Literature Compass最新文献

Helen Maria Williams on Militancy: Women's Anger and Political Change in Letters From France (1790, 1796) 海伦·玛丽亚·威廉姆斯论战斗：法国来信中妇女的愤怒和政治变化（1790、1796）

IF 0.3 3区文学

Literature Compass Pub Date : 2025-04-15 DOI: 10.1111/lic3.70020

Kelly Fleming

引用次数: 0

Stephen Dedalus and the Mourning Echoes to Shakespeare’s Hamlet 斯蒂芬·德达勒斯与莎士比亚《哈姆雷特》的哀悼声

IF 0.3 3区文学

Literature Compass Pub Date : 2025-04-13 DOI: 10.1111/lic3.70023

Christopher Chan, Vivien Chan

{"title":"Stephen Dedalus and the Mourning Echoes to Shakespeare’s Hamlet","authors":"Christopher Chan, Vivien Chan","doi":"10.1111/lic3.70023","DOIUrl":"https://doi.org/10.1111/lic3.70023","url":null,"abstract":"<p>This article practises genetic criticism on James Joyce and extrapolates new instances of literary influence between William Shakespeare's <i>Hamlet</i> and Joyce's <i>Ulysses</i>. Building on recent scholarship that sheds light on the compositional processes of <i>A Portrait of the Artist as a Young Man</i> and <i>Ulysses</i>, we unveil two Shakespearean echoes (one of them an allusion) hitherto undiscovered and unanthologised by Joyceans in “Telemachus”, and suggest that Shakespeare's impact on Joyce through <i>Hamlet</i>, though well-studied and much acknowledged, is more extensive than has been revealed. To that end, we examine afresh Joyce's familiarity with <i>Hamlet</i> and his creative practice of cross-referencing, and juxtapose the scene where Stephen Dedalus anchors himself next to the cape of Bay Head mourning the death of his mother with pertinent lines in <i>Hamlet</i> I.ii to reveal how both texts illuminate the physical attributes and woeful memories of Hamlet and Stephen. As a concluding remark, we highlight how <i>Hamlet</i> interweaves various episodes of <i>Ulysses</i>, in particular “Telemachus” and “Circe”, the latter of which may contain a part originally in Joyce's “the Hamlet chapter”.</p>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"22 2","pages":""},"PeriodicalIF":0.3,"publicationDate":"2025-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/lic3.70023","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"143826733","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

‘Reading for Rage’ and Mary Chudleigh's Anger 《为愤怒而读》和玛丽·查德利的《愤怒》

IF 0.3 3区文学

Literature Compass Pub Date : 2025-04-03 DOI: 10.1111/lic3.70022

Fauve Vandenberghe

引用次数: 0

You Can't Spell Tragedy Without Rage 没有愤怒，就不会有悲剧

IF 0.3 3区文学

Literature Compass Pub Date : 2025-03-28 DOI: 10.1111/lic3.70021

Elaine McGirr

引用次数: 0

Experience Retrieval Exercise (ERE): A Pedagogical Approach to Shakespeare, Race, and Empire 经验检索练习（ERE）：莎士比亚，种族和帝国的教学方法

IF 0.3 3区文学

Literature Compass Pub Date : 2025-03-03 DOI: 10.1111/lic3.70019

Willnide Lindor

{"title":"Experience Retrieval Exercise (ERE): A Pedagogical Approach to Shakespeare, Race, and Empire","authors":"Willnide Lindor","doi":"10.1111/lic3.70019","DOIUrl":"https://doi.org/10.1111/lic3.70019","url":null,"abstract":"<div>\u0000 \u0000 <p>This article employs Timothy Ponce's student-centered pedagogical approach which privileges the dialogical relationship between reader and texts to inquire if our 21st century students can see Shakespeare's works as engaging cites for questions about race and the residual impact of empire building in our world. This study traces how Shakespeare is recognized as a cultural and literary icon who is widely respected––however, to students from marginalized communities––is increasingly distant from their psychic reality. With the genesis of the Black Lives Matter movement in 2020, to the widely critiqued social trauma of police brutality, systematic racism, and other race-based issues––these examples of racial traumas in our contemporary moment are remnants of a longer history that predates our time. When Black, Indigenous, people of color (BIPOC) students think of literature that can engage these social issues, Shakespeare is not commonly cited. However, once a dialogic channel is established between Shakespeare's works and students, the playwright's interest in exploring––with complexity––a multiplicity of minoritized perspectives such as persons of color, women, individuals with disabilities, as well as Jewish and Muslim persons become visible. I propose thus that students can bring their questions about race to Shakespeare via what I call experience retrieval exercises. I import my experience of using this pedagogical approach with university students reading <i>The Tempest</i> (1611), which galvanizes students to recognize Shakespeare's works as rich intellectual touchstones to engage their questions about our uncritiqued biases on race and empire building.</p>\u0000 </div>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"22 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2025-03-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"143535954","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Immunological Poetics and Postcolonial Echoes: Traversing the Medical Narratives From T.S. Eliot to J.M. Coetzee 免疫诗学与后殖民回声：从T.S.艾略特到J.M.库切的医学叙事

IF 0.3 3区文学

Literature Compass Pub Date : 2025-01-27 DOI: 10.1111/lic3.70017

Huiming Liu

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引用次数: 0

White Nationalist Identification With the Old English Exile: Or, Why Old English Poems Matter 白人民族主义者对古英语流亡者的认同：或者，为什么古英语诗歌很重要

IF 0.3 3区文学

Literature Compass Pub Date : 2024-12-17 DOI: 10.1111/lic3.70013

Maggie Hawkins

{"title":"White Nationalist Identification With the Old English Exile: Or, Why Old English Poems Matter","authors":"Maggie Hawkins","doi":"10.1111/lic3.70013","DOIUrl":"https://doi.org/10.1111/lic3.70013","url":null,"abstract":"<div>\u0000 \u0000 <p>White nationalists have coopted medieval symbols and perverted the history and culture of “Anglo-Saxons.” While these references are often ahistorical, they speak to the strong connection white nationalists feel toward a fantasied idea of the European Middle Ages. The most horrific examples of this practice are when medievalisms appear on the weapons and in the manifestos of white nationalist terrorists. We cannot know definitively if Brenton Tarrant, or Anders Breivik, both white nationalist terrorists, have read specific Old English poems, but white nationalist forum, Stormfront, and white nationalist book collection, The Colchester Collection, include references to, or full-text translations of the Old English poems <i>The Wanderer</i> and <i>The Seafarer</i>. By exploring the isolated heroicism, displacement, and ironic nostalgia in these Old English poems, the reasons for white nationalists' niche interest in and identification with Anglo-Saxon peoples and Old English poetry become clear. White nationalists believe the global “white” community is threatened by mass immigration from non-European countries and that the only way to protect “whites” is to take up arms. Since not all white nationalists can reside in Europe, they use medieval references to bolster the idea of Europe as an ethnoracial home for all “white” peoples. White nationalist terrorists specifically use medievalisms to portray themselves as isolated heroes, like the Anglo-Saxon warrior in exile, avenging the loss of “white” land.</p>\u0000 </div>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"21 10-12","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142861329","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Correction to Introducing John Ganim's Theatricality, Medievalism, and Orientalism 约翰-加尼姆的戏剧性、中世纪主义和东方主义介绍》的更正

IF 0.3 3区文学

Literature Compass Pub Date : 2024-12-05 DOI: 10.1111/lic3.70014

引用次数: 0

Where We Speak From—Some Global Visions From Oceania 我们从哪里出发--来自大洋洲的一些全球视野

IF 0.3 3区文学

Literature Compass Pub Date : 2024-11-23 DOI: 10.1111/lic3.70008

Tina Makereti, Bonnie Etherington

{"title":"Where We Speak From—Some Global Visions From Oceania","authors":"Tina Makereti, Bonnie Etherington","doi":"10.1111/lic3.70008","DOIUrl":"https://doi.org/10.1111/lic3.70008","url":null,"abstract":"<div>\u0000 \u0000 \u0000 <section>\u0000 \u0000 <p>Oceania is always already home to vast global relations. In this introduction we invite readers to navigate literary and other creative expressions emerging from these relations in the 20th and early 21st centuries. Critic Epeli Hau‘ofa (1993) disrupts colonial and capitalist constructions of the Pacific that frame its islands as sparse and isolated, and reminds the world that ‘Oceania is vast, Oceania is expanding’. Prior to Hau‘ofa's assertions, Albert Wendt points out that creative works allow people to engage with the diverse connections and mobility that Oceania makes possible. More recently, Alice Te Punga Somerville reasserts that the beings and lands of Oceania do not fit into the categories forced by colonial borders, as ‘Oceania proposes a dynamic regional sensibility that enlarges and puts pressure on contemporary structures of nature and region’. Yet, there are few publications, especially emerging from UK and European publishers, that prioritise the globality of Oceania expressed through its literatures. Entering the conversations sustained by scholars of Oceania, this special issue on ‘Some Global Visions from Oceania’ asks readers to think about what the ‘global’ looks like when centred in Indigenous Oceania, rather than in a Euro-American centre.</p>\u0000 </section>\u0000 </div>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"21 10-12","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142708229","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Re-Weaving Te-Moana-nui-a-Kiwa: Wāhine Māori Bodies in Short Fiction 重新编织Te-Moana-nui-a-Kiwa：短篇小说中的毛利人身体

IF 0.3 3区文学

Literature Compass Pub Date : 2024-11-23 DOI: 10.1111/lic3.70011

Marama Salsano

{"title":"Re-Weaving Te-Moana-nui-a-Kiwa: Wāhine Māori Bodies in Short Fiction","authors":"Marama Salsano","doi":"10.1111/lic3.70011","DOIUrl":"https://doi.org/10.1111/lic3.70011","url":null,"abstract":"<div>\u0000 \u0000 \u0000 <section>\u0000 \u0000 <p>So much critical work about English language fiction by Indigenous writers from Te Moana-nui-a-Kiwa is Eurocentric. Although Papua New Guinean writer-scholar Steven Winduo argued 2 decades ago for the need to unwrite Eurocentric views of an ‘imagined Oceania’ and Māori writer Keri Hulme wrote disparagingly of Anglocentric ‘gods of Literature’, Samoan fantasy writer Lani Wendt Young has more recently described traditional publishing houses as ‘white castles of literature’. Indigenous peoples across Kiwa's great ocean do not need the empire's eyes. Māori do not need the empire's eyes; we have seen ourselves in our narratives since our primordial parents, Ranginui and Papatūānuku, were separated. Yet too often, Indigenous wāhine bodies in fiction are read as stereotyped features of indigeneity or are simply ignored. As a single connecting node to the wider literary networks of Te Moana-nui-a-Kiwa, this paper recentres oft-overlooked Indigenous rhythms and offers a wahine Māori reading of wāhine Māori lives in stories written by wāhine Māori. Specifically, this essay recentres wāhine Māori lives by weaving together extracts of the poem, ‘this tauiwi house’, with contemplations of wāhine bodies in two short stories written by wāhine Māori: ‘Flower Girls’ by Patricia Grace and ‘Birth Rights’ by J. C. Hart. Ultimately, careful readings of wāhine bodies offer rich insights into the wider tapestry of Indigenous lives and the societies we inhabit across Te Moana-nui-a-Kiwa.</p>\u0000 </section>\u0000 </div>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"21 10-12","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142708223","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0