{"title":"Binyavanga Wainaina对国际货币基金组织一代作为发展批判的叙述","authors":"Martina Kopf","doi":"10.1080/13696815.2021.1976118","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article looks at Binyavanga Wainaina’s autobiographical and essayistic writing as a site of development theory and criticism. The focus is on his memoir One Day I Will Write About This Place (Granta, 2011). In it, Wainaina used life-writing as a genre to tell what he called the “story of the IMF-generation”, meaning the children of a post-independence African middle class who came massively under pressure due to foreign-imposed structural adjustment in the 1980s and 1990s, and who became a driving force in democratisation movements after 2000. This article elaborates on how Wainaina reflected this African experience of neoliberal globalisation and the related expansion of Western humanitarianism in his writing. This is explored through, firstly, a focus on Wainaina’s engagement with development embedded in his narrative of the IMF-generation, and secondly, through his deconstruction of a humanitarian discourse on Africa anchored in colonising ideologies of the global North and embodied in representatives of the aid industry in Kenya. I read the memoir as a form of situated knowledge that enables readers from different regions of the world to understand their locatedness within power asymmetries in global development at a particular historical moment.","PeriodicalId":45196,"journal":{"name":"Journal of African Cultural Studies","volume":"34 1","pages":"325 - 341"},"PeriodicalIF":0.9000,"publicationDate":"2021-10-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Binyavanga Wainaina’s Narrative of the IMF-generation as Development Critique\",\"authors\":\"Martina Kopf\",\"doi\":\"10.1080/13696815.2021.1976118\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This article looks at Binyavanga Wainaina’s autobiographical and essayistic writing as a site of development theory and criticism. The focus is on his memoir One Day I Will Write About This Place (Granta, 2011). In it, Wainaina used life-writing as a genre to tell what he called the “story of the IMF-generation”, meaning the children of a post-independence African middle class who came massively under pressure due to foreign-imposed structural adjustment in the 1980s and 1990s, and who became a driving force in democratisation movements after 2000. This article elaborates on how Wainaina reflected this African experience of neoliberal globalisation and the related expansion of Western humanitarianism in his writing. This is explored through, firstly, a focus on Wainaina’s engagement with development embedded in his narrative of the IMF-generation, and secondly, through his deconstruction of a humanitarian discourse on Africa anchored in colonising ideologies of the global North and embodied in representatives of the aid industry in Kenya. I read the memoir as a form of situated knowledge that enables readers from different regions of the world to understand their locatedness within power asymmetries in global development at a particular historical moment.\",\"PeriodicalId\":45196,\"journal\":{\"name\":\"Journal of African Cultural Studies\",\"volume\":\"34 1\",\"pages\":\"325 - 341\"},\"PeriodicalIF\":0.9000,\"publicationDate\":\"2021-10-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of African Cultural Studies\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1080/13696815.2021.1976118\",\"RegionNum\":2,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of African Cultural Studies","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1080/13696815.2021.1976118","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
Binyavanga Wainaina’s Narrative of the IMF-generation as Development Critique
ABSTRACT This article looks at Binyavanga Wainaina’s autobiographical and essayistic writing as a site of development theory and criticism. The focus is on his memoir One Day I Will Write About This Place (Granta, 2011). In it, Wainaina used life-writing as a genre to tell what he called the “story of the IMF-generation”, meaning the children of a post-independence African middle class who came massively under pressure due to foreign-imposed structural adjustment in the 1980s and 1990s, and who became a driving force in democratisation movements after 2000. This article elaborates on how Wainaina reflected this African experience of neoliberal globalisation and the related expansion of Western humanitarianism in his writing. This is explored through, firstly, a focus on Wainaina’s engagement with development embedded in his narrative of the IMF-generation, and secondly, through his deconstruction of a humanitarian discourse on Africa anchored in colonising ideologies of the global North and embodied in representatives of the aid industry in Kenya. I read the memoir as a form of situated knowledge that enables readers from different regions of the world to understand their locatedness within power asymmetries in global development at a particular historical moment.
期刊介绍:
The Journal of African Cultural Studies publishes leading scholarship on African culture from inside and outside Africa, with a special commitment to Africa-based authors and to African languages. Our editorial policy encourages an interdisciplinary approach, involving humanities, including environmental humanities. The journal focuses on dimensions of African culture, performance arts, visual arts, music, cinema, the role of the media, the relationship between culture and power, as well as issues within such fields as popular culture in Africa, sociolinguistic topics of cultural interest, and culture and gender. We welcome in particular articles that show evidence of understanding life on the ground, and that demonstrate local knowledge and linguistic competence. We do not publish articles that offer mostly textual analyses of cultural products like novels and films, nor articles that are mostly historical or those based primarily on secondary (such as digital and library) sources. The journal has evolved from the journal African Languages and Cultures, founded in 1988 in the Department of the Languages and Cultures of Africa at the School of Oriental and African Studies, London. From 2019, it is published in association with the International African Institute, London. Journal of African Cultural Studies publishes original research articles. The journal also publishes an occasional Contemporary Conversations section, in which authors respond to current issues. The section has included reviews, interviews and invited response or position papers. We welcome proposals for future Contemporary Conversations themes.