Literature Compass最新文献

{"title":"The “practical mode of teaching” and the state of English studies in the United States","authors":"Dennis Denisoff, Laura M. Stevens","doi":"10.1111/lic3.12748","DOIUrl":"https://doi.org/10.1111/lic3.12748","url":null,"abstract":"Abstract In the United States, student eagerness to pursue concentrated study in English literature as well as in other humanities fields has plummeted after the financial crisis of 2008. Envisioned strong career demand and high wages upon graduation are major drivers of program choices, and such demand is articulated through wealthy industries that can also offer funding to universities. That said, it becomes self‐fulfilling to contribute to the cliché of the humanities perpetually being in crisis, which occurs when humanities specialists begin valuing their own fields by the measures celebrated by other programs. Is it possible to take the current situation and leverage our strengths toward constructive innovations in English studies that remain true to our own values? To address this question, we first summarize three key ways in which the situation in the United States is distinct from, yet connected to, that of most other countries: extensive decentralization of education policy and funding; high student debt; and opposition to education in Diversity, Equity, and Inclusion and the humanities in general. After reflecting on the opportunities for greater global connection posed by the pandemic‐driven shift to online learning, we discuss some of our own efforts to build a sense of local and international responsibility in our students. The skills, knowledge, and openness to other cultures and identities that we nurture through the literature we teach and the socially invested pedagogy we practice allow us to incorporate ethics and empathy into the design of international economics and to help ensure that a sense of local and global responsibility is part of its operation.","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135928761","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Futures of english studies: Australia","authors":"Paul Giles","doi":"10.1111/lic3.12747","DOIUrl":"https://doi.org/10.1111/lic3.12747","url":null,"abstract":"Abstract This paper considers the professionalization of literary studies in Australian universities. It traces ways in which its interdisciplinary formations have been shaped not only by the cultural contexts of colonialism and postcolonialism, but also by institutional factors and budgetary pressures. Nevertheless, it argues this framework has also created intellectual opportunities for positively reshaping the subject so as to bring it into discursive conversation with cognate fields. It suggests that the repositioning of Australian literature and literary studies in relation to World Literature may offer the prospect of opening up the field for the benefit of scholars the world over.","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135510977","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Africa paradox: Locating Africa in eighteenth-century studies","authors":"Rebekah Mitsein","doi":"10.1111/lic3.12749","DOIUrl":"10.1111/lic3.12749","url":null,"abstract":"<p>This article is about why Africa is overlooked in eighteenth-century literary studies. Africa’s neglect is not merely a problem of attention. Neither the parameters of the field nor the tools of the discipline appear particularly suited for engaging Africa as anything other than an invention of the European imagination. In what follows, I seek to bring more clarity to the origins of this paradox and to contextualize some of its governing assumptions not in order to solve it but to show that having already solved it can’t and doesn’t need to be a prerequisite for scholars of eighteenth-century literature to face it head-on. The first section offers a brief account of how this paradox arose from the political and intellectual matrix of the mid-twentieth century when African Studies was first institutionalized in the West. The subsequent sections highlight the way this history has shaped—both directly and indirectly—the way scholars and teachers of eighteenth-century literature have understood Africa and their obligations to it and suggests some ways we might begin to rethink Africa’s place in the field</p>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/lic3.12749","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135570071","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"“For the planet. For home”: Generating planetary responsibility in the climate fiction of Los Angeles","authors":"Edwin Gilson","doi":"10.1111/lic3.12742","DOIUrl":"https://doi.org/10.1111/lic3.12742","url":null,"abstract":"Abstract This article argues that three prominent recent works of Los Angeles climate fiction—Maria Amparo Escandon's L . A . Weather (2021), Alexandra Kleeman's Something New Under the Sun (2021) and Paul Beatty's The Sellout (2016)—generate a sense of planetary responsibility. Despite their regional settings, these novels possess a planetary consciousness, illuminating the local‐global connectivity of climate change and the Anthropocene. As one of the biggest greenhouse gas emitting cities in the world, L.A. drives climate injustice, with its gargantuan energy consumption having an adverse impact on populations both within and far beyond its own borders. This article explains how literature, and climate fiction particularly, can highlight this inequality at micro and macro scales, and encourage collective opposition to it. I argue that the novels of Escandon, Kleeman and Beatty conjure the impression of responsibility identified by Kristian Shaw and Sara Upstone in their overview of post‐postmodern fiction, while also exhibiting the ‘planetarity’ discussed by Amy Elias and Christian Moraru: a term to describe the global worldview of contemporary culture. In applying these concepts to the novels examined here, I ultimately contend that Los Angeles climate fiction demystifies the spatial and political dimensions of the Anthropocene, generating planetary responsibility and addressing local and global injustice.","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135093423","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The supply‐chain sublime: Spectacles of unagency in fictions of planetary economy","authors":"Spencer Robins","doi":"10.1111/lic3.12745","DOIUrl":"https://doi.org/10.1111/lic3.12745","url":null,"abstract":"Abstract This paper is about the literary representation of supply chains: the political‐material pathways by which goods are produced and delivered to consumers. It considers the ethical and aesthetic problems posed by the fact that the daily lives of people living in consumer societies in the Global North are deeply dependent on material networks that sustain violent relations between people and with earth’s ecologies. How can we be ethical global citizens when we are already material global subjects? The paper considers how literature confronts this ethical‐representational challenge, and asks whether literature might help us take responsibility over the material economic networks that structure our everyday lives. I examine two novels that make use of strikingly similar techniques for narrating their characters’ immersion in globalized economies: Ben Lerner’s 10:04 (2014) and Ling Ma’s Severance (2018). Both novels strive to represent the incomprehensible global economy by calling attention to their inability to represent it. I argue that this technique—which I call the “supply chain sublime”—ultimately reflects the incapacity of current forms of collective political agency to manage our material lives.","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134944360","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Rainbow in Gethen: Queer utopia and community collectivism in Ursula K. Le Guin's “Coming of Age in Karhide”","authors":"Aleena Achamma Paul,&nbsp;Swathi Krishna S.","doi":"10.1111/lic3.12746","DOIUrl":"10.1111/lic3.12746","url":null,"abstract":"<p>This essay seeks to examine how Ursula K. Le Guin's science fiction short story “Coming of Age in Karhide” (1995) set in the planet of Gethen in the fictional Hainish universe envisions a political utopia of sequentially hermaphroditic humans to offer a succinct critique of traditional gender roles and conventional sexual customs while celebrating the potential of collective responsibility. While maintaining that the recent scholarship on queer utopias in SF has largely geared toward posthumanist articulations, the present essay argues that Ursula K. Le Guin who laid the genre conventions of queer utopic narratives unabashedly places her short story “Coming of Age in Karhide” within the ideals of humanism by upholding community as a unifying entity, at the same time carefully avoiding the pitfalls of anthropocentrism. Drawing from queer theorists and social scientists, this essay, while exemplifying the implications of a futuristic gender-neutral society, albeit partially, examines Le Guin's celebration of community collectivism in “Coming of Age in Karhide” to argue that the integration with the values and expectations of the larger community occasions individual growth and identity formation of the teenage protagonist and thereby, attests to the author's humanistic temperament.</p>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134943829","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Letters for Ukraine. Textual and institutional forms of global responsibility","authors":"Núria Codina Solà","doi":"10.1111/lic3.12739","DOIUrl":"https://doi.org/10.1111/lic3.12739","url":null,"abstract":"Abstract This essay analyses the epistolary correspondence between six Ukrainian and German‐speaking authors published by WeiterSchreiben, a literary platform that belongs to the non‐profit organisation WIR MACHEN DAS and which seeks to promote the work of exiled writers from regions affected by war and other humanitarian crises in the German cultural field. The essay argues that the collaborative, self‐reflexive, and short form of the letters is particularly suitable to promote global responsibility and to quickly adapt to situations of political immediacy, thus accelerating literature's reaction capacity to ongoing conflicts such as the Russia‐Ukraine war. While tracing the connections between the genre and the human rights discourse and looking at the politics of address that create a bond of communion between the correspondents and have the potential to foster various kinds of political identification among readers, the essay also explores this literary initiative from a sociological perspective, challenging strict distinctions between textual and contextual dynamics. By drawing attention to the literary and political dimension of non‐profit organisations such as WIR MACHEN DAS, the essay demonstrates that literature constitutes an important tool in civil society, which helps create forms of transnational solidarity and shape collective debates around migration and social injustice that transcend the borders of states.","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134944488","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Bequeathing “new sincerity” in the age of the homo digitalis: Confessionalism and authorial self-consciousness in David Foster Wallace and Bo Burnham","authors":"Sergio Lopez-Sande","doi":"10.1111/lic3.12744","DOIUrl":"10.1111/lic3.12744","url":null,"abstract":"<p>The notion of “New Sincerity” has become central to the study of David Foster Wallace's prose over the years. The present article explores how the tonal arrangement that characterises the movement has lived on to influence contemporary art, examining Bo Burnham's popular comedy musicals as a notable example of this influence. Wallace and Burnham's common stance concerning cultural reception is argued to be indissociable from their socio-cultural setting, with the two authors articulating parallel responses to an ongoing, multifaceted process of massification of public opinion, as well as to the consequences to cultural poiesis therein entailed.</p>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/lic3.12744","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135739574","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Tracing social connections in the Victorian Jewish Writers Project","authors":"Brandon Katzir,&nbsp;Lindsay Katzir","doi":"10.1111/lic3.12741","DOIUrl":"10.1111/lic3.12741","url":null,"abstract":"<p>In March 2022, we launched the <i>Victorian Jewish Writers Project</i> (VJWP), a digital collection of texts written by nineteenth-century British Jews accompanied by short articles on significant authors, places, and events of the Anglo-Jewish world. When we began building the collection in 2021, our conceptual framework was clear: Victorian Jewry is underrepresented both in Jewish Studies and Victorian Studies, so we would create a resource to supply primary texts and some analytical information to anyone interested. Despite our familiarity with archive theory, we considered our role in the project as little more than what Latour calls intermediaries, or “mere informants.” Yet, the process of digitizing and publicizing a canon, particularly a canon tied to a cultural heritage, is an inherently social act, and in this article we will explore the modes of social engagement inherent in creating and maintaining digital archives. In particular, we make use of Latour’s actor-network theory to understand the relationships forged by archives in digital spaces.</p>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-09-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135967305","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Importing Arcadia into 18th-century Madras: Poetics of the contact zone and the politics of genre in Eyles Irwin's Saint Thomas's Mount","authors":"Arjun Motwani","doi":"10.1111/lic3.12743","DOIUrl":"10.1111/lic3.12743","url":null,"abstract":"<p>Eyles Irwin (1751–1817), an East India Company official who spent much of his life in the British settlement of Fort St. George, Madras, was one of the earliest practitioners of anglophone belles lettres in the Indian subcontinent, and his writings predate the development of a robust culture of English-language literary composition in the colony by quite a few years. The scant scholarly attention he has received belies his importance as an anticipator of the momentous literary-historical processes that would transform India's public sphere in the 19th century. This essay offers a contextual reading of <i>Saint Thomas's Mount</i> (1774), his earliest extant poem, which is avowedly modelled on canonical English topographical poems like Alexander Pope's <i>Windsor-Forest</i> (1713) and makes use of a host of neoclassical conventions, but which also differs from them in terms of the kind of landscape that is represented (Irwin's is a tropical landscape, with abundant mangoes, palms, and Oriental fauna, unlike Pope's pleasant, idyllic British park). However, Irwin's target readership being chiefly metropolitan, he contends with the difficulty of highlighting India's irreducible foreignness while simultaneously trying to ensure that readers in London do not find the Oriental descriptions <i>too</i> alien, incredible, and unrelatable. The authorial strategies he adopts to navigate this difficulty constitute the focus of the first part of the essay. The second (and final) part seeks to shed light on his hybrid, hyphenated identity as an Indian-born Irish poet, and on his perception of himself as somehow fundamentally unlike those Britons who never ventured beyond the geographical confines of Europe, let alone setting down roots in places on the very fringes of the British empire. The affiliative bonds he forges with expatriate colonial officials living in and confronting the hardships of life in the monsoonal tropics mark him as a member of the steadily growing community of Anglo-Indians in the Indian subcontinent. While noting the shifting connotations of the term ‘Anglo-Indian’ in the 18th and 19th centuries, this essay will also examine the implications of identifying Irwin as a member of this initially amorphous but steadily growing community.</p>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-09-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136152911","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}