{"title":"Technologies of Observation and Unbearable Space: Cosmic Horror as Epistemological Accident in At the Mountains of Madness (1936)","authors":"Xinrui Zhu","doi":"10.1111/lic3.70041","DOIUrl":"https://doi.org/10.1111/lic3.70041","url":null,"abstract":"<div>\u0000 \u0000 <p>This article rereads H. P. Lovecraft's <i>At the Mountains of Madness</i> (1936) and argues that what has been called “cosmic horror” in the text is not, as it is traditionally understood, a form of metaphysical oppression in which humanity confronts an existential terror at its own insignificance before the universe. Rather, it is an “epistemological accident” that takes place inside the operational frame of modern science. By means of modern technologies of observation it deliberately forces itself into a position of observation that no human subject had previously occupied. Horror is no longer defined as some mysterious entity. It emerges instead as the recoil of scientific observation itself against the perceptual architecture of the observing subject. Lovecraft's cosmic horror can therefore be read as the self-collapse of the modern scientific subject under extreme spatial conditions. It is an epistemological catastrophe triggered in the field by technologies of observation, rather than a one directional threat imposed by an external other.</p>\u0000 </div>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"22 4","pages":""},"PeriodicalIF":0.2,"publicationDate":"2025-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145824566","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mediterraneanism Meets Global Ethics: A Poetic and Material Analysis of The Island of Missing Trees","authors":"Aina Vidal-Pérez","doi":"10.1111/lic3.70038","DOIUrl":"https://doi.org/10.1111/lic3.70038","url":null,"abstract":"<div>\u0000 \u0000 <p>This article delves into discussions around the global novel through a poetic and material analysis of <i>The Island of Missing Trees</i> (2021) by British-Turkish writer Elif Shafak. Internationally acclaimed, the novel's central plot is a love story set in 1974 Nicosia (Cyprus) between Kostas, a Greek Cypriot, and Defne, a Turkish Cypriot, who secretly meet amidst the political violence of a divided city, against the backdrop of golden beaches, climbing bougainvilleas, and stuffed vine leaves. I argue that the narrative tension between locality and globality mediated by a cosmopolitan writer like Shafak is one of the fundamental strategies for the novel's global legibility, circulation, and reception. First, I analyze its narrative strategies—articulated through multiple points of view (including that of a fig tree), a multiscale narrative construction (temporal, spatial, but also non-human), and a picturesque production of the local (Cypriot) and the regional (Mediterranean)—to problematize the mechanisms of internationalization in the novel. Second, I question how the novel thematically participates in popular global discourses such as humanitarianism or environmentalism. Finally, I consider the circulation and reception assumptions around the novel in Western English-language media.</p>\u0000 </div>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"22 4","pages":""},"PeriodicalIF":0.2,"publicationDate":"2025-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145751299","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“English Literature After #MeToo: Global Perspectives”: Introduction","authors":"Kate Hext, Julie Choi","doi":"10.1111/lic3.70034","DOIUrl":"https://doi.org/10.1111/lic3.70034","url":null,"abstract":"<p>This introductory essay sets out the relationship between #MeToo movement and higher education in a global context, arguing that teaching in universities is defined by what we term “Post-#MeToo Consciousness.” The essay explores the implications of this for teaching practice and the principles of English literary studies, opening questions about how it tacitly reshapes the discipline (vis authority, the canon, scholarly language), and asking how we can develop an effective global perspective on this fundamental, multivalent subject.</p>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"22 4","pages":""},"PeriodicalIF":0.2,"publicationDate":"2025-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://compass.onlinelibrary.wiley.com/doi/epdf/10.1111/lic3.70034","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145625701","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Studies in the Period Illustration of Eighteenth-Century British Literature, 1935–2025","authors":"Sandro Jung","doi":"10.1111/lic3.70039","DOIUrl":"https://doi.org/10.1111/lic3.70039","url":null,"abstract":"<div>\u0000 \u0000 <p>Excepting satiric illustration and the work of William Blake, this article will sketch the state-of-the-art pertaining to the study of the copper-engraved period illustration of 18th-century literature. It will outline the different phases of illustration studies within the British literary context of the past 90 years, concentrating particularly on the developments of the past 40 years. Focusing on the ways in which scholars have, in recent years, argued for the centrality and significance of illustrations in literary-historical narratives of 18th-century British literature, it will introduce the latest directions in the field. These include the role of illustrations in literary material culture and transnational book and text history, as well as extra-illustration practices and the recycling of illustrations, which demonstrate the pervasive reach of literary illustration in the 18th century.</p>\u0000 </div>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"22 4","pages":""},"PeriodicalIF":0.2,"publicationDate":"2025-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145522311","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Careless Daisy, Incurable Jordan, and Dead Myrtle: Teaching The Great Gatsby in the Post-#MeToo Era","authors":"Soh Yeun Kim","doi":"10.1111/lic3.70035","DOIUrl":"https://doi.org/10.1111/lic3.70035","url":null,"abstract":"<div>\u0000 \u0000 <p>This article examines the pedagogical challenges and strategies of teaching F. Scott Fitzgerald's The Great Gatsby within the intensified anti-feminist climate of post-#MeToo South Korea, where feminist perspectives face severe marginalization and active opposition. Korean college students typically admire Gatsby's self-made success and romantic idealism while uncritically accepting the novel's portrayal of female characters as morally deficient. Drawing from experiences teaching the novel at Korean universities between 2023 and 2024, this study analyzes how targeted pedagogical interventions—critically examining Nick Carraway's unreliable narration and implementing mock trials inspired by Azar Nafisi—created safe spaces for gender critique without provoking the anti-feminist backlash prevalent in Korean academic settings. By contextualizing the novel within both 1920s gender constraints and the contemporary Korean anti-feminist climate, these strategies helped students recognize the lack of voice afforded to female characters and structural limitations on their agency, thereby developing more nuanced interpretations of characters commonly dismissed as unworthy. Post-exercise reflections demonstrated students' emerging awareness of their previously unexamined gender biases when assessing literary characters. The findings demonstrate how literary pedagogy can foster critical consciousness about gender representation in environments where feminist discourse faces significant stigmatization, thereby offering insights for teaching canonical texts in similarly contested cultural contexts.</p>\u0000 </div>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"22 4","pages":""},"PeriodicalIF":0.2,"publicationDate":"2025-11-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145470177","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Happiness in the Long Eighteenth Century","authors":"Alexander Hobday","doi":"10.1111/lic3.70037","DOIUrl":"https://doi.org/10.1111/lic3.70037","url":null,"abstract":"<div>\u0000 \u0000 <p>In this article, I offer a thematic overview of differing conceptions of happiness in the long 18th century. These conceptions are hedonism, subjectivism, and eudaemonism. Philosophers today term these ‘the big three’, meaning that most theories of happiness can be described in terms of one or other of them. Broadly speaking, it can be argued that, during the Middle Ages, happiness was generally conceived of in eudaemonistic terms. Wellbeing involved living in accordance with one's essence, which was to say, living as God intended. Happiness was seen to be closely related to virtue and piety. To live well meant to live in the right way. From the 17th century onwards, medieval eudaemonism was profoundly challenged by a range of socio-economic, intellectual, and cultural factors. These provided an impetus to conceive of happiness in terms of hedonism and/or subjectivism. Aside from offering an overview of scholarship relevant to these historical themes, an additional focus of this review is to describe how different literary forms contributed to the proliferation of these forms of happiness. Furthermore, towards the end of the review, I offer a discussion of contemporary debates about wellbeing, highlighting the relevance of the 18th century to those seeking to grapple with the nature of the good life in the present day.</p>\u0000 </div>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"22 4","pages":""},"PeriodicalIF":0.2,"publicationDate":"2025-11-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145469632","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘I'm Alright, It's Just so Horrible’: Teaching Romance Fictions, Pre- and Post-#MeToo","authors":"Joseph Crawford","doi":"10.1111/lic3.70033","DOIUrl":"https://doi.org/10.1111/lic3.70033","url":null,"abstract":"<p>This article discusses the author’s experiences of teaching the history of romance fiction to undergraduate students from 2013 to 2024, with a particular emphasis on changing approaches to teaching romance media that romanticisesor eroticises sexual violence. The #MeToo movement is noted as marking an inflection point in the ways in which such texts have been approached and interpreted by students, reflecting the increased priority given to issues of consent in romance fiction. The article discusses some of the risks and difficulties inherent in teaching such material, and how a trauma-informed pedagogy might be used to mitigate these in practice.</p>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"22 4","pages":""},"PeriodicalIF":0.2,"publicationDate":"2025-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://compass.onlinelibrary.wiley.com/doi/epdf/10.1111/lic3.70033","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145469482","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Matter of Consent in “Book of Chastity” of The Faerie Queene After #MeToo","authors":"Youngjin Chung","doi":"10.1111/lic3.70032","DOIUrl":"https://doi.org/10.1111/lic3.70032","url":null,"abstract":"<p>This essay examines the pedagogical challenges and opportunities of teaching Edmund Spenser's “Book of Chastity” from <i>The Faerie Queene</i> (1590/1596) to South Korean undergraduate women in the post-#MeToo era. Set against the backdrop of student protests against campus sexual misconduct, the study explores how an early modern English poem portraying non-consensual relationships is received in a contemporary, all-female academic setting. Through a case study of an upper-level course on women and literature, the research investigates students' responses to Spenser's allegory, focusing on its treatment of female agency and consent within the prevailing rape culture. The essay highlights the complexities of bridging early modern literature with current discussions on gender and consent, examining students' critical engagement with a male-authored canon addressing chastity and consent. By exploring these pedagogical experiences, the study contributes to the ongoing dialog about teaching historically significant and yet potentially problematic texts in a modern, culturally specific context, while remaining sensitive to evolving perspectives on gender, consent, and literary interpretation in the wake of the #MeToo movement.</p>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"22 4","pages":""},"PeriodicalIF":0.2,"publicationDate":"2025-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://compass.onlinelibrary.wiley.com/doi/epdf/10.1111/lic3.70032","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145407020","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Teaching Modernist Literature in a Women's College in South Korea","authors":"Boosung Kim","doi":"10.1111/lic3.70036","DOIUrl":"https://doi.org/10.1111/lic3.70036","url":null,"abstract":"<p>This essay discusses how post-#MeToo consciousness, shaped by multiple factors in South Korea, has influenced the teaching of modernist literature at a South Korean women's college. It examines how texts like <i>Mrs Dalloway</i> and <i>St. Mawr</i> resonate with students who are rethinking marriage, gender roles, and national belonging. It also proposes pairing <i>A Room of One's Own</i> with the Korean novel <i>Kim Jiyoung, Born 1982</i>, widely recognized as #MeToo literature and internationally circulated. The essay highlights how feminist pedagogy enables students to read canonical works as tools for navigating their own lived experiences, shaped by gendered violence, precarity, and a desire for alternative futures. It argues for a reading practice that bridges literature and life, fostering critical empathy and feminist imagination.</p>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"22 4","pages":""},"PeriodicalIF":0.2,"publicationDate":"2025-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://compass.onlinelibrary.wiley.com/doi/epdf/10.1111/lic3.70036","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145406994","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Teaching Through the Backlash: Bodies, Hearts, and Time in the Post-#MeToo U.S. Literature Classroom","authors":"Doreen Thierauf","doi":"10.1111/lic3.70031","DOIUrl":"https://doi.org/10.1111/lic3.70031","url":null,"abstract":"<div>\u0000 \u0000 <p>In this essay, I survey the North American literature classroom post-#MeToo, using my Spring 2024 undergraduate honors course, an introduction to Literary Sexuality Studies, for my case study. Picking up Susan Faludi's classic concept of the anti-feminist backlash, I show that Gen Z students (and their instructors) are aware of #MeToo's promises, breakthroughs, and challenges—and of the fact that last decade's period of intense agitation is, for now, over. Once again, feminist pedagogy must be done from <i>within</i> the backlash, during a period of dimming hope and fearful retrenchment. I rehearse strategies for introducing students to #MeToo as a historically situated phenomenon and for cultivating a transnational feminist consciousness to weather the storms to come. I use three conceptual heuristics to do so. The first, “bodies,” allows me to track post-#MeToo changes in how students approach gendered corporealities, both in cultural texts and their own experience. Second, “hearts,” attempts to paint a picture of students' consolidating political commitments, riven as they are by local and global dynamics. Finally, “time” seeks to theorize feminist pedagogy's fundamental challenge of addressing politically diverse students, many of whom haven't gotten around to subscribing to feminism. Overall, this piece wants to articulate feminist pedagogy's obligation to inhabit different temporalities and nationalities while remaining attentive to local and personal contexts.</p>\u0000 </div>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"22 4","pages":""},"PeriodicalIF":0.2,"publicationDate":"2025-10-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145367084","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}