免疫诗学与后殖民回声:从T.S.艾略特到J.M.库切的医学叙事

IF 0.3 3区 文学 0 LITERATURE
Huiming Liu
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引用次数: 0

摘要

本文通过艾略特和库切的作品探讨了免疫学话语与文学叙事的交集。本文考察了20世纪早期从整体疾病模型到细菌理论的转变,并将这种科学进化与艾略特在《传统与个人才能》中使用的化学隐喻相提并论。艾略特的文章与迈克尔·惠特沃思(Michael Whitworth)和凯文·巴西(Kevin Brazil)等学者的科学见解一起进行了分析,突出了诗歌和科学创新中个人洞察力和历史意识的融合。这种分析延伸到了库切的《铁器时代》,对比了艾略特的非个人诗学与库切对癌症、种族隔离、种族和性别身体的细致探索。通过免疫学的视角,本文深入探讨了文学如何挑战规范界限,倡导包容性叙事,并培养跨种族的同理心。通过将医学叙事与疾病和身份的文学表达相比较,它提出文学是一种导航和调和健康、身体和后殖民他者之间分歧的手段。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Immunological Poetics and Postcolonial Echoes: Traversing the Medical Narratives From T.S. Eliot to J.M. Coetzee

This article explores the intersection of immunological discourse and literary narrative through the works of T.S. Eliot and J.M. Coetzee. The paper examines the early twentieth-century shift from holistic disease models to germ theory, paralleling this scientific evolution with Eliot's use of chemical metaphors in “Tradition and the Individual Talent.” Eliot's essay is analyzed alongside scientific insights from scholars like Michael Whitworth and Kevin Brazil, highlighting the blend of personal insight and historical awareness in poetic and scientific innovation. This analysis extends to Coetzee's Age of Iron, contrasting Eliot's impersonal poetics with Coetzee's nuanced exploration of cancer, apartheid, and racial and gendered bodies. Through an immunological lens, the paper delves into how literature can challenge canonical boundaries, advocate for inclusive narratives, and foster cross-racial empathy. By drawing parallels between medical narratives and literary expressions of illness and identity, it proposes literature as a means to navigate and reconcile the divides between health, the body, and the postcolonial other.

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来源期刊
Literature Compass
Literature Compass LITERATURE-
CiteScore
0.50
自引率
33.30%
发文量
39
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