Revista Hispanica Moderna最新文献_第2页

Ink under the Fingernails: Printing Politics in Nineteenth-Century Mexico by Corinna Zeltsman (review) 《指甲下的墨水:19世纪墨西哥的印刷政治》科琳娜·泽尔茨曼著(书评)

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Revista Hispanica Moderna Pub Date : 2023-04-29 DOI: 10.1353/rhm.2023.0006

Christopher Conway

引用次数: 0

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Revista Hispanica Moderna Pub Date : 2022-11-22 DOI: 10.1353/rhm.2022.0016

Vicente Rubio-Pueyo

引用次数: 1

Geographies of Degeographication: Latin America and the Virgin Woods in Mário de Andrade's Macunaíma 地理地理：Mário de Andrade的《马库尼玛》中的拉丁美洲和原始森林

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Revista Hispanica Moderna Pub Date : 2022-11-22 DOI: 10.1353/rhm.2022.0020

Victoria Saramago

{"title":"Geographies of Degeographication: Latin America and the Virgin Woods in Mário de Andrade's Macunaíma","authors":"Victoria Saramago","doi":"10.1353/rhm.2022.0020","DOIUrl":"https://doi.org/10.1353/rhm.2022.0020","url":null,"abstract":"ABSTRACT:The expanding field of Latin American ecocriticism has repeatedly shown how environmental approaches to cultural production often transcend national and regional borders. A case in point is Mário de Andrade's modernist novel Macunaíma (1928), whose homonymous protagonist has the ability to rapidly travel across Brazilian territory and into neighboring countries in what Andrade defined as a process of \"degeographication.\" This article proposes that, rather than simply erasing borders, Macunaíma's continental wanderings highlight the singular, ambivalent position Brazil has occupied in conceptualizations of Latin America. Moreover, these transnational journeys occur primarily in the geographically undetermined space of the \"virgin woods,\" where distances and limits on movement are less marked than in São Paulo and Rio de Janeiro. By investigating how a borderless Latin America is imagined via the space of the virgin woods, this article demonstrates how Macunaíma's degeographication is geographically and environmentally conditioned. In doing so, it aims to reconsider the longstanding debates about Brazil's status in Latin America in light of ecocritical studies and to show how environmental considerations may contribute to this discussion.","PeriodicalId":44636,"journal":{"name":"Revista Hispanica Moderna","volume":"75 1","pages":"177 - 193"},"PeriodicalIF":0.1,"publicationDate":"2022-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46687777","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Invisible Points and Open Windows: Picturing Representation in the Poetry of Antonio Méndez Rubio and Ana Merino 看不见的点和打开的窗:安东尼奥·姆姆姆南德斯·卢比奥和安娜·梅里诺诗歌中的绘画表现

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Revista Hispanica Moderna Pub Date : 2022-11-22 DOI: 10.1353/rhm.2022.0018

P. Cahill

{"title":"Invisible Points and Open Windows: Picturing Representation in the Poetry of Antonio Méndez Rubio and Ana Merino","authors":"P. Cahill","doi":"10.1353/rhm.2022.0018","DOIUrl":"https://doi.org/10.1353/rhm.2022.0018","url":null,"abstract":"ABSTRACT:Using the work of Barthes, Derrida, Pratt, Rancière, and Sontag, among others, this paper explores how what is shown, not shown, and hidden play an equally important role in the work of Antonio Méndez Rubio (1967-) and Ana Merino (1971-). While Merino's La voz de los relojes (2000) interrogates the visible by expanding and simultaneously subdividing it, showing that different people see different things, Méndez Rubio's El fin del mundo (1995) highlights the impact of the (in)visible and out-of-frame in his interrogation of the visible. Even though each poet engages with different forms of visual representation—painting in Merino's work and photography and film in Méndez Rubio's—and represents different spaces—Cuba in Merino's work and Albania in Méndez Rubio's—both show that it is possible to interrogate visual representation as a larger phenomenon even if their work does not use more traditional ekphrastic approaches in which poems engage with and establish a dialogue with existing visual representations. The work of these two poets ultimately reveals the importance of continuing this interrogation of visual representation, since such critiques of modes of representation do not sever the inextricable link between visual representation and discourse, but instead only reshape and reframe it.","PeriodicalId":44636,"journal":{"name":"Revista Hispanica Moderna","volume":"75 1","pages":"138 - 154"},"PeriodicalIF":0.1,"publicationDate":"2022-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47727249","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Expanded Geographies: Recent Trends in Mexican Cultural Studies 扩展地理学:墨西哥文化研究的最新趋势

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Revista Hispanica Moderna Pub Date : 2022-11-22 DOI: 10.1353/rhm.2022.0011

R. Gallo

引用次数: 0

¿Qué será la vanguardia? Utopías y nostalgias en la literatura contemporánea by Julio Premat (review) 什么是前卫？胡里奥·普雷马特的当代文学乌托邦与怀旧（评论）

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Revista Hispanica Moderna Pub Date : 2022-11-22 DOI: 10.1353/rhm.2022.0014

J. Locane

引用次数: 1

The Senses of Democracy: Perception, Politics, and Culture in Latin America by Francine Masiello (review) Francine Masiello的《民主的感觉：拉丁美洲的感知、政治和文化》（综述）

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Revista Hispanica Moderna Pub Date : 2022-11-22 DOI: 10.1353/rhm.2022.0015

Vanesa Miseres

引用次数: 0

Dead Voice: Law, Philosophy, and Fiction in the Iberian Middle Ages by Jesús R. Velasco (review) 《死亡的声音:伊比利亚中世纪的法律、哲学和小说》作者:Jesús R. Velasco

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Revista Hispanica Moderna Pub Date : 2022-11-22 DOI: 10.1353/rhm.2022.0012

Manuela Bragagnolo

引用次数: 1

Hemispheric Integration: Materiality, Mobility, and the Making of Latin American Art by Niko Vicario (review) Niko Vicario的《半球一体化：物质性、流动性和拉丁美洲艺术的形成》（综述）

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Revista Hispanica Moderna Pub Date : 2022-11-22 DOI: 10.1353/rhm.2022.0013

M. Coffey

引用次数: 0

"La sofisticación de la pérdida": Usos y abusos de la fotografía en la obra de Eduardo Lalo “失落的复杂性”:Eduardo Lalo作品中摄影的使用和滥用

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Revista Hispanica Moderna Pub Date : 2022-11-22 DOI: 10.1353/rhm.2022.0019

Gustavo Quintero Vera

{"title":"\"La sofisticación de la pérdida\": Usos y abusos de la fotografía en la obra de Eduardo Lalo","authors":"Gustavo Quintero Vera","doi":"10.1353/rhm.2022.0019","DOIUrl":"https://doi.org/10.1353/rhm.2022.0019","url":null,"abstract":"ABSTRACT:This article focuses on a series of visual essays in the literary production of the Puerto Rican writer Eduardo Lalo (1960): Los pies de San Juan (2002), donde (2005), and El deseo del lápiz (2010). We analyze these books in chronological order, regarding them as a unit in evolution, an organic sequence that meticulously builds, develops, and alters a way of looking. If Los pies de San Juan represents the claustrophobic experience of the physical city of San Juan, donde transforms this experience into a condition and projects it outwards to a conceptual space that imbues everything around the speaker. In El deseo del lápiz this \"conditioned\" way of dwelling is taken to its extreme by suggesting prison can be interpreted as a synecdoche of all these previous experiences. By exploring fissures in the hegemonic models of visuality (in the physical, conceptual-epistemological, and institutional levels), Lalo's work blurs the imaginary line of \"the distribution of the sensible\" (Rancière). This means that by combining the visual experimentation of photography with the conceptual-epistemological exploration of the text, Lalo conceives a new aesthetic community that presents bodies with another way of experiencing their daily reality. At the same time, we analyze the tension created by the constant, perhaps unintended irruption of the self-referential authorial voice within the texts.","PeriodicalId":44636,"journal":{"name":"Revista Hispanica Moderna","volume":"75 1","pages":"155 - 176"},"PeriodicalIF":0.1,"publicationDate":"2022-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41394899","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0