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Revista Hispanica Moderna最新文献

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Multilingualism and the Indigenous Novel: Paths of Comparatism Inscribed in Aqupampa by Pablo Landeo Muñoz 多语言与土著小说:巴勃罗·兰迪奥在阿夸潘帕的比较主义之路Muñoz
IF 0.1
Revista Hispanica Moderna Pub Date : 2022-03-29 DOI: 10.1353/rhm.2022.0000
Matylda Figlerowicz
{"title":"Multilingualism and the Indigenous Novel: Paths of Comparatism Inscribed in Aqupampa by Pablo Landeo Muñoz","authors":"Matylda Figlerowicz","doi":"10.1353/rhm.2022.0000","DOIUrl":"https://doi.org/10.1353/rhm.2022.0000","url":null,"abstract":"Abstract:Aqupampa (Desert Sands, 2016) by Pablo Landeo Muñoz is the first novel published in Quechua and the first novel in a Latin American Indigenous language published monolingually––and the author insists on in never to be translated into Spanish. This article focuses primarily on two its aspects: literary genre and multilingualism. It posits Aqupampa as an opening of a field of intertextuality and comparison, inviting a transformation of current comparative frameworks. This analysis builds on the reflection on how translation has played a central role in theories of postcolonial, decolonial, and world literature. Since translation is an asymmetric practice, its asymmetry seeps into literary categorizations and analysis. This study proposes to rethink these frameworks through the lens of multilingualism constructed from the perspective of an Indigenous language. It is an impulse to rethink literary circulation, putting in question the centrality of impact within the literary and cultural sphere, and insisting on values other than vast readership. Aqupampa allows us to conceptualize the participation in world literature of texts that do not travel easily but have different (dis)locations inscribed in their linguistic and genre structures.","PeriodicalId":44636,"journal":{"name":"Revista Hispanica Moderna","volume":"75 1","pages":"1 - 21"},"PeriodicalIF":0.1,"publicationDate":"2022-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42535953","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Not One Less: Mourning, Disobedience and Desire by María Pia López (review) 一个也不能少:哀悼、反抗和欲望María Pia López(评论)
IF 0.1
Revista Hispanica Moderna Pub Date : 2022-03-29 DOI: 10.1353/rhm.2022.0010
Brenda Werth
{"title":"Not One Less: Mourning, Disobedience and Desire by María Pia López (review)","authors":"Brenda Werth","doi":"10.1353/rhm.2022.0010","DOIUrl":"https://doi.org/10.1353/rhm.2022.0010","url":null,"abstract":"","PeriodicalId":44636,"journal":{"name":"Revista Hispanica Moderna","volume":"75 1","pages":"117 - 120"},"PeriodicalIF":0.1,"publicationDate":"2022-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47708574","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 6
The Politics of Taste: Beatriz González and Cold War Aesthetics by Ana María Reyes (review) Ana María Reyes的《品味的政治：比阿特丽斯·冈萨雷斯与冷战美学》（评论）
IF 0.1
Revista Hispanica Moderna Pub Date : 2022-03-29 DOI: 10.1353/rhm.2022.0009
Niko Vicario
{"title":"The Politics of Taste: Beatriz González and Cold War Aesthetics by Ana María Reyes (review)","authors":"Niko Vicario","doi":"10.1353/rhm.2022.0009","DOIUrl":"https://doi.org/10.1353/rhm.2022.0009","url":null,"abstract":"","PeriodicalId":44636,"journal":{"name":"Revista Hispanica Moderna","volume":"75 1","pages":"115 - 117"},"PeriodicalIF":0.1,"publicationDate":"2022-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48268104","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Great Woman Singer: Gender and Voice in Puerto Rican Music by Licia Fiol-Matta (review) 《伟大的女歌手:波多黎各音乐中的性别与声音》作者:莉西亚·菲奥玛塔
IF 0.1
Revista Hispanica Moderna Pub Date : 2021-12-02 DOI: 10.1353/rhm.2021.0026
Maja Horn
{"title":"The Great Woman Singer: Gender and Voice in Puerto Rican Music by Licia Fiol-Matta (review)","authors":"Maja Horn","doi":"10.1353/rhm.2021.0026","DOIUrl":"https://doi.org/10.1353/rhm.2021.0026","url":null,"abstract":"","PeriodicalId":44636,"journal":{"name":"Revista Hispanica Moderna","volume":"74 1","pages":"255 - 258"},"PeriodicalIF":0.1,"publicationDate":"2021-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48978032","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Droga, cultura y farmacolonialidad: la alteración narcográfica ed. by Lizardo Herrera and Julio Ramos (review) 药物、文化和药理学：麻醉障碍编辑。由Lizardo Herrera和Julio Ramos（评论）
IF 0.1
Revista Hispanica Moderna Pub Date : 2021-12-02 DOI: 10.1353/rhm.2021.0028
Joseph Patteson
{"title":"Droga, cultura y farmacolonialidad: la alteración narcográfica ed. by Lizardo Herrera and Julio Ramos (review)","authors":"Joseph Patteson","doi":"10.1353/rhm.2021.0028","DOIUrl":"https://doi.org/10.1353/rhm.2021.0028","url":null,"abstract":"","PeriodicalId":44636,"journal":{"name":"Revista Hispanica Moderna","volume":"74 1","pages":"261 - 263"},"PeriodicalIF":0.1,"publicationDate":"2021-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42524635","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Limits of National Film Histories and the Logic of Expansion 民族电影史的局限与扩张逻辑
IF 0.1
Revista Hispanica Moderna Pub Date : 2021-12-02 DOI: 10.1353/rhm.2021.0022
Thomas Matusiak
{"title":"The Limits of National Film Histories and the Logic of Expansion","authors":"Thomas Matusiak","doi":"10.1353/rhm.2021.0022","DOIUrl":"https://doi.org/10.1353/rhm.2021.0022","url":null,"abstract":"","PeriodicalId":44636,"journal":{"name":"Revista Hispanica Moderna","volume":"74 1","pages":"227 - 241"},"PeriodicalIF":0.1,"publicationDate":"2021-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44431415","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Forging of a Tawny Spain: Othello, Lepanto, and the "Turkish Heart Hid Beneath" 塑造一个茶色的西班牙:奥赛罗、勒班陀和“藏在下面的土耳其心”
IF 0.1
Revista Hispanica Moderna Pub Date : 2021-12-02 DOI: 10.1353/rhm.2021.0021
A. Laguna
{"title":"The Forging of a Tawny Spain: Othello, Lepanto, and the \"Turkish Heart Hid Beneath\"","authors":"A. Laguna","doi":"10.1353/rhm.2021.0021","DOIUrl":"https://doi.org/10.1353/rhm.2021.0021","url":null,"abstract":"ABSTRACT:This study explores the role that the battle of Lepanto (1571) plays in the construction of Spain as a racialized, \"tawny\" nation (Love's Labour's Lost 1.1.171). By examining the ways in which two literary works—Shakespeare's Othello (c. 1602) and James I's poem Lepanto (1585)—obliquely refer to the battle, and even more inconspicuously to Spain, these pages demonstrate the engagement of each text in the hispanophobic or hispanophilic energies unleashed by this military landmark. Lepanto not only constitutes the greatest military clash in the history of the Mediterranean, but also a sort of representational microcosm of the European wariness towards Iberia. Understanding the nature and workings of this representational dynamics can shed new light on how Iberian otherness was forged in the literary and artistic European world of the 1500s and 1600s, and the ideological bearings that this ethnic characterization owes to the complex Anglo–Italian–Spanish relationship of the period.","PeriodicalId":44636,"journal":{"name":"Revista Hispanica Moderna","volume":"74 1","pages":"200 - 225"},"PeriodicalIF":0.1,"publicationDate":"2021-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41715483","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tierras en trance: arte y naturaleza después del paisaje by Jens Andermann (review) 恍惚中的土地：风景后的艺术与自然
IF 0.1
Revista Hispanica Moderna Pub Date : 2021-12-02 DOI: 10.1353/rhm.2021.0027
A. Kerr
{"title":"Tierras en trance: arte y naturaleza después del paisaje by Jens Andermann (review)","authors":"A. Kerr","doi":"10.1353/rhm.2021.0027","DOIUrl":"https://doi.org/10.1353/rhm.2021.0027","url":null,"abstract":"","PeriodicalId":44636,"journal":{"name":"Revista Hispanica Moderna","volume":"74 1","pages":"258 - 261"},"PeriodicalIF":0.1,"publicationDate":"2021-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46226668","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Interregnum and Pharmacology: Hernán Ronsino's Pampas Trilogy 基因组间与药理学：埃尔南·朗西诺的潘帕斯三部曲
IF 0.1
Revista Hispanica Moderna Pub Date : 2021-12-02 DOI: 10.1353/rhm.2021.0019
S. Dowd
{"title":"Interregnum and Pharmacology: Hernán Ronsino's Pampas Trilogy","authors":"S. Dowd","doi":"10.1353/rhm.2021.0019","DOIUrl":"https://doi.org/10.1353/rhm.2021.0019","url":null,"abstract":"ABSTRACT:Recent work in Latin American literary and cultural studies argues that politics has undergone a fundamental shift under globalization and now consists of a prolonged suspension of sovereignty or interregnum. This article examines periods of interregnum in twentieth and twenty-first century Argentina as portrayed in Hernán Ronsino's Pampas Trilogy of La descomposición (2007), Glaxo (2009), and Lumbre (2013). I analyze how Glaxo connects revolution and counter-revolution to pharmaceutical industrialization, amplifying and literalizing a widespread metaphor of health and disease in the political body. I link political poisons and cures to the pharmakon of writing, following Jacques Derrida, and the pharmacology of contemporary capitalism, following Bernard Stiegler. Throughout the trilogy, Ronsino's pharmakon appears in different moments of interregnum as he disarticulates narrative conventions, constructs an afterlife for canonical literature, and participates in the paradoxical preservation and corruption of collective memory during periods of political crisis. The trilogy shows that figures of disease and immunity have long permeated the relationship between literature and community. In Lumbre, the 2001 political and economic crisis exposes this relationship as one of simultaneous disclosure and concealment, exemplary of literature's role in the contemporary interregnum. For Ronsino, pharmacological mechanisms are at the core of political interregna, amplified in the pharmacology of transnational capitalism and framed in writing and photography.","PeriodicalId":44636,"journal":{"name":"Revista Hispanica Moderna","volume":"74 1","pages":"169 - 183"},"PeriodicalIF":0.1,"publicationDate":"2021-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43047819","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Hippopotamus Dead or Alive: Animals and Trauma in Narratives of the Drug War 河马的死与活：毒品战争叙事中的动物与创伤
IF 0.1
Revista Hispanica Moderna Pub Date : 2021-12-02 DOI: 10.1353/rhm.2021.0020
Sophie Esch
{"title":"Hippopotamus Dead or Alive: Animals and Trauma in Narratives of the Drug War","authors":"Sophie Esch","doi":"10.1353/rhm.2021.0020","DOIUrl":"https://doi.org/10.1353/rhm.2021.0020","url":null,"abstract":"ABSTRACT:A strange animal haunts recent Latin American novels: the hippopotamus. This article analyses the meaning of the presence of these big African mammals in narco-themed literature through a discussion of El ruido de las cosas al caer (2011) by Juan Gabriel Vásquez and Fiesta en la madriguera (2010) by Juan Pablo Villalobos. This presence at first appears to be a mere literary representation of the link between drug and animal trafficking, particularly the narco-fad of showcasing wealth through the establishment of private zoos. Yet the meaning of this presence runs deeper. I argue that, in the texts, the animals embody trauma: the authors employ the hippos to represent and debate the wounds left behind by armed conflict and structural violence. Animals occupy several positions and meanings in the novels. Their living or dead bodies, their sounds and silences express the materiality of life and death as well as unspeakable pain. Their undisputed innocence as animals caught in the crossfire opens up the possibility of questioning the criminalizing discourse of the drug war. Their commodified animal bodies speak of the trauma of capitalism and colonialism.","PeriodicalId":44636,"journal":{"name":"Revista Hispanica Moderna","volume":"74 1","pages":"184 - 199"},"PeriodicalIF":0.1,"publicationDate":"2021-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48882564","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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