Performing Respect: Contemporary Strategies and Lived Experiences in Intimate Relationships in Maputo

IF 0.9 2区 社会学 Q2 CULTURAL STUDIES
Sandra Manuel
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引用次数: 1

Abstract

ABSTRACT This article discusses how the notion of “respect” emerges in contemporary Maputo as a structuring pillar in a context where opposing values and notions of romantic and sexual intimacy relationships co-exist. Affluent young adults live openly expressing sexual desire with diverse partners. Such expression follows a framework of rules that give such sexual multiplicity an order. I conceptualize this practice as the normalization of sexual appetite. On the other hand, this is the first post-independence generation profoundly socialized through FRELIMO’s socialist principles that highlighted monogamous marriage as the ideal model of partnership and family. Not surprisingly, in general terms, they wish to be married. A radical contradiction arises from these two opposing stances: while marriage is idealized as a sacred and monogamous relationship, with the normalization of sexual appetite, the practice of having simultaneously two or more similar or different types of affective and/or sexual relationships is widespread. Here, the notion of “respect” emerges as a mediator of contradictions and expectations in steady relationships. Respect is associated with concealment, discretion and non-exposure of external partners from the couple’s networks; hierarchical distinctions between steady partner and external ones; and the maintenance of sacred shared spaces excluding external partners.
表演尊重:马普托亲密关系中的当代策略与生活体验
摘要本文讨论了在对立的价值观以及浪漫和性亲密关系的概念共存的背景下,“尊重”的概念是如何在当代马普托作为一个结构支柱而出现的。富裕的年轻人与不同的伴侣公开表达性欲。这种表达遵循一个规则框架,赋予这种性多样性一个秩序。我把这种做法概念化为性欲的正常化。另一方面,这是独立后第一代人通过FRELIMO的社会主义原则深入社会化,该原则强调一夫一妻制婚姻是理想的伴侣关系和家庭模式。毫不奇怪,总的来说,他们希望结婚。这两种对立的立场产生了根本的矛盾:虽然婚姻被理想化为神圣的一夫一妻制关系,但随着性欲的正常化,同时拥有两种或两种以上相似或不同类型的情感和/或性关系的做法很普遍。在这里,“尊重”的概念是稳定关系中矛盾和期望的中介。尊重与隐瞒、谨慎和不让外部伴侣暴露在夫妻网络之外有关;稳定伙伴和外部伙伴之间的等级区分;维护神圣的共享空间,不包括外部伙伴。
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来源期刊
CiteScore
1.70
自引率
10.00%
发文量
13
期刊介绍: The Journal of African Cultural Studies publishes leading scholarship on African culture from inside and outside Africa, with a special commitment to Africa-based authors and to African languages. Our editorial policy encourages an interdisciplinary approach, involving humanities, including environmental humanities. The journal focuses on dimensions of African culture, performance arts, visual arts, music, cinema, the role of the media, the relationship between culture and power, as well as issues within such fields as popular culture in Africa, sociolinguistic topics of cultural interest, and culture and gender. We welcome in particular articles that show evidence of understanding life on the ground, and that demonstrate local knowledge and linguistic competence. We do not publish articles that offer mostly textual analyses of cultural products like novels and films, nor articles that are mostly historical or those based primarily on secondary (such as digital and library) sources. The journal has evolved from the journal African Languages and Cultures, founded in 1988 in the Department of the Languages and Cultures of Africa at the School of Oriental and African Studies, London. From 2019, it is published in association with the International African Institute, London. Journal of African Cultural Studies publishes original research articles. The journal also publishes an occasional Contemporary Conversations section, in which authors respond to current issues. The section has included reviews, interviews and invited response or position papers. We welcome proposals for future Contemporary Conversations themes.
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