{"title":"埃塞俄比亚圣人“酷儿阅读”政治与发现殖民前酷儿非洲人","authors":"Serawit B. Debele","doi":"10.1080/13696815.2021.1975265","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article asks what it means to discover Africans through our sexual desires, and how that might shape the way the West knows both women and queer people. I closely read Wendy Belcher’s interpretations of the sexual life of Wälättä P̣eṭros, a seventeenth-century Ethiopian female saint. While the article draws on postcolonial, African feminist and queer scholarship, it takes a cue from Saidiya Hartman’s “Venus in Two Acts” to raise speculative questions related to the opacity of the text. I argue that Belcher’s interpretation of carnal desire produces the saint as a hysterical subject, and attaches to the saint’s life the claim of discovering queer people in pre-colonial Africa. I argue that this interpretation assimilates the saint into our contemporary ideas of sexuality and thereby invents a modern subject through a reading that is divorced from historical and geographic specificities. The article also explores the benevolent intentions of discovering pre-colonial queer Africans for the cause of present-day struggles against persecution. It is not my intention here to discount the translation of the hagiography, nor is it to dispute the possibilities of reading same-sex intimacies. I am interested in thinking about the presentist preoccupations of the interpretation.","PeriodicalId":45196,"journal":{"name":"Journal of African Cultural Studies","volume":"34 1","pages":"98 - 110"},"PeriodicalIF":0.9000,"publicationDate":"2021-10-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Politics of “Queer Reading” an Ethiopian Saint and Discovering Precolonial Queer Africans\",\"authors\":\"Serawit B. Debele\",\"doi\":\"10.1080/13696815.2021.1975265\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This article asks what it means to discover Africans through our sexual desires, and how that might shape the way the West knows both women and queer people. I closely read Wendy Belcher’s interpretations of the sexual life of Wälättä P̣eṭros, a seventeenth-century Ethiopian female saint. While the article draws on postcolonial, African feminist and queer scholarship, it takes a cue from Saidiya Hartman’s “Venus in Two Acts” to raise speculative questions related to the opacity of the text. I argue that Belcher’s interpretation of carnal desire produces the saint as a hysterical subject, and attaches to the saint’s life the claim of discovering queer people in pre-colonial Africa. I argue that this interpretation assimilates the saint into our contemporary ideas of sexuality and thereby invents a modern subject through a reading that is divorced from historical and geographic specificities. The article also explores the benevolent intentions of discovering pre-colonial queer Africans for the cause of present-day struggles against persecution. It is not my intention here to discount the translation of the hagiography, nor is it to dispute the possibilities of reading same-sex intimacies. I am interested in thinking about the presentist preoccupations of the interpretation.\",\"PeriodicalId\":45196,\"journal\":{\"name\":\"Journal of African Cultural Studies\",\"volume\":\"34 1\",\"pages\":\"98 - 110\"},\"PeriodicalIF\":0.9000,\"publicationDate\":\"2021-10-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of African Cultural Studies\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1080/13696815.2021.1975265\",\"RegionNum\":2,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of African Cultural Studies","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1080/13696815.2021.1975265","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
The Politics of “Queer Reading” an Ethiopian Saint and Discovering Precolonial Queer Africans
ABSTRACT This article asks what it means to discover Africans through our sexual desires, and how that might shape the way the West knows both women and queer people. I closely read Wendy Belcher’s interpretations of the sexual life of Wälättä P̣eṭros, a seventeenth-century Ethiopian female saint. While the article draws on postcolonial, African feminist and queer scholarship, it takes a cue from Saidiya Hartman’s “Venus in Two Acts” to raise speculative questions related to the opacity of the text. I argue that Belcher’s interpretation of carnal desire produces the saint as a hysterical subject, and attaches to the saint’s life the claim of discovering queer people in pre-colonial Africa. I argue that this interpretation assimilates the saint into our contemporary ideas of sexuality and thereby invents a modern subject through a reading that is divorced from historical and geographic specificities. The article also explores the benevolent intentions of discovering pre-colonial queer Africans for the cause of present-day struggles against persecution. It is not my intention here to discount the translation of the hagiography, nor is it to dispute the possibilities of reading same-sex intimacies. I am interested in thinking about the presentist preoccupations of the interpretation.
期刊介绍:
The Journal of African Cultural Studies publishes leading scholarship on African culture from inside and outside Africa, with a special commitment to Africa-based authors and to African languages. Our editorial policy encourages an interdisciplinary approach, involving humanities, including environmental humanities. The journal focuses on dimensions of African culture, performance arts, visual arts, music, cinema, the role of the media, the relationship between culture and power, as well as issues within such fields as popular culture in Africa, sociolinguistic topics of cultural interest, and culture and gender. We welcome in particular articles that show evidence of understanding life on the ground, and that demonstrate local knowledge and linguistic competence. We do not publish articles that offer mostly textual analyses of cultural products like novels and films, nor articles that are mostly historical or those based primarily on secondary (such as digital and library) sources. The journal has evolved from the journal African Languages and Cultures, founded in 1988 in the Department of the Languages and Cultures of Africa at the School of Oriental and African Studies, London. From 2019, it is published in association with the International African Institute, London. Journal of African Cultural Studies publishes original research articles. The journal also publishes an occasional Contemporary Conversations section, in which authors respond to current issues. The section has included reviews, interviews and invited response or position papers. We welcome proposals for future Contemporary Conversations themes.