Organonscape, geography, and aural spaces of kemençe in and around Trabzon

IF 0.2 1区艺术学 0 MUSIC

Ethnomusicology Forum Pub Date : 2022-04-12 DOI:10.1080/17411912.2022.2058577

Uğur Aslan, Songül Karahasanoğlu

引用次数: 0

Abstract

ABSTRACT The kemençe instrument is a crucial part of daily life in the Eastern Black Sea region’s culture. Besides the performance of the kemençe, other instruments, dances, and the ideological discourses associated with the instrument show us how local people interact with the landscape of the Eastern Black Sea region. This study examines the space of kemençe by considering its complex cultural relations in and around the province of Trabzon. We use the concept of organonscape to analyse the space of the kemençe through considering the geography and spatial features of the instrument. This concept shows that instruments are important determinants of performance and are created to mark a fluid space in relation to landscape. As a result, the organonscape of the kemençe contains musical practices and shapes the ideological construction of landscapes as spaces where the kemençe is performed.

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特拉布宗及其周边地区的有机景观、地理和听觉空间

摘要在东黑海地区的文化中，kemençe乐器是日常生活的重要组成部分。除了kemençe的表演，其他乐器、舞蹈和与该乐器相关的意识形态话语向我们展示了当地人如何与东黑海地区的景观互动。本研究通过考虑其在特拉布宗省及其周边地区复杂的文化关系来考察凯门塞的空间。我们使用有机外壳的概念，通过考虑仪器的地理和空间特征来分析kemençe的空间。这一概念表明，仪器是性能的重要决定因素，其创建是为了标记与景观相关的流动空间。因此，kemençe的管风琴包含了音乐实践，并将景观的意识形态构建塑造为表演kemençe的空间。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Ethnomusicology Forum MUSIC-

CiteScore

1.10

自引率

25.00%

发文量

期刊介绍： Articles often emphasise first-hand, sustained engagement with people as music makers, taking the form of ethnographic writing following one or more periods of fieldwork. Typically, ethnographies aim for a broad assessment of the processes and contexts through and within which music is imagined, discussed and made. Ethnography may be synthesised with a variety of analytical, historical and other methodologies, often entering into dialogue with other disciplinary areas such as music psychology, music education, historical musicology, performance studies, critical theory, dance, folklore and linguistics. The field is therefore characterised by its breadth in theory and method, its interdisciplinary nature and its global perspective.