Revista Hispanica Moderna最新文献_第3页

The Estridentistas and Contemporáneos Reimagined: Debating the Legacy of the Mexican Literary Avant-Garde Estridentistas和Contemporáneos重新想象:辩论墨西哥文学先锋的遗产

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Revista Hispanica Moderna Pub Date : 2022-11-22 DOI: 10.1353/rhm.2022.0021

Ann Warner-Ault

{"title":"The Estridentistas and Contemporáneos Reimagined: Debating the Legacy of the Mexican Literary Avant-Garde","authors":"Ann Warner-Ault","doi":"10.1353/rhm.2022.0021","DOIUrl":"https://doi.org/10.1353/rhm.2022.0021","url":null,"abstract":"ABSTRACT:The article discusses how prominent Latin American authors have reimagined the two Mexican avant-garde groups—the Contemporáneos and Estridentistas—in novels published between 1992-2011. It is obvious that the authors pay tribute to the Mexican avant-garde by casting members of the Contemporáneos and Estridentistas as lead characters in their novels. What is less obvious is the way in which the later authors stylistically borrow from the earlier avant-garde authors. Although critical tradition has tended to separate the Estridentistas from the Contemporáneos, a side-by-side reading of their 1920s prose both argues against this division and lays claim for a more prominent position for the Mexican avant-garde in Latin American letters. Between 1921 and 1929, both Estridentistas and Contemporáneos obsessively produced experimental literary self-portraits. These fragmented, pseudo-autobiographical texts serve as models for the later works from the 1990s to early 2000s, all of which paint portraits of Mexican intellectuals amidst turmoil while using literary devices that simultaneously undermine questions of authorship and the possibility of telling a coherent story. Both sets of experimental autobiographies (those from the 1920s and more recent versions) deeply question the meaning of being an intellectual in Mexico, both then and now. Considering the Estridentistas and Contemporáneos in tandem not only reveals a fuller picture of the 1920s literary scene in Mexico, but allows us to see an organic style that emerged in Mexico and influenced authors and artists throughout the Americas from the 1920s until the current day.","PeriodicalId":44636,"journal":{"name":"Revista Hispanica Moderna","volume":"75 1","pages":"194 - 211"},"PeriodicalIF":0.1,"publicationDate":"2022-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42899453","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Familiar Estrangements: Toward a Genre Theory of Latin American Speculative Fiction 熟悉的隔阂:拉丁美洲投机小说的体裁理论

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Revista Hispanica Moderna Pub Date : 2022-11-22 DOI: 10.1353/rhm.2022.0017

Alexandra R. Brown

{"title":"Familiar Estrangements: Toward a Genre Theory of Latin American Speculative Fiction","authors":"Alexandra R. Brown","doi":"10.1353/rhm.2022.0017","DOIUrl":"https://doi.org/10.1353/rhm.2022.0017","url":null,"abstract":"ABSTRACT:The past several years has seen an increase in Latin American literary texts that embrace multiple genres. In response, the term \"speculative fiction\" has gained traction as a tool for talking about them. However, a majority of the existing critical analysis on speculative fiction has been developed through readings of anglophone science fiction. This presents two hurdles as the term grows in popularity among scholars of Latin American literature. The first is the need to adapt theories of speculative fiction to the Latin American literary tradition, and the second is to ensure that this theory registers the broad array of genres under the speculative fiction umbrella. This article moves towards a theory of Latin American speculative fiction by drawing out a thread that runs through several of those genres. I argue that the slipstream phenomenon, previously ascribed in the Latin American tradition only to science fiction, is a defining feature of Latin American speculative fiction more broadly. Taking as a case study Horacio Castellanos Moya's Baile con serpientes, I examine the shifts in genre that occur when speculative forms slip into an otherwise realist Central American noir novel. I conclude that various non-realist genres represented by the umbrella term \"Latin American speculative fiction\" use slipstream as a tool to recast genre boundaries. The essay moves towards a theory of Latin American speculative fiction that recognizes the shared patterns of impact created by diverse non-realist genres on the landscape of Latin American literature.","PeriodicalId":44636,"journal":{"name":"Revista Hispanica Moderna","volume":"75 1","pages":"121 - 137"},"PeriodicalIF":0.1,"publicationDate":"2022-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46939791","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Estilo: lo sublime y la violencia neoliberal en la poesía de Dolores Dorantes 风格：多洛雷斯·多兰特斯诗歌中的崇高与新自由主义暴力

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Revista Hispanica Moderna Pub Date : 2022-03-29 DOI: 10.1353/rhm.2022.0004

Ezequiel Zaidenwerg

引用次数: 0

This Ghostly Poetry: History and Memory of Exiled Spanish Republican Poets by Daniel Aguirre-Oteiza (review) 《幽灵般的诗歌:流亡西班牙共和诗人的历史与记忆》丹尼尔·阿奎尔-奥泰萨著(书评)

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Revista Hispanica Moderna Pub Date : 2022-03-29 DOI: 10.1353/rhm.2022.0007

J. Labanyi

引用次数: 0

Modernidad de bolsillo: imágenes, consumo e imperio en el viaje a Italia de Clorinda Matto de Turner 袖珍现代性：特纳的克洛林达·马托意大利之行中的图像、消费和帝国

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Revista Hispanica Moderna Pub Date : 2022-03-29 DOI: 10.1353/rhm.2022.0002

Vanesa Miseres

{"title":"Modernidad de bolsillo: imágenes, consumo e imperio en el viaje a Italia de Clorinda Matto de Turner","authors":"Vanesa Miseres","doi":"10.1353/rhm.2022.0002","DOIUrl":"https://doi.org/10.1353/rhm.2022.0002","url":null,"abstract":"Abstract:This article analyzes the travel account of Clorinda Matto in Italy in 1908, which is part of her posthumous publication, Viaje de recreo. The analysis of her stay in Italy focuses on Matto's combination of text and image, since the narration of her travel experience is accompanied by numerous engravings acquired as postcards by the author. This combination will be analyzed in two basic dimensions. First, in the use and consumption of photographs and postcards as a practice of modern tourism. Second, the essay investigates Viaje de recreo's practices of looking that replicate the aesthetics of both the museum's gallery and the photographic albums and scrapbooks. Finally, the article discusses the ideological dimension of the images' reproduction and selection, what I call here a \"pocket modernity.\" Clorinda Matto reconstructs, from the engravings and from her reflections on them, an image of the Roman empire that not only refers to the foundations of Western civilization but also traces direct ties with the American empires, that of the Incas specifically. Just as at the intersection of text and image offers a new approach to women's travel writing in Latin America, in the parallels established between two civilizations, the Inca and the Roman, we can also read Clorinda Matto's views of modernity, between Europe and America.","PeriodicalId":44636,"journal":{"name":"Revista Hispanica Moderna","volume":"75 1","pages":"40 - 59"},"PeriodicalIF":0.1,"publicationDate":"2022-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43099984","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

In (Dis)Use of Reason: Abjection Poetics and Macrocephalic Modernity in El Techo de la Ballena 理性的(非)运用:《芭蕾技术》中的落魄诗学与大头性现代性

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Revista Hispanica Moderna Pub Date : 2022-03-29 DOI: 10.1353/rhm.2022.0001

Olivia Lott

{"title":"In (Dis)Use of Reason: Abjection Poetics and Macrocephalic Modernity in El Techo de la Ballena","authors":"Olivia Lott","doi":"10.1353/rhm.2022.0001","DOIUrl":"https://doi.org/10.1353/rhm.2022.0001","url":null,"abstract":"Abstract:This article studies the poetry by the Venezuelan neo-avant-garde collective, El Techo de la Ballena (1961-1969). Inspired by the Cuban Revolution and in opposition to local social-political conditions, the balleneros developed a radical aesthetic project meant to transfigure the avant-garde into an actual weapon for revolutionary struggle. While most scholarship focuses on the group's visual arts, the predominant theory linking El Techo's poetics and politics remains Ángel Rama's \"el terrorismo en las artes\" (1966), which highlights provocation, aggressivity, and reader ambush. In this essay, I offer a new approach to ballenero poetry. In considering two key works, Juan Calzadilla's Dictado por la jauría (1962) and Caupolicán Ovalles's En uso de razón (1963), I examine what I call \"abjection poetics\"—the deliberate cultivation of slippage between imposed social limits through abject imagery and expression and the resulting political ramifications. I argue that abjection serves as the primary means through which the poets endeavor to destabilize the matrices of power that characterized early 1960s Venezuela, a moment of \"macrocephalic\" modernity—the physical and rhetorical execution of rapid, uneven modernization and the strategic ordering of the body politic. Calzadilla's and Ovalles's poetry drive the abject into the innerworkings of the developmentalist agenda in order to disrupt its visual, performative, and discursive execution and, in turn, demystify its claims to reason.","PeriodicalId":44636,"journal":{"name":"Revista Hispanica Moderna","volume":"75 1","pages":"22 - 39"},"PeriodicalIF":0.1,"publicationDate":"2022-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44673655","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Angrily Bored Condition of Exile in Caribbean Literature at the Turn of the Millennium 千禧年之交加勒比文学中愤怒的流亡状态

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Revista Hispanica Moderna Pub Date : 2022-03-29 DOI: 10.1353/rhm.2022.0003

Judith Sierra-Rivera

{"title":"The Angrily Bored Condition of Exile in Caribbean Literature at the Turn of the Millennium","authors":"Judith Sierra-Rivera","doi":"10.1353/rhm.2022.0003","DOIUrl":"https://doi.org/10.1353/rhm.2022.0003","url":null,"abstract":"Abstract:This essay discusses the relationship between anger, boredom, and exile in Caribbean literature published in the wake of the nineties, a decade profoundly marked by a change in sensibility, by analyzing Ena Lucía Portela's El pájaro: pincel y tinta china (1999) and Rafael Franco Steeves's El peor de mis amigos (2007). Specifically, in both texts, I detect a fluidity between the concepts of time, water, and a need to disappear. Disappearance as a heterotopic state seems to be connected to a need to destabilize single-authored discourses, functioning as mandates on how to live. This essay, then, argues that disappearance is the most radical effect of subjectivities that operate as, what I call, \"angrily bored exiles,\" a political imagination that challenges the boundaries between subject and object as well as between body, space, and time. If neoliberalism imposes an anxiety about being bored, the exiled position inhabits boredom angrily to enunciate alternate ways of existing. The essay turns this literature into an evaluation of this emotional literary position within a broader context. I propose that the angrily bored mood from the nineties tempered the blind fervor of the sixties and has given contemporary Caribbean subjects a more complicated perspective on their options when imagining utopic representations.","PeriodicalId":44636,"journal":{"name":"Revista Hispanica Moderna","volume":"75 1","pages":"60 - 76"},"PeriodicalIF":0.1,"publicationDate":"2022-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42445847","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Pintando al converso: la imagen del morisco en le península ibérica (1492–1614) by Borja Franco Llopis and Francisco J. Moreno Diaz del Campo (review) 《为皈依者画画：伊比利亚半岛摩尔人的形象》（1492-1614年），作者：Borja Franco Llopis和Francisco J。Moreno Diaz del Campo（评论）

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Revista Hispanica Moderna Pub Date : 2022-03-29 DOI: 10.1353/rhm.2022.0008

Leyla Rouhi

引用次数: 0

The Indies of the Setting Sun: How Early Modern Spain Mapped the Far East and the Transpacific West by Ricardo Padrón (review) 《日落的印度群岛:早期现代西班牙如何绘制远东和西太平洋地图》作者:里卡多Padrón(书评)

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Revista Hispanica Moderna Pub Date : 2022-03-29 DOI: 10.1353/rhm.2022.0006

E. Horodowich

引用次数: 0

Reading Extractivism 阅读提取主义