <p>This essay reviews recent treatments of time and temporality in Romantic literary studies. The essay first tracks how critics' operative conceptions of time—and the Romantic conceptions of time they focus on—have changed over the last few decades as critical methods have changed and observes that critics have increasingly analyzed the central social and intellectual tensions of the Romantic period in terms of the interactions among multiple temporalities. The second section considers critical studies not only of literary treatments of time but also of the temporality of reading literature. The essay concludes with a proposal that time spent reading has a texture similar to time spent in the company of another person.</p>\u0000 </div>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"23 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2026-01-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"146007586","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术官方微信
小红书