Ethnomusicology Forum最新文献_第6页

Music as a Third Space? – African musics as a field of collaboration in Finland 音乐是第三空间?-非洲音乐是芬兰的一个合作领域

IF 0.8 1区艺术学

Ethnomusicology Forum Pub Date : 2022-07-18 DOI: 10.1080/17411912.2022.2095294

Elina Seye

引用次数: 1

Movement of the people: Hungarian folk dance, populism, and citizenship 人民运动:匈牙利民族舞蹈、民粹主义和公民身份

IF 0.8 1区艺术学

Ethnomusicology Forum Pub Date : 2022-07-14 DOI: 10.1080/17411912.2022.2093016

Andrea Conger

引用次数: 0

Turkish Folk music between Ghent and Turkey: context, performance, function 根特和土耳其之间的土耳其民间音乐:背景，表演，功能

IF 0.8 1区艺术学

Ethnomusicology Forum Pub Date : 2022-07-14 DOI: 10.1080/17411912.2022.2093765

Hélène Sechehaye

引用次数: 0

The folk: music, modernity, and the political imagination 民间:音乐，现代，和政治想象

IF 0.8 1区艺术学

Ethnomusicology Forum Pub Date : 2022-05-10 DOI: 10.1080/17411912.2022.2062410

Eilidh Whiteford

{"title":"The folk: music, modernity, and the political imagination","authors":"Eilidh Whiteford","doi":"10.1080/17411912.2022.2062410","DOIUrl":"https://doi.org/10.1080/17411912.2022.2062410","url":null,"abstract":"Turkish community, but not an interest in other networks. Thus, only a minority of Turkish musicians are active in the wider, international ‘world music’ network characterised by the omnipresence of the stage and concert, the detachment from the social functions of music and the importance given to intercultural encounters between musicians. Liselotte Sels’s research is enriched with black and white illustrations, charts, transcriptions, an index and a glossary – the only additional resource I wish I had are audio excerpts, which are unfortunately lacking. The book concerns scholars and musicians interested in the current state of Turkish folk repertoires. Indeed, Sels brilliantly summarises the debates which address some of the issues raised in previous research, including the influence that Kemalist Reforms had on musical language (Stokes 1992) and the lack of studies of the ‘aesthetic crisis of Turkish music’ (Greve 2017). Moreover, Sels’s book fits into the line of case studies of musical practices in diaspora, which abound in the ethnomusicological world, and she is the first researcher to explore the topic in the Belgian context. Her research attests to the status of a traditional music repertoire other than Flemish or Walloon and opens the door to other studies of the musical practices of migrant communities in the country.","PeriodicalId":43942,"journal":{"name":"Ethnomusicology Forum","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2022-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49190761","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Ngonsoeng jyugo/Anshang yuge [Ballad on the Shore] 岸上歌谣

IF 0.8 1区艺术学

Ethnomusicology Forum Pub Date : 2022-05-04 DOI: 10.1080/17411912.2022.2097935

Victor Fan

{"title":"Ngonsoeng jyugo/Anshang yuge [Ballad on the Shore]","authors":"Victor Fan","doi":"10.1080/17411912.2022.2097935","DOIUrl":"https://doi.org/10.1080/17411912.2022.2097935","url":null,"abstract":"ticularly the May rituals of Padstow and Helston (Elder Wallace 2001, 1–2). Researchers may also find that in certain contexts, John Skinner’s historical and arguably etic perspective adds additional context to Hagmann’s discussion of historical English exoticisation of Cornwall (Skinner [1797]1985). Additionally, Philip Payton’s seminal text The Cornish Overseas: The Epic Story of Cornwall’s ‘Great Migration’ has come out in a new 2020 edition which includes references to exciting newdevelopments in the studyofCornish diasporic groups (Payton2020). While Lea Hagmann’s Celtic Music and Dance in Cornwall: Cornu-Copia is certainly the excellent resource on Cornish music and dance traditions that Sean Williams suggests that it is in the Forward to the book, it may well prove to be equally significant as the start of a new wave of novel research. For musicologists, ethnomusicologists, and musical scholars who are not focused on Cornish culture, the work may serve to bring Cornish music and dance to their attention and to contribute to their understanding of the breadth of these music and dance traditions within the larger context of the Celtic world, the British Isles, and the European region. For scholars of Cornish music and dance, it seems likely that phrases such as ‘after Hagmann’ and ‘to reference Hagmann’ will become commonplace. It is perhaps a particularly important book in that its strengths lie in its generation of the potential for renewed discussion and investigation.","PeriodicalId":43942,"journal":{"name":"Ethnomusicology Forum","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2022-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48508057","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

‘Give us a voice!’: voice, envoicement, and the politics of ‘world music’ at WOMAD “给我们一个声音!”: WOMAD的声音、鼓励和“世界音乐”的政治

IF 0.8 1区艺术学

Ethnomusicology Forum Pub Date : 2022-05-04 DOI: 10.1080/17411912.2022.2117226

James Nissen

引用次数: 3

Musical sustainability vis-à-vis intangible cultural heritage: safeguarding and incentives in the Feast of the Virgin of Candelaria, Puno, Perú 相对于非物质文化遗产的音乐可持续性：坎德拉里亚圣母节、普诺圣母节、秘鲁圣母节的保护和激励措施

IF 0.8 1区艺术学

Ethnomusicology Forum Pub Date : 2022-05-04 DOI: 10.1080/17411912.2022.2093764

Rodrigo Chocano

{"title":"Musical sustainability vis-à-vis intangible cultural heritage: safeguarding and incentives in the Feast of the Virgin of Candelaria, Puno, Perú","authors":"Rodrigo Chocano","doi":"10.1080/17411912.2022.2093764","DOIUrl":"https://doi.org/10.1080/17411912.2022.2093764","url":null,"abstract":"ABSTRACT Both comparative assessment of the concept of intangible cultural heritage (ICH) and developments in musical sustainability, to ensure the viability of grassroots musical practices, have been important concerns among applied ethnomusicologists over the last decade. This paper identifies some of the challenges in the dialogue between these two approaches from an implementation perspective via the case study of the nomination process of the Feast of the Virgin of Candelaria of Puno, Perú to the UNESCO Representative List of the Intangible Cultural Heritage of Humanity. The article analyses the incentives for state officers, music practitioners, and other stakeholders in ICH projects to assess their compatibility with musical sustainability frameworks. I argue that the main challenge in aligning these two approaches resides in the conflicting incentive structures both approaches feature. This paper advances current research on musical sustainability, ICH, and applied ethnomusicology by introducing conceptual developments for the analysis of institutional frameworks, partisan agendas, and decision-making processes.","PeriodicalId":43942,"journal":{"name":"Ethnomusicology Forum","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2022-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44008870","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Intercultural creativity in the Nigerian-Igbo art music of Okechukwu Ndubuisi Okechukwu Ndubuisi尼日利亚伊博艺术音乐中的跨文化创造力

IF 0.8 1区艺术学

Ethnomusicology Forum Pub Date : 2022-05-04 DOI: 10.1080/17411912.2022.2117225

Sunday Ofuani

{"title":"Intercultural creativity in the Nigerian-Igbo art music of Okechukwu Ndubuisi","authors":"Sunday Ofuani","doi":"10.1080/17411912.2022.2117225","DOIUrl":"https://doi.org/10.1080/17411912.2022.2117225","url":null,"abstract":"ABSTRACT This article examines the influence of Western art music on the founding of an art music tradition in Nigeria. While the pioneering composers were more Western in approach and style, modern composers’ creative quests for identity and relevance for a local audience have motivated their compositional experiments through intercultural creativity, which Euba [2014. J. H. Kwabena Nketia: Bridging Musicology and Composition. A Study in Creative Musicology. Point Richmond, CA: MRI Press] conceptualised as ‘creative musicology’ or ‘intercultural musicology’. These experiments have resulted in hybrids of Western and indigenous musical features, which in this paper are put in the context of the Igbo ethnic group where Okechukwu Ndubuisi thrived in his art. Indigenous folk music ideals inspired his compositions, which he created with an intercultural approach. This paper has partly emerged from existing studies on Ndubuisi and on intercultural musicology in Africa, and opens new perspectives, for example on pedagogical and performance interculturalism and on Ndubuisi’s creative frameworks, which are omitted both in the literature on him and in other discussions of intercultural and creative musicology in Africa. The study encompasses a sociological argument, theoretical conceptualisation, and musical analysis; it therefore extends the existing scholarship in intercultural and creative musicology.","PeriodicalId":43942,"journal":{"name":"Ethnomusicology Forum","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2022-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43610221","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Sāraṅgī style in Hindustani music Sāraṅgī印度斯坦音乐的风格

IF 0.8 1区艺术学

Ethnomusicology Forum Pub Date : 2022-04-26 DOI: 10.1080/17411912.2022.2062677

Morganna Davies

引用次数: 0

Organonscape, geography, and aural spaces of kemençe in and around Trabzon 特拉布宗及其周边地区的有机景观、地理和听觉空间

IF 0.8 1区艺术学

Ethnomusicology Forum Pub Date : 2022-04-12 DOI: 10.1080/17411912.2022.2058577

Uğur Aslan, Songül Karahasanoğlu

引用次数: 0