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Revista Hispanica Moderna最新文献

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Iberian Moorings: Al-Andalus, Sefarad, and the Tropes of Exceptionalism by Ross Brann 《伊比利亚摩尔人：安达卢斯、塞法拉德和例外主义奖杯》，罗斯·布兰著
IF 0.1
Revista Hispanica Moderna Pub Date : 2023-06-01 DOI: 10.1353/rhm.2023.0007
Maribel Fierro
{"title":"Iberian Moorings: Al-Andalus, Sefarad, and the Tropes of Exceptionalism by Ross Brann","authors":"Maribel Fierro","doi":"10.1353/rhm.2023.0007","DOIUrl":"https://doi.org/10.1353/rhm.2023.0007","url":null,"abstract":"","PeriodicalId":44636,"journal":{"name":"Revista Hispanica Moderna","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46004183","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Knowing Fictions: Picaresque Reading in the Early Modern Hispanic World by Barbara Fuchs 了解小说：Barbara Fuchs在现代早期西班牙裔世界的Picaresque阅读
IF 0.1
Revista Hispanica Moderna Pub Date : 2023-06-01 DOI: 10.1353/rhm.2023.0009
Jorge Téllez
{"title":"Knowing Fictions: Picaresque Reading in the Early Modern Hispanic World by Barbara Fuchs","authors":"Jorge Téllez","doi":"10.1353/rhm.2023.0009","DOIUrl":"https://doi.org/10.1353/rhm.2023.0009","url":null,"abstract":"","PeriodicalId":44636,"journal":{"name":"Revista Hispanica Moderna","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42079470","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Argentine Fin-de-Siècle: Melancholic Decadence and the Rise of the Popular 阿根廷的Fin de Siècle：忧郁的颓废与大众的崛起
IF 0.1
Revista Hispanica Moderna Pub Date : 2023-04-29 DOI: 10.1353/rhm.2023.0004
Alejandra Uslenghi
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引用次数: 0
Writing for New Literacies: Pío Baroja's Novela Film (1929) 为新文学写作：Pío Baroja的小说电影（1929）
IF 0.1
Revista Hispanica Moderna Pub Date : 2023-04-29 DOI: 10.1353/rhm.2023.0003
Anna Torres-Cacoullos
{"title":"Writing for New Literacies: Pío Baroja's Novela Film (1929)","authors":"Anna Torres-Cacoullos","doi":"10.1353/rhm.2023.0003","DOIUrl":"https://doi.org/10.1353/rhm.2023.0003","url":null,"abstract":"ABSTRACT:This article spotlights an experimental form of early moving-image storytelling by examining the formal novelty and generic creativity of Pío Baroja's novela film. Thus subtitled, his short novel El poeta y la princesa o el Cabaret de la Cotorra Verde (1929) incorporates cinema's narrative strategies and engages cinema's associated print cultural form of the novelized film plot. As a different kind of 'cinematographic novel,' Baroja's novela film launches an inquiry into notions of genre, narration, audience, and medium, revealing a unique insight into the ways in which the modernist novel was being redefined in response to cinema's methodological challenge to traditional modes of writing. Through its exploration of what it means to fuse literature and film—and, hence, its interrogation of what it means to write for a different kind of reading—Baroja's novela film adapts and speaks to an expanding body of cinema-literate readers. As it elicits an enhanced awareness and sophisticated critical attention on the part of a reader-viewer through metafictional disclosing, intertextuality, and parodic content, it may be considered that its formal innovation advances a new manner of intellectualized consumer reading. Ultimately, as a response to entertainment industries such as film and cinema print culture, the novela film rethinks the very notion of what is literature.","PeriodicalId":44636,"journal":{"name":"Revista Hispanica Moderna","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-04-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47939505","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
"El oficio de mirar": Regarding the Human-Animal Gaze in Three Texts by Julio Cortázar 《看的职业》：胡里奥·科尔塔扎尔的三篇文章中的人-动物气
IF 0.1
Revista Hispanica Moderna Pub Date : 2023-04-29 DOI: 10.1353/rhm.2023.0000
Melanie Nicholson
{"title":"\"El oficio de mirar\": Regarding the Human-Animal Gaze in Three Texts by Julio Cortázar","authors":"Melanie Nicholson","doi":"10.1353/rhm.2023.0000","DOIUrl":"https://doi.org/10.1353/rhm.2023.0000","url":null,"abstract":"ABSTRACT:Several of Cortázar's stories feature animals represented in a range from the fully realistic, to the fantastic, to the symbolic or purely imaginary. One of his most widely read stories, \"Axolotl,\" turns on the transmigration of a human consciousness into that of a salamander. This limit situation is predicated on the act of looking, a mutual gaze that ultimately leads to the inexplicable absorption of the human subject into the animal object. Two other lesser-known texts by Cortázar—the early short story \"Bestiario\" and a later sui generis text called \"Paseo entre las jaulas\"—likewise develop the trope of the human-animal gaze as a mode of knowledge or understanding, but they do so using a variety of techniques that obviate the kind of fantastical twist we see at the end of \"Axolotl.\" These two texts, whose animal logic is developed discursively and associatively, offer the reader a more psychologically plausible and even intimate glimpse into the potential of the interspecies gaze. Taken together, these three very different works serve to further elucidate Cortázar's insistent grappling with the problematic of self and (animal) other.","PeriodicalId":44636,"journal":{"name":"Revista Hispanica Moderna","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-04-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41920654","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Form for the Masses! The Brazilian Process of Politicization in Patrícia Galvão's Parque Industrial 大众的形式!巴西Patrícia galv<e:1>工业园区的政治化进程
IF 0.1
Revista Hispanica Moderna Pub Date : 2023-04-29 DOI: 10.1353/rhm.2023.0001
M. Pape
{"title":"A Form for the Masses! The Brazilian Process of Politicization in Patrícia Galvão's Parque Industrial","authors":"M. Pape","doi":"10.1353/rhm.2023.0001","DOIUrl":"https://doi.org/10.1353/rhm.2023.0001","url":null,"abstract":"ABSTRACT:Patrícia Galvão's Parque Industrial: romance proletário (1933) is a study of the politicization of the masses at the very beginning of Getúlio Vargas's populism. In this piece, I analyze the ways in which the novel intervenes in the incipient getulismo, destabilizing its political logic by negating two of its key elements: nationalism and strong personal leadership. Then, I parse the novel's political counterproposal by examining how it aesthetically works through the ambiguous relationship between the proletariat and the masses. In doing so, I propose that the novel presents us with an aesthetic of the masses that exposes the masses' political nature. Finally, I argue that Parque Industrial's political and aesthetic project displays an essential problem that both the Left and Vargas were facing: how to give political form to the masses.","PeriodicalId":44636,"journal":{"name":"Revista Hispanica Moderna","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-04-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47358767","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Materiales para acercar mundos: América en las cartas y fundaciones de Teresa de Jesús 连接世界的材料:特蕾莎·德·jesus的宪章和基础中的美国
IF 0.1
Revista Hispanica Moderna Pub Date : 2023-04-29 DOI: 10.1353/rhm.2023.0010
A. Garriga
{"title":"Materiales para acercar mundos: América en las cartas y fundaciones de Teresa de Jesús","authors":"A. Garriga","doi":"10.1353/rhm.2023.0010","DOIUrl":"https://doi.org/10.1353/rhm.2023.0010","url":null,"abstract":"ABSTRACT:Teresa of Avila established her first Discalced Carmelite convent in the city of Avila in 1561, financed by the golden pesos her brother Lorenzo de Cepeda sent her from the Viceroyalty of Peru. Taking this economic dependence as a starting point, this article hopes to unravel the multitasking relationship Teresa established with America. The distant territory did not only become a source of economic relief, but it also became one of the rhetorical and spiritual pillars that would hold the unstable beginnings of Teresa's religious project. Drawing on the study of the letters, relics, and religious imagery exchanged with her brother in Quito, and focusing on the metallurgical lexicon displayed in her visionary rhetoric, as well as on her crucial understanding of the Franciscan missionary tactics, I argue that Teresa of Avila learned to strategically define her relationship with America to authorize her multifaceted spiritual and literary endeavor.","PeriodicalId":44636,"journal":{"name":"Revista Hispanica Moderna","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-04-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45266486","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mapping the Amazon: Literary Geography After the Rubber Boom by Amanda M. Smith (review) 亚马逊地图:橡胶繁荣后的文学地理阿曼达·m·史密斯(书评)
IF 0.1
Revista Hispanica Moderna Pub Date : 2023-04-29 DOI: 10.1353/rhm.2023.0008
Charlotte Rogers
{"title":"Mapping the Amazon: Literary Geography After the Rubber Boom by Amanda M. Smith (review)","authors":"Charlotte Rogers","doi":"10.1353/rhm.2023.0008","DOIUrl":"https://doi.org/10.1353/rhm.2023.0008","url":null,"abstract":"","PeriodicalId":44636,"journal":{"name":"Revista Hispanica Moderna","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-04-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41989113","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Polemics, Literature, and Knowledge in Eighteenth-Century Mexico: A New World for the Republic of Letters by José Francisco Robles (review) JoséFrancisco Robles的《18世纪墨西哥的政治、文学和知识：文学共和国的新世界》（评论）
IF 0.1
Revista Hispanica Moderna Pub Date : 2023-04-29 DOI: 10.1353/rhm.2023.0005
Miruna Achim
{"title":"Polemics, Literature, and Knowledge in Eighteenth-Century Mexico: A New World for the Republic of Letters by José Francisco Robles (review)","authors":"Miruna Achim","doi":"10.1353/rhm.2023.0005","DOIUrl":"https://doi.org/10.1353/rhm.2023.0005","url":null,"abstract":"","PeriodicalId":44636,"journal":{"name":"Revista Hispanica Moderna","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-04-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42218821","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
In the Name of the Basque Mother: The Repackaging of the 1939 Basque Exile in Javier de Isusi's Asylum (2015) 《巴斯克母亲之名:在哈维尔·德·伊苏西的《避难所》中重新包装1939年巴斯克流亡者》(2015)
IF 0.1
Revista Hispanica Moderna Pub Date : 2023-04-29 DOI: 10.1353/rhm.2023.0002
Nagore Sedano
{"title":"In the Name of the Basque Mother: The Repackaging of the 1939 Basque Exile in Javier de Isusi's Asylum (2015)","authors":"Nagore Sedano","doi":"10.1353/rhm.2023.0002","DOIUrl":"https://doi.org/10.1353/rhm.2023.0002","url":null,"abstract":"ABSTRACT:In this article, I examine the rhetoric of gender equity and sexual diversity that guides the repackaging of the 1939 Basque exile in Javier de Isusi's graphic novel Asylum (2015). Seeking to promote solidarity with asylum seekers, the graphic novel weaves together stories of past and present displacement via a teleological approach to the history of the Basque feminism. I draw on Jasbir Puar's theorization of homonationalism to elucidate how Asylum relies on the mutability of nationalistic tropes to refashion the 1939 Basque exile as part of a celebratory women's and gay rights tale of the nation. I argue that Isusi's book bridges past and present by recasting in terms of gender equity and sexual identity what I call the trope of liberatory Basque blood: a lineage of Basque warriors for universal freedom. Through this nationalistic trope, Asylum refashions, and simultaneously conceals, the neocolonial imaginary that shaped the relationship between the Basque Country and Latin America. In doing so, the graphic novel also overlooks heterodox voices within the Basque nationalist exile of 1939 that provided alternatives to the trope of liberatory Basque blood.","PeriodicalId":44636,"journal":{"name":"Revista Hispanica Moderna","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-04-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43494306","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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