{"title":"Landscapes of Distant Suffering: Interrogating Humanitarian Documentary Film Representation of “Harmful” Cultural Practices","authors":"Dorothy Atuhura","doi":"10.1080/13696815.2021.1984216","DOIUrl":"https://doi.org/10.1080/13696815.2021.1984216","url":null,"abstract":"ABSTRACT Although a wide range of media interventions have been at the forefront of global humanitarian campaigns aimed at eradicating cultural body modification practices categorized as “harmful” in global health and development policy, such practices continue to persist. In this article, I single out one such domain of intervention – transnational humanitarian documentaries – to interrogate how they visualize the spatial landscape within which women and girls participate in these practices and the implications of such visualization for interventions aimed at eradicating them. I articulate the landscape as: the body which is the ultimate inescapable place where women and girls must live, and as a geo-spatial location where that body lives. With illustrations from documentary films on one specific “harmful” practice, female genital mutilation, I show how the visual framing of the landscape engenders: a (mis)conception of the harmed body as only a dystopic place, thus foreclosing the utopic dreams that motivate persistence of mutilation as a path to inhabiting (an)other (heterotopic) place; a spatialized hierarchy of coercive paternalistic interventions with counter-productive effects that have not only compromised the efficacy of mediated eradication campaigns, but have, by extension, inadvertently contributed to the very persistence of those “harmful” practices.","PeriodicalId":45196,"journal":{"name":"Journal of African Cultural Studies","volume":"34 1","pages":"343 - 356"},"PeriodicalIF":1.0,"publicationDate":"2021-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47587189","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“China, Unaona Mkono Yangu Ama Una-nini?”: The Wedding Engagement between Kenya and China in the Churchill Comedy Show","authors":"Ming-hui Yuan, Yuning Shen","doi":"10.1080/13696815.2021.1940886","DOIUrl":"https://doi.org/10.1080/13696815.2021.1940886","url":null,"abstract":"ABSTRACT Comedy shows are an acute barometer of social contexts as they are embedded in power relations and often constructed as a space of resistance. With the increasing presence of China in Kenya, China has been a recurring theme in one of the most popular Kenyan stand-up comedies, the Churchill Comedy Show. In 2018, a clip circulated widely of a Chinese female comedian on stage with Churchill and Sleepy. In the clip they discuss the debt issue between Kenya and China through romantic metaphors of an “engagement” ceremony before the wedding, including both expressions of love and bargaining about bride price. This article argues that humour and laughter help in carving out a space for open discussions and critical reflections on the debt issue within Kenya–China relations. It inserts agency and expresses resistance and moral critique of Chinese engagements in Kenya, especially from socio-economically marginalised publics. At the same time, the humour jointly generated through a reiteration of tropes of nationhood, separation of languages and gendered expressions runs the risk of taking interpersonal relations back to rigidly divided national, ethnic and gendered categorisations and representations.","PeriodicalId":45196,"journal":{"name":"Journal of African Cultural Studies","volume":"34 1","pages":"157 - 172"},"PeriodicalIF":1.0,"publicationDate":"2021-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45548736","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Self-censorship and Shifting Cognitions of Offence in the Stand-up Acts of Basket Mouth and Trevor Noah","authors":"Izuu Nwankwọ","doi":"10.1080/13696815.2021.1968806","DOIUrl":"https://doi.org/10.1080/13696815.2021.1968806","url":null,"abstract":"ABSTRACT With social media taking stand-up routines beyond their hitherto localised environments, there is growing irritation and backlash against comedians who supposedly tell unpleasant (or offensive) jokes. The ensuing decontextualisation creates a crisis wherein new media enables the kind of viewership that is less participatory, and thus more critical. As a result, jokes which ordinarily are framed within liminal moments of permissibility are increasingly exposed to various sensitivities and appraisals where they are evaluated by political correctness measures other than suspension of offence. This essay assesses the acts of Basket Mouth and Trevor Noah for the adaptive mechanics they deploy towards countering shifting cognitions arising from the transposition of stand-up routines from what used to be localised arenas to more global spaces. My inquiry interrogates newer ways in which the target comedians navigate the treacherous terrain of laughter evocation through anticipatory acts of self-censorship that work for both their immediate and mediatised audiences.","PeriodicalId":45196,"journal":{"name":"Journal of African Cultural Studies","volume":"34 1","pages":"129 - 142"},"PeriodicalIF":1.0,"publicationDate":"2021-10-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44920824","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Binyavanga Wainaina’s Narrative of the IMF-generation as Development Critique","authors":"Martina Kopf","doi":"10.1080/13696815.2021.1976118","DOIUrl":"https://doi.org/10.1080/13696815.2021.1976118","url":null,"abstract":"ABSTRACT This article looks at Binyavanga Wainaina’s autobiographical and essayistic writing as a site of development theory and criticism. The focus is on his memoir One Day I Will Write About This Place (Granta, 2011). In it, Wainaina used life-writing as a genre to tell what he called the “story of the IMF-generation”, meaning the children of a post-independence African middle class who came massively under pressure due to foreign-imposed structural adjustment in the 1980s and 1990s, and who became a driving force in democratisation movements after 2000. This article elaborates on how Wainaina reflected this African experience of neoliberal globalisation and the related expansion of Western humanitarianism in his writing. This is explored through, firstly, a focus on Wainaina’s engagement with development embedded in his narrative of the IMF-generation, and secondly, through his deconstruction of a humanitarian discourse on Africa anchored in colonising ideologies of the global North and embodied in representatives of the aid industry in Kenya. I read the memoir as a form of situated knowledge that enables readers from different regions of the world to understand their locatedness within power asymmetries in global development at a particular historical moment.","PeriodicalId":45196,"journal":{"name":"Journal of African Cultural Studies","volume":"34 1","pages":"325 - 341"},"PeriodicalIF":1.0,"publicationDate":"2021-10-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45030112","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Politics of “Queer Reading” an Ethiopian Saint and Discovering Precolonial Queer Africans","authors":"Serawit B. Debele","doi":"10.1080/13696815.2021.1975265","DOIUrl":"https://doi.org/10.1080/13696815.2021.1975265","url":null,"abstract":"ABSTRACT This article asks what it means to discover Africans through our sexual desires, and how that might shape the way the West knows both women and queer people. I closely read Wendy Belcher’s interpretations of the sexual life of Wälättä P̣eṭros, a seventeenth-century Ethiopian female saint. While the article draws on postcolonial, African feminist and queer scholarship, it takes a cue from Saidiya Hartman’s “Venus in Two Acts” to raise speculative questions related to the opacity of the text. I argue that Belcher’s interpretation of carnal desire produces the saint as a hysterical subject, and attaches to the saint’s life the claim of discovering queer people in pre-colonial Africa. I argue that this interpretation assimilates the saint into our contemporary ideas of sexuality and thereby invents a modern subject through a reading that is divorced from historical and geographic specificities. The article also explores the benevolent intentions of discovering pre-colonial queer Africans for the cause of present-day struggles against persecution. It is not my intention here to discount the translation of the hagiography, nor is it to dispute the possibilities of reading same-sex intimacies. I am interested in thinking about the presentist preoccupations of the interpretation.","PeriodicalId":45196,"journal":{"name":"Journal of African Cultural Studies","volume":"34 1","pages":"98 - 110"},"PeriodicalIF":1.0,"publicationDate":"2021-10-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48581784","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“I Thought She Was Ordinary, I Only Saw Her Body”: Sex and Celebrity Advocacy in Nigerian Popular Culture","authors":"Rosemary Oyinlola Popoola","doi":"10.1080/13696815.2020.1762169","DOIUrl":"https://doi.org/10.1080/13696815.2020.1762169","url":null,"abstract":"ABSTRACT The twenty-first century ushered in a new era in African popular culture. Hip hop, a popular genre of musical expression, which borrowed extensively from Western and African idioms and iconography of power and social relations, took a decisive turn. The themes and narratives of twenty-first century African hip hop mirror similar global forms in their conception and glorification of fandom, stardom, commodification and sexualization of women’s bodies, violence, and superfluous display of wealth. In this article, I examine some of the rare instances in which Nigerian male hip hop artists have used their talent and poetic license to call attention of the public to the economic and socio-political disenfranchisement of women. This article goes beyond a content analysis of the songs to underscore how core transformations in Nigeria’s democratic process since 1999, when civil rule was reintroduced, have shaped the circumstances under which hip hop artists rethink their sexualization and commodification of women’s bodies.","PeriodicalId":45196,"journal":{"name":"Journal of African Cultural Studies","volume":"33 1","pages":"441 - 455"},"PeriodicalIF":1.0,"publicationDate":"2021-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13696815.2020.1762169","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"59754374","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Youth, Football and Everyday Lived Experience in Ajegunle, Lagos","authors":"P. Okpalaeke","doi":"10.1080/13696815.2021.1960488","DOIUrl":"https://doi.org/10.1080/13696815.2021.1960488","url":null,"abstract":"ABSTRACT This article presents in-depth insights into how soccer is helping some of the youths in Ajegunle – Nigeria’s most notorious slum – to defy the odds in their day-to-day lived experiences. Through an ethnography informed by personal and in-depth knowledge of the area, I demonstrate how football has become an important social tool for many youths in terms of social inclusion, capital, and identity formation, as well as serving as a beacon of hope for the most vulnerable. Contrary to popular expressions in existing scholarship on the Nigerian slum life, portraying slum-marked areas as dens of juvenile delinquency and negative social attributes, I show that community-based soccer clubs (despite the absence of government interventions) are helping many young people to navigate the hurdles of slum life through a more-positive medium. I argue that soccer in Ajegunle plays a multidimensional role in the lives of young people, especially in the area of social inclusion and re-engineering, as well as a social mechanism for personal development, identity and capital formation.","PeriodicalId":45196,"journal":{"name":"Journal of African Cultural Studies","volume":"34 1","pages":"68 - 79"},"PeriodicalIF":1.0,"publicationDate":"2021-09-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41410521","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Rider and the Coffee Maker: Sites and Practices of Remembrance in Contemporary Namibia","authors":"Renzo Baas","doi":"10.1080/13696815.2021.1947785","DOIUrl":"https://doi.org/10.1080/13696815.2021.1947785","url":null,"abstract":"ABSTRACT In light of recent interventions by artists and activists, this article explores key contestations around colonial monuments in today’s Namibia and asks not only what monuments can do but also what the limitations are in providing a radical break with the colonial afterlife in this country. What forms of memorialisation are activated through monuments and monumental institutions? How can they be understood as markers of history as well as proposals for overcoming this history? This article will first explore the context of and discourse around the statue of the Reiterdenkmal and the Independence Museum, which “replaced” it, before moving to alternative sites and rituals of remembrance which might give insights into possible public and collective processes of decolonisation – as demanded by the current protests.","PeriodicalId":45196,"journal":{"name":"Journal of African Cultural Studies","volume":"34 1","pages":"48 - 67"},"PeriodicalIF":1.0,"publicationDate":"2021-09-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46740503","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Performing Respect: Contemporary Strategies and Lived Experiences in Intimate Relationships in Maputo","authors":"Sandra Manuel","doi":"10.1080/13696815.2021.1930521","DOIUrl":"https://doi.org/10.1080/13696815.2021.1930521","url":null,"abstract":"ABSTRACT This article discusses how the notion of “respect” emerges in contemporary Maputo as a structuring pillar in a context where opposing values and notions of romantic and sexual intimacy relationships co-exist. Affluent young adults live openly expressing sexual desire with diverse partners. Such expression follows a framework of rules that give such sexual multiplicity an order. I conceptualize this practice as the normalization of sexual appetite. On the other hand, this is the first post-independence generation profoundly socialized through FRELIMO’s socialist principles that highlighted monogamous marriage as the ideal model of partnership and family. Not surprisingly, in general terms, they wish to be married. A radical contradiction arises from these two opposing stances: while marriage is idealized as a sacred and monogamous relationship, with the normalization of sexual appetite, the practice of having simultaneously two or more similar or different types of affective and/or sexual relationships is widespread. Here, the notion of “respect” emerges as a mediator of contradictions and expectations in steady relationships. Respect is associated with concealment, discretion and non-exposure of external partners from the couple’s networks; hierarchical distinctions between steady partner and external ones; and the maintenance of sacred shared spaces excluding external partners.","PeriodicalId":45196,"journal":{"name":"Journal of African Cultural Studies","volume":"34 1","pages":"4 - 17"},"PeriodicalIF":1.0,"publicationDate":"2021-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43359680","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
David S. Mills, A. Branford, K. Inouye, N. Robinson, P. Kingori
{"title":"“Fake” Journals and the Fragility of Authenticity: Citation Indexes, “Predatory” Publishing, and the African Research Ecosystem","authors":"David S. Mills, A. Branford, K. Inouye, N. Robinson, P. Kingori","doi":"10.1080/13696815.2020.1864304","DOIUrl":"https://doi.org/10.1080/13696815.2020.1864304","url":null,"abstract":"ABSTRACT This article explores the contested politics of academic authenticity within the African research ecosystem, with particular reference to Nigeria. We show how a fear of “fake” journals is cultivated amongst African academics, with international journal citation indexes being used to adjudicate the credibility of African journals and publishers. The article juxtaposes an ethnographic vignette of a major publisher’s training webinar with detailed case studies of two Nigerian commercial publishing houses. Established by entrepreneurial academics in response to limited local journal capacity and the exclusions enacted by Northern editorial gatekeeping, their journals have low article processing charges and, in some cases, minimal peer-review. One publisher was labelled as “predatory” in Beall’s list, leading to its journals being removed from Scopus, the Elsevier-owned journal citation index. The other has struggled to get its journals listed in alternative journal databases, such as the Directory of Open Access Journals. The article explores how these citation indexes become contested markers of academic authenticity. We end by reflecting on the implications of this index-linked credibility for the future of African journals and the circulation of research knowledge across the continent.","PeriodicalId":45196,"journal":{"name":"Journal of African Cultural Studies","volume":"33 1","pages":"276 - 296"},"PeriodicalIF":1.0,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49197985","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}