{"title":"The quixotic eighteenth century","authors":"Amelia Dale","doi":"10.1111/lic3.12660","DOIUrl":"10.1111/lic3.12660","url":null,"abstract":"<p>“Quixotism” is a term pivotal to the histories critics tell about literature. Despite a scholarly consensus regarding the significance of quixotism to eighteenth-century transatlantic writing, there remain vast discrepancies in critical formulations of what quixotism actually is, to the point where trying to find common ground in different scholars' definitions of quixotism might appear, at first glance, a quixotic endeavour. Yet scholarship on quixotism persistently returns to dichotomies: romance versus the novel; the exceptional versus the typical; the original versus the copy; reason versus imagination. Quixotism remains both vexing question and floating signifier, caught between character and genre, system and allusion as it traverses and transforms eighteenth-century literature and culture. In this article I will both reflect on the state of quixotic studies in eighteenth-century studies and offer an account of Don Quixote's place in the history of literary criticism and theory.</p>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"19 5","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-04-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42253192","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"New directions in Jane Austen studies","authors":"Sayre N. Greenfield, Linda V. Troost","doi":"10.1111/lic3.12658","DOIUrl":"https://doi.org/10.1111/lic3.12658","url":null,"abstract":"<p>This essay identifies emerging trends in Jane Austen scholarship published between 2010 and 2020, with a focus on monographs and edited collections. In recent work examining Austen through contemporary theoretical and critical lenses, the following new topics have been central: material culture, animal studies, masculinity, place, and celebrity. The last of these includes Austen's use of Regency celebrities in her novels and her connections with other women writers. Studies of the parallels between her and Shakespeare's rises to fame have also surged. Connected to the interest in celebrity is the explosion of fan-culture studies: Austen is now a multimedia superstar with wide appeal. This expansion of audience has meant a shift in the style of much scholarly writing on Austen as books try to cater to both academic and non-academic markets.</p>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"19 5","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-03-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72161663","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Blake's debt: Artisanship and the future of labor","authors":"John Patrick James","doi":"10.1111/lic3.12657","DOIUrl":"10.1111/lic3.12657","url":null,"abstract":"<p>Taking as prerequisite Peter Frase's argument that the labor markets and living conditions of the twenty-first century will be primarily determined by the dual “specters of ecological catastrophe and automation,” this article investigates William Blake's poetic response to the problems of religious and financial debt within the context of his own environmentally compromised era. It briefly historicizes the financial components of Blake's printmaking before turning to an examination of his illuminated books, which imagine a form of debt relief grounded in a millenarian theory of political intervention. While Blake's investment in artisanal labor reveals an aversion to technological reproducibility, his cyclical notion of an artificially constructed ecological future models a technologically hybrid ontology useful for addressing Frase's nexus of environmental destruction and mechanized production.</p>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"19 3-4","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47141630","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ruin lust in George Gissing's Veranilda","authors":"Gareth A. Reeves","doi":"10.1111/lic3.12656","DOIUrl":"10.1111/lic3.12656","url":null,"abstract":"<p>Ruinenlust (‘ruin lust’) or ruin aesthetics is a prominent feature of George Gissing's unfinished historical novel, Veranilda (1904), which is set in sixth-century Italy and contains many memorable images of ruins. Drawing on the work of Georg Simmel, Rose Macaulay, Brian Dillon, and others, this article argues that, by examining these images in relation to the novel's characters' psychological states and motives, the thematic significance of decadence and anti-imperialism is heightened. The article closes by considering the unfinished nature of Veranilda, arguing, with reference to Susan Stewart's The Ruins Lesson: Meaning and Material in Western Culture (2020), that the novel itself can be appreciated as a kind of ruin. In doing so, it aims to shed light on an underexplored aspect of Gissing's work.</p>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"19 3-4","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-03-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://compass.onlinelibrary.wiley.com/doi/epdf/10.1111/lic3.12656","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45700051","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Air and atmosphere studies: Enlightenment, phenomenology and ecocriticism","authors":"Rowan Rose Boyson","doi":"10.1111/lic3.12654","DOIUrl":"10.1111/lic3.12654","url":null,"abstract":"<p>This essay examines the treatment of air and atmosphere in literary scholarship of the late 17th- to mid-19th-century periods, from the first, early Enlightenment discovery of the air's chemical structure and the coining of the word ‘atmosphere’, to the dawning of Victorian industrial pollution. As climate has become the predominant focus of environmental campaigning, and as air pollution and air infection have become near-universal concerns, the air itself has gained a corresponding increase in academic attention. Part I of my essay begins by sketching out the longer history of this interest, showing that air and atmosphere are complex words that have longstanding philosophical and literary histories alongside their everyday ‘real’ meanings. I explore the place of air studies in the History of Science, and look at how this discipline and English studies have enjoyed a close proximity with regards to the major chemical discoveries of the Enlightenment period. Part II defines the field of ‘atmosphere studies’ as it has emerged from 20th-century philosophy, and its importance to contemporary geography, anthropology and architecture. The complexity of the idea of ‘atmosphere’ is, however, rooted in early 19th-century aesthetics, and hence, I argue, literary scholarship of this period makes a crucial contribution to this broader atmospheric enquiry. Part III explores how literary critics and historians have begun to respond to contemporary discourse on air as primarily an issue of climate change and pollution, and suggests that there is a new eco-realism or literalness in discussion of atmosphere, borne out by increasing reflection on the carbon impact of academic work itself. I sketch out some suggestions for future research and emphasize again the importance of the 18th- and 19th-century legacies for understanding and even acting upon the contemporary air and climate crisis.</p>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"19 1-2","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://compass.onlinelibrary.wiley.com/doi/epdf/10.1111/lic3.12654","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46932059","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“Folly of the Fiction” and the “Native Taste”: Cultural Interfaces in Two Bengali Adaptations of Cymbeline","authors":"Abhishek Sarkar","doi":"10.1111/lic3.12653","DOIUrl":"10.1111/lic3.12653","url":null,"abstract":"<p>This article examines how two nineteenth-century Bengali adaptations of <i>Cymbeline</i> transfer Shakespeare's play to a Hindu field of signifiers and reinterpret the elements of tragicomedy according to the worldview of traditional Indian drama. <i>Kusumkumari Natak</i> (1868) by Chandrakali Ghosh, which was enacted before a ticket-buying audience at the nascent phase of the Bengali public theatre in Kolkata (formerly Calcutta), condenses or rejects much of the action and dialogue of <i>Cymbeline</i> for the sake of economy. For example, it excludes Cloten and the confusion over his beheading and discards Posthumus's dream together with the prophetic riddle. On the other hand, <i>Sushila Birsingha</i> (1868) by Satyendranath Tagore, which was probably never staged, follows the convoluted plot and characterisation of <i>Cymbeline</i> quite closely. <i>Cymbeline</i> would appeal to the Bengali audience because it recalls traditional Hindu tales of reunion and reconciliation, including those of Sakuntala-Dushyanta (referenced by <i>Kusumkumari Natak</i>) and Damayanti-Nala (referenced by <i>Sushila Birsingha</i>). Moreover, Innogen's ordeals would be compatible with the trope of the abandoned faithful wife (as exemplified by Sita, Sakuntala, Damayanti) in Sanskrit epic and drama. This would also enable the valorisation of wifely fidelity and chastity, a favourite topic of Hindu patriarchal imagination in the nineteenth century. More importantly, the theme of loss and recuperation inherent in <i>Cymbeline</i> accords with the episteme and aesthetics of classical Sanskrit drama, which avoided exploring grave moral challenges and rejected the finality of sufferings (thanks to the doctrines of Vedanta or monistic theism, <i>karma</i> and reincarnation). This article also suggests that <i>Cymbeline</i> fell out of favour with subsequent Bengali translators and playgoers as the taste for tragedy grew among them.</p>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"19 1-2","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://compass.onlinelibrary.wiley.com/doi/epdf/10.1111/lic3.12653","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43704377","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"When the master’s tools fail: Racial euphemism in Shakespeare appropriation, or, the activist value of Premodern Critical Race Studies","authors":"Vanessa I. Corredera","doi":"10.1111/lic3.12634","DOIUrl":"10.1111/lic3.12634","url":null,"abstract":"<p>As premodern studies continues to develop tools for anti-racist scholarship and pedagogy, this essay establishes the stakes of adaptation/appropriation studies especially committing to these efforts. Turning to the novel <i>The Serpent of Venice</i>, I demonstrate how appropriations that engage with race too often employ what I frame as racial euphemism: palliative engagements with race that sidestep questions of power and inequity. This is especially true for those attempting to maintain distance between Shakespeare and questions of race, and especially racism, often under the guise of historical accuracy. This racially euphemistic approach, therefore, disseminates to especially wide audiences white supremacist approaches to race. Premodern Critical Race Studies provides a vital activist framework, and with it, important conceptual and methodological tools, that help adaptation/appropriation scholars identify racial euphemism in premodern retellings, while at the same time offering appropriators scholarship that can help them craft anti-racist appropriations that resist the idea of a race-neutral past.</p>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"20 7-9","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-01-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49068488","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Seeing Shakespeare: Narco narratives and neocolonial appropriations of Macbeth in the US–Mexico Borderlands","authors":"Kathryn Vomero Santos","doi":"10.1111/lic3.12636","DOIUrl":"10.1111/lic3.12636","url":null,"abstract":"<p>This essay examines the racializing logics and consequences of drawing analogies between the works of William Shakespeare and the devastatingly violent realities of the drug trade in the Americas. The particular prominence of <i>Macbeth</i> in the wide range of Shakespearean invocations and appropriations in contemporary US narratives about narcotrafficking cannot be attributed simply to the fact that it is a tale of bloody ambition. Rather, the repeated mapping of a play that comes to its conclusion with an English military invasion of its “barbarous” Scottish neighbors onto the US–Mexico Borderlands speaks to much deeper histories of colonial conquest and to neocolonial interventionist policies and actions of the present. The essay concludes by turning to two recent instances in which theater artists have translated and significantly revised <i>Macbeth</i> in order to reframe dominant narratives about narcotrafficking, racial supremacy, and the border. These productions demonstrate the disruptive and transformative potential of Shakespearean appropriations that resist neocolonial power structures and ideologies.</p>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"20 7-9","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-01-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42711301","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Cultivating expertise: Glossing Shakespeare and race","authors":"Patricia Akhimie","doi":"10.1111/lic3.12607","DOIUrl":"10.1111/lic3.12607","url":null,"abstract":"<p>Tracing connections between research methodologies and classroom practices in the study of Shakespeare and race, this essay argues for the importance of offering students’ opportunities to build and demonstrate expertise. The essay discusses the use of a glossary exercise in classes on race and early modern literature, and the learning objectives for such courses. Finally, the essay offers a critique of such courses as commonly structured and suggestions for new directions in teaching race in literature from this period.</p>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"18 10","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42464687","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Rewriting the Grand Siècle: Blackface in Early Modern France and the Historiography of Race","authors":"Noémie Ndiaye","doi":"10.1111/lic3.12603","DOIUrl":"10.1111/lic3.12603","url":null,"abstract":"<p>This essay critiques the French cultural aversion to racial thinking which has resulted in the absence of race as a theme and analytic in French historiographic practices, especially in relation to the <i>ancien régime</i>. This essay argues that focusing on 17th century theater and performance culture, especially on baroque ballets and their oblique representations of Blackness and slavery through blackface, reveals a long national history of racism against Black people. This essay is a call to rewrite as an age of race-making a period often construed as a cultural and literary golden age that still plays a central role in definitions of French heritage and identity today.</p>","PeriodicalId":45243,"journal":{"name":"Literature Compass","volume":"18 10","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41771261","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}