{"title":"大众的形式!巴西Patrícia galv<e:1>工业园区的政治化进程","authors":"M. Pape","doi":"10.1353/rhm.2023.0001","DOIUrl":null,"url":null,"abstract":"ABSTRACT:Patrícia Galvão's Parque Industrial: romance proletário (1933) is a study of the politicization of the masses at the very beginning of Getúlio Vargas's populism. In this piece, I analyze the ways in which the novel intervenes in the incipient getulismo, destabilizing its political logic by negating two of its key elements: nationalism and strong personal leadership. Then, I parse the novel's political counterproposal by examining how it aesthetically works through the ambiguous relationship between the proletariat and the masses. In doing so, I propose that the novel presents us with an aesthetic of the masses that exposes the masses' political nature. Finally, I argue that Parque Industrial's political and aesthetic project displays an essential problem that both the Left and Vargas were facing: how to give political form to the masses.","PeriodicalId":44636,"journal":{"name":"Revista Hispanica Moderna","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2023-04-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A Form for the Masses! The Brazilian Process of Politicization in Patrícia Galvão's Parque Industrial\",\"authors\":\"M. Pape\",\"doi\":\"10.1353/rhm.2023.0001\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT:Patrícia Galvão's Parque Industrial: romance proletário (1933) is a study of the politicization of the masses at the very beginning of Getúlio Vargas's populism. In this piece, I analyze the ways in which the novel intervenes in the incipient getulismo, destabilizing its political logic by negating two of its key elements: nationalism and strong personal leadership. Then, I parse the novel's political counterproposal by examining how it aesthetically works through the ambiguous relationship between the proletariat and the masses. In doing so, I propose that the novel presents us with an aesthetic of the masses that exposes the masses' political nature. Finally, I argue that Parque Industrial's political and aesthetic project displays an essential problem that both the Left and Vargas were facing: how to give political form to the masses.\",\"PeriodicalId\":44636,\"journal\":{\"name\":\"Revista Hispanica Moderna\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2023-04-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Revista Hispanica Moderna\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/rhm.2023.0001\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, ROMANCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Revista Hispanica Moderna","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/rhm.2023.0001","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, ROMANCE","Score":null,"Total":0}
A Form for the Masses! The Brazilian Process of Politicization in Patrícia Galvão's Parque Industrial
ABSTRACT:Patrícia Galvão's Parque Industrial: romance proletário (1933) is a study of the politicization of the masses at the very beginning of Getúlio Vargas's populism. In this piece, I analyze the ways in which the novel intervenes in the incipient getulismo, destabilizing its political logic by negating two of its key elements: nationalism and strong personal leadership. Then, I parse the novel's political counterproposal by examining how it aesthetically works through the ambiguous relationship between the proletariat and the masses. In doing so, I propose that the novel presents us with an aesthetic of the masses that exposes the masses' political nature. Finally, I argue that Parque Industrial's political and aesthetic project displays an essential problem that both the Left and Vargas were facing: how to give political form to the masses.
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