Literature Compass最新文献_第10页

‘[P]oets unhoused’: Modernism, homelessness and precarity “无家可归者”：现代主义、无家可归和不稳定

IF 0.3 3区文学

Literature Compass Pub Date : 2021-11-10 DOI: 10.1111/lic3.12649

Laura Ryan

引用次数: 0

Japan through Western eyes in Stupeur et Tremblements by Amélie Nothomb: Interpretation prevailing over translation 《惊魂与震颤》中西方人眼中的日本:诠释胜过翻译

IF 0.3 3区文学

Literature Compass Pub Date : 2021-10-20 DOI: 10.1111/lic3.12647

Nurit Buchweitz

引用次数: 0

Recent scholarship on eighteenth-century women's poetry 18世纪女性诗歌的最新研究

IF 0.3 3区文学

Literature Compass Pub Date : 2021-09-06 DOI: 10.1111/lic3.12640

Kathleen Keown

{"title":"Recent scholarship on eighteenth-century women's poetry","authors":"Kathleen Keown","doi":"10.1111/lic3.12640","DOIUrl":"10.1111/lic3.12640","url":null,"abstract":"The eighteenth century was a period of vital importance for the development of women's poetry: with each passing decade, more women began to read and write verse in every available genre and form. Since the late 1980s, this poetry has become increasingly accessible, and individual women poets have been thoroughly integrated into academic research and teaching. This essay provides an overview of recent scholarship on eighteenth-century women's poetry. It begins by outlining broad trends in women's literary history which have shaped the field, before highlighting the unique challenges that women's poetry presents. It then offers a more focused survey of recently published scholarship, with an emphasis on the last 2 decades. Emerging research themes span from the growth in book history and manuscript investigations, to the resurgence of formalist interpretation. Studies of women's poetry have allowed scholars not only to reassess women's contributions to eighteenth-century literary history, but to reconsider the very nature of that history—by re-envisioning how and why poetry was written, innovated, circulated, published, read, and valued within the period. The essay concludes by proposing future directions for the field, including the need for continued recovery work, more critical editions and monograph studies, new methodologies, cross-period dialogues with scholars of early modern and Romantic women's poetry, and practical initiatives to support precarious early career researchers.","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/lic3.12640","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43861699","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Health humanities and British Romanticism 健康人文和英国浪漫主义

IF 0.3 3区文学

Literature Compass Pub Date : 2021-09-03 DOI: 10.1111/lic3.12646

B. Pladek

引用次数: 0

Eighteenth-century queer studies, revisited 18世纪酷儿研究，重访

IF 0.3 3区文学

Literature Compass Pub Date : 2021-08-20 DOI: 10.1111/lic3.12643

Jeremy Chow

引用次数: 0

Finding The Irish Girl: Race, displacement, and the aesthetic promise of portraiture 寻找爱尔兰女孩:种族，位移，和肖像的美学承诺

IF 0.3 3区文学

Literature Compass Pub Date : 2021-08-18 DOI: 10.1111/lic3.12638

Natalie Prizel

引用次数: 0

Steamship to Argentina and Runaways: The principle of movement in the poetics of the new literary world 开往阿根廷的轮船与逃亡者:新文学世界诗学的运动原则

IF 0.3 3区文学

Literature Compass Pub Date : 2021-08-18 DOI: 10.1111/lic3.12645

Galina Danilina, Ekaterina Khromova

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引用次数: 0

Making sense of the new: Progress of modernity in colonial Odisha (1866–1916) Part I 理解新：殖民地奥迪沙的现代性进展（1866-1916）第一部分

IF 0.3 3区文学

Literature Compass Pub Date : 2021-08-14 DOI: 10.1111/lic3.12641

Sumanyu Satpathy

{"title":"Making sense of the new: Progress of modernity in colonial Odisha (1866–1916) Part I","authors":"Sumanyu Satpathy","doi":"10.1111/lic3.12641","DOIUrl":"10.1111/lic3.12641","url":null,"abstract":"The article is in two parts. The first part tries to make an intervention in the ongoing debates on modernity. Based on extensive archival research on the numerous discussions and debates around questions of the ‘new kind of newness’, in the nascent Odia print public-sphere, it offers a detailed analysis of the advent of modernity in colonial Odisha. It works under the premise that since much of the Anglophone analysis of modernity in specific historical periods is conducted in non-vernacular idioms, the discourse itself does not remain uncontaminated by the historical baggage of the source cultures. Instead, this article prefers to bring into focus and analyse extant discourses in the vernacular to understand how the new Odia elite responded to Euromoderity when it impacted their culture under colonial hegemony. Beginning with the earliest discussions of newness in education, technology, medicine, notions of enlightenment and reason, and new literary genres, the Odia elite used such terms as bartaman, navya, nutana etc. as adjectives to refer to the newness. Soon, the term adhunik (for modern) came into vogue; but, the earliest deployment of this term was rather tentative, and began to stabilize around the turn of the century. This in itself tells the story of the uncertain steps Euromodernity takes in the colonial context. The analysis focuses on understanding how the cognitive and empirical aspects of modernity are understood in the Odia vernacular, as it tries to trace the progress of modernity in the Odia-speaking tracts. It looks to identify the moment of rupture in Odisha that changed the way the Odia elite saw themselves. The second part to follow will examine such questions as the possible co-existence of tradition and modernity; contradictions involved in the reception of modernity and whether Euromodernity itself remains unchanged in its new location.","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-08-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/lic3.12641","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48478469","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Teaching Guide for: Making sense of the new: Progress of modernity in colonial Odisha (1866–1916) 教学指南:理解新事物:奥里萨邦殖民地的现代性进步(1866-1916)

IF 0.3 3区文学

Literature Compass Pub Date : 2021-08-12 DOI: 10.1111/lic3.12642

Sumanyu Satpathy

引用次数: 0

“Loving was almost always listening”: Sensory collaboration and modes of relation in Gertrude Stein's literary portraits “爱几乎总是在倾听”：格特鲁德·斯坦文学肖像中的感官协作和关系模式

IF 0.3 3区文学

Literature Compass Pub Date : 2021-07-20 DOI: 10.1111/lic3.12639

Hyunjung Kim

{"title":"“Loving was almost always listening”: Sensory collaboration and modes of relation in Gertrude Stein's literary portraits","authors":"Hyunjung Kim","doi":"10.1111/lic3.12639","DOIUrl":"10.1111/lic3.12639","url":null,"abstract":"This essay discusses Gertrude Stein's literary portraits within the affective terrain of literary and cultural studies by focusing on the idea of collaboration and relationality. It attempts to configure Stein as a sensory collaborator by concentrating on the oral/aural and other nondiscursive sensory qualities such as touch that Stein insists on, specifically through repetition in her literary portraits, which have been read mostly in the context of the poet's engagement with the visual arts. I offer a new reading of Stein's writing, beyond the visual paradigm, by considering her idea of listening as a form of attention and care. Furthermore, I look at how this affective mode is realized through her approach to writing poetry as an act of “caressing” her subject matter. I argue that Stein's writing is a site for sensorial collaboration, in which new modes of relation emerge, as her literary portraits suggest the ways in which our senses implicate not only one's individual perception of the subject but various forms of sociabilities and affective connections. This essay ultimately proposes that Stein's insistence on making telling, listening, repeating, and what she calls “caressing” into a combined mode of relation evokes how poetry can become a site in which extending or transforming oneself into a collaborative mode of being becomes possible.","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/lic3.12639","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42289427","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0