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BookTok: A Narrative Review of Current Literature and Directions for Future Research BookTok：当前文献综述和未来研究方向
IF 0.2 3区 文学
Literature Compass Pub Date : 2024-11-22 DOI: 10.1111/lic3.70012
Jeroen Dera
{"title":"BookTok: A Narrative Review of Current Literature and Directions for Future Research","authors":"Jeroen Dera","doi":"10.1111/lic3.70012","DOIUrl":"10.1111/lic3.70012","url":null,"abstract":"<p>Harvesting hundreds of billions of views, the hashtag #BookTok on TikTok is currently having a global impact on the production, distribution and reception of literature. This article assesses the academic research conducted thus far on this online literary phenomenon. It differentiates among three directions in the research: (1) BookTok as a specific form of book reviewing; (2) BookTok as a literary community-builder; and (3) BookTok as an agent in reading promotion. Based on this narrative review, directions for future research are explored, with particular attention to the use of empirical methodologies to further investigate user experiences, the application of a celebrity studies lens, and a focus on BookTok accounts that combine affective and critical approaches to literature, exploring discussions on political, social, and environmental issues within the platform.</p>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"21 10-12","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/lic3.70012","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142708064","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Doggerel Verse and Critical Recoil 寓言诗与批判性反冲力
IF 0.2 3区 文学
Literature Compass Pub Date : 2024-11-18 DOI: 10.1111/lic3.70003
Andrea Denny-Brown
{"title":"Doggerel Verse and Critical Recoil","authors":"Andrea Denny-Brown","doi":"10.1111/lic3.70003","DOIUrl":"10.1111/lic3.70003","url":null,"abstract":"<p>Early 20th-century critics rediscovered a literary concept called “doggerel” in Geoffrey Chaucer's <i>Sir Thopas</i> and in John Lydgate's mid-clash poetic line, using the term to help them categorize and periodize the shift in English literature from medieval to modern. A close look at this undertheorized term and its early iterations in Chaucer's poetry and Lydgate's verse makes clear that doggerel has been a crucial if underthought player not only in English metrical development, but also in the history of literary critique, as a versified counterstrategy that maps the contours of the unpoetic, challenges budding poetic norms, and works simultaneously to introduce and to upend traditional critical notions like the poet's ear.</p>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"21 10-12","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-11-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/lic3.70003","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142665986","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Chaucerian Theatricality: Then and Now 乔叟戏剧性过去与现在
IF 0.2 3区 文学
Literature Compass Pub Date : 2024-10-15 DOI: 10.1111/lic3.70004
Seth Lerer
{"title":"Chaucerian Theatricality: Then and Now","authors":"Seth Lerer","doi":"10.1111/lic3.70004","DOIUrl":"10.1111/lic3.70004","url":null,"abstract":"<div>\u0000 \u0000 <p>John Ganim's 1990 book, <i>Chaucerian Theatricality</i>, raised important questions about the methods of studying Chaucer's public poetry and, in turn, about the relationships among authorial, narratorial, and critical voices, both in his time and ours. This paper reconsiders Ganim's book in the context of Chaucerian criticism of the 1990s, and it develops the implications of its notion of theatricality to embrace new readings of the <i>Tales</i> and new approaches to twenty-first-century debates in Chaucer scholarship. The paper concludes by arguing that the real, current site of Chaucerian theatricality lies in the areas of teaching and research, especially in the recent publication and dissemination of work reassessing the status of Chaucer's <i>raptus</i> of Cecily of Chaumpaigne.</p>\u0000 </div>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"21 10-12","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142438978","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Medievalism, Orientalism, and the Botany of the Holy Land 中世纪、东方主义和圣地植物学
IF 0.2 3区 文学
Literature Compass Pub Date : 2024-10-11 DOI: 10.1111/lic3.70002
Shayne Aaron Legassie
{"title":"Medievalism, Orientalism, and the Botany of the Holy Land","authors":"Shayne Aaron Legassie","doi":"10.1111/lic3.70002","DOIUrl":"10.1111/lic3.70002","url":null,"abstract":"<div>\u0000 \u0000 <p>This article considers the intersection of medievalism and Orientalism in the botanical study of the Holy Land from the Middle Ages itself through the 1930s.</p>\u0000 </div>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"21 10-12","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142429822","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Rehearsing Words and Gestures in Chaucer's Troilus and Criseyde 乔叟《特洛伊罗斯和克里塞德》中的语言和手势排练
IF 0.2 3区 文学
Literature Compass Pub Date : 2024-10-05 DOI: 10.1111/lic3.70005
Stephanie Trigg
{"title":"Rehearsing Words and Gestures in Chaucer's Troilus and Criseyde","authors":"Stephanie Trigg","doi":"10.1111/lic3.70005","DOIUrl":"10.1111/lic3.70005","url":null,"abstract":"<p>Geoffrey Chaucer's <i>Troilus and Criseyde</i> offers many rhetorical lessons and models in how to speak and behave well according to the mediaeval conventions of <i>fin'amor.</i> The first three books of the poem are especially concerned with the best ways to control and express deep feeling. The two lovers prepare nervously for their first meeting at the beginning of Book III. Troilus, in particular, rehearses and seeks to memorise the best words, gestures, and facial expressions to use when he first speaks with Criseyde. In Book V, Diomede enacts very similar practices in his seduction of Criseyde, but the reader is encouraged to read this as a different kind of deliberate performance. Using the work of Monique Scheer and other theorists of emotional practice and the history of emotions, this essay explores the ambiguity of performance as both a rehearsed theatrical mode; and as the practice and affirmation of conventional forms of emotional expression. It concludes by proposing that Thomas Hoccleve's ‘mirror scene’ in his <i>Compleinte</i> draws on Troilus's rehearsals, adopting the performance anxiety associated with romantic love for his own more social and public concerns.</p>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"21 10-12","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-10-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/lic3.70005","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142404294","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Islamic Medievalism and Mobility in Mathias Énard's Street of Thieves 马蒂亚斯-埃纳德《盗贼街》中的伊斯兰中世纪与流动性
IF 0.2 3区 文学
Literature Compass Pub Date : 2024-10-02 DOI: 10.1111/lic3.70006
Louise D'Arcens
{"title":"Islamic Medievalism and Mobility in Mathias Énard's Street of Thieves","authors":"Louise D'Arcens","doi":"10.1111/lic3.70006","DOIUrl":"10.1111/lic3.70006","url":null,"abstract":"<p>Set against the backdrop of the Arab Spring uprisings, Jihadist extremism, and the neoliberal exploitation of the Global South, Mathias Énard's 2012 novel <i>Street of Thieves</i> (<i>Rue des voleurs</i>) follows the fortunes of Lakhdar, a young man from Tangier who finds himself living as an undocumented migrant in Barcelona's notorious Carrer d’En Robador, the Street of Thieves. Lakhdar's misadventures are shaped by regional and global forces which have compelled Moroccan nationals to seek political and economic asylum in Mediterranean Europe. Although <i>Street of Thieves</i> is strikingly contemporary, this essay explores the novel's medievalism: its contrasting of the grim present with the premodern Islamic world as an era of sophistication, mobility and cultural exchange. The essay focuses on Lakhdar's preoccupation with his fellow Tangier native Ibn Battuta, the fourteenth-century traveler and writer whose life becomes a frame through which Lakhdar views his own. It argues that contrary to the current tendency to view Ibn Battuta's world as a precursor to modern globalised culture, Énard's novel invokes cosmopolitan Islamic premodernity to comment on the turmoil of the modern Islamosphere and the harm done to the Islamicate world by Western neo-colonialism and neoliberalism.</p>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"21 10-12","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/lic3.70006","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142404395","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Introducing John Ganim's Theatricality, Medievalism, and Orientalism 介绍约翰-加尼姆的戏剧性、中世纪主义和东方主义
IF 0.2 3区 文学
Literature Compass Pub Date : 2024-09-28 DOI: 10.1111/lic3.70001
Christopher Queen
{"title":"Introducing John Ganim's Theatricality, Medievalism, and Orientalism","authors":"Christopher Queen","doi":"10.1111/lic3.70001","DOIUrl":"10.1111/lic3.70001","url":null,"abstract":"<div>\u0000 \u0000 <p>The following introduction provides a personal and critical backdrop for a cluster of five essays that celebrate the pedagogical and scholarly career of Dr. John Ganim following his recent retirement from the University of California, Riverside. By way of a brief review of Ganim's Chaucerian Theatricality and Medievalism and Orientalism, this introduction highlights the foundational arguments of Ganim's book-length studies to provide prefatory context for the essays that follow from the cluster's contributing authors: Stephanie Trigg (University of Melbourne), Louise D'Arcens (Macquarie University), Seth Lerer (University of California, San Diego), Andrea Denny-Brown (University of California, Riverside), and Shayne Legassie (University of North Carolina, Chapel Hill).</p>\u0000 </div>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"21 10-12","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142359925","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Introduction: Collecting, Collections, and Collectors in the Long Nineteenth Century 导言：漫长十九世纪的收藏、藏品和收藏家
IF 0.2 3区 文学
Literature Compass Pub Date : 2024-08-30 DOI: 10.1111/lic3.70000
Jacob Risinger, Daniel Williams
{"title":"Introduction: Collecting, Collections, and Collectors in the Long Nineteenth Century","authors":"Jacob Risinger,&nbsp;Daniel Williams","doi":"10.1111/lic3.70000","DOIUrl":"10.1111/lic3.70000","url":null,"abstract":"","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"21 7-9","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-08-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/lic3.70000","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142100420","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sherlock Holmes, the Chronologists, and the Cocaine 福尔摩斯、编年史学家和可卡因
IF 0.2 3区 文学
Literature Compass Pub Date : 2024-08-28 DOI: 10.1111/lic3.12767
William Nelles
{"title":"Sherlock Holmes, the Chronologists, and the Cocaine","authors":"William Nelles","doi":"10.1111/lic3.12767","DOIUrl":"10.1111/lic3.12767","url":null,"abstract":"<div>\u0000 \u0000 <p>A distinctive school of “Sherlockian scholarship” has grown up around the Sherlock Holmes series, one corollary of which is that a consistent chronology of Holmes's life can be assembled by cross-referencing the datable events in the stories. Holmes's use of cocaine throughout the series provides a test case for analyzing the consequences of the Chronologists' emphasis on the biographical sequences they reconstruct from the texts.</p>\u0000 </div>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"21 7-9","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-08-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142089867","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Defamiliarizing Romance: The Arabic sīra in the English Literary Classroom 罗曼史的陌生化：英语文学课堂中的阿拉伯语 sīra
IF 0.2 3区 文学
Literature Compass Pub Date : 2024-08-22 DOI: 10.1111/lic3.12766
Shazia Jagot
{"title":"Defamiliarizing Romance: The Arabic sīra in the English Literary Classroom","authors":"Shazia Jagot","doi":"10.1111/lic3.12766","DOIUrl":"10.1111/lic3.12766","url":null,"abstract":"<p>This article explores the ways in which the Arabic <i>sīra</i> a genre loosely akin to the romance or chivalric epic can be incorporated into undergraduate teaching on medieval romance. Drawing on my own pedagogical experience and guided by ongoing critical work on decolonising and diversifying the curriculum, I demonstrate the values and challenges of bringing Arabic texts, read in translation, into modules that configure English literature degrees in UK higher education. I focus on <i>Sīrat Sayf bin Dhī Yazan</i> a dynamic <i>sīra</i> available in Lena Jayyusi's lively English translation (‘Adventures of Sayf ben Dhi Yazan’), that contains folkloric and chivalric motifs and themes recognisable to readers of western romances, including adventuring heroes, disguise and recognition, magic and the supernatural, and love. Here, I aim to show that comparative familiarity is an ideal tool to de-familiarise and reorient perspectives on ‘romance’ (in the broadest sense) in the classroom. <i>Sīrat Sayf</i> opens up a gateway to another geographical location, both historical and imaginative, another cultural and religious context, and another literary and linguistic tradition. I show the importance of multilingualism in teaching romance on ‘English’ degrees and the broader questions this raises about the stakes of reading in translation while also opening up ways of understanding—and steps to undoing—the structures that create and uphold canons, including medieval romance.</p>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"21 7-9","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/lic3.12766","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142045285","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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