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Ethnomusicology Forum最新文献

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Pop goes the postcolony: Britain remixes Hugh Tracey’s Malawi 流行音乐走向后殖民时代:英国混音了休·特蕾西的《马拉维》
IF 0.8 1区 艺术学
Ethnomusicology Forum Pub Date : 2022-03-15 DOI: 10.1080/17411912.2022.2047751
Ian R. Copeland
{"title":"Pop goes the postcolony: Britain remixes Hugh Tracey’s Malawi","authors":"Ian R. Copeland","doi":"10.1080/17411912.2022.2047751","DOIUrl":"https://doi.org/10.1080/17411912.2022.2047751","url":null,"abstract":"ABSTRACT This article considers the recent efforts of a Britain-based record label to license and remix field recordings collected in Malawi by Hugh Tracey. In particular, I argue that the initiative’s charitable ends should be weighed against musical production and marketing practices that shortchange Malawi and Malawians. Drawing on fieldwork, interviews, and discourse analysis in Malawi and South Africa, I ask how the project portrays the source materials it utilises and the uptick in cultural awareness it seeks to engender. Factors I focus on include: characterisations of Tracey and his archive, the musical production process, strategic publicity that accompanied the album’s release, and the project’s charitable and musical impacts in contemporary Malawi. Altogether, the article articulates and advocates for a critical approach to musically tinged humanitarian projects in the global South.","PeriodicalId":43942,"journal":{"name":"Ethnomusicology Forum","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2022-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43994991","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Celtic music and dance in Cornwall: cornu-copia 康沃尔的凯尔特音乐和舞蹈:corno -copia
IF 0.8 1区 艺术学
Ethnomusicology Forum Pub Date : 2022-02-11 DOI: 10.1080/17411912.2022.2033631
Nicholas Booker
{"title":"Celtic music and dance in Cornwall: cornu-copia","authors":"Nicholas Booker","doi":"10.1080/17411912.2022.2033631","DOIUrl":"https://doi.org/10.1080/17411912.2022.2033631","url":null,"abstract":"","PeriodicalId":43942,"journal":{"name":"Ethnomusicology Forum","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2022-02-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49047783","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Performing environmentalisms: expressive culture and ecological change 表演环保主义：表现文化与生态变化
IF 0.8 1区 艺术学
Ethnomusicology Forum Pub Date : 2022-02-10 DOI: 10.1080/17411912.2022.2032243
Keith Howard
{"title":"Performing environmentalisms: expressive culture and ecological change","authors":"Keith Howard","doi":"10.1080/17411912.2022.2032243","DOIUrl":"https://doi.org/10.1080/17411912.2022.2032243","url":null,"abstract":"music for hundreds of years, the rise in popularity of non-Indian music genres within mainstream North Indian society, the often rigid conservatism of the sāran gī musicians themselves, coupled with an influx of increasingly popular alternative accompanying instruments for Hindustani classical music such as violin and harmonium (not to mention the considerable difficulties involved in both learning to play and to maintain the instrument), have all conspired to mark the sāran gī as an endangered species. Nevertheless, the sāran gī endures; and Magriel himself notes that his own latest work demonstrates ‘the apparent paradox that the sāran gī is alive and well, albeit in increasing obscurity’ (29). In summary, Sāran gī Style in Hindustani Music will provide compelling reading for ethnomusicologists, South Asia specialists, North Indian classical music enthusiasts and music analysts alike, whilst being an essential volume for any serious student of the sāran gī.","PeriodicalId":43942,"journal":{"name":"Ethnomusicology Forum","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2022-02-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42733061","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Tobar an Dualchais/Kist o Riches 请叫我"双尸
IF 0.8 1区 艺术学
Ethnomusicology Forum Pub Date : 2022-01-28 DOI: 10.1080/17411912.2021.2011367
Rowan Bayliss Hawitt
{"title":"Tobar an Dualchais/Kist o Riches","authors":"Rowan Bayliss Hawitt","doi":"10.1080/17411912.2021.2011367","DOIUrl":"https://doi.org/10.1080/17411912.2021.2011367","url":null,"abstract":"","PeriodicalId":43942,"journal":{"name":"Ethnomusicology Forum","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2022-01-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46934975","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘You are part of the club’: negotiating the field as a musician–ethnomusicologist “你是俱乐部的一员”：作为一名音乐家——民族音乐学家，在这个领域进行谈判
IF 0.8 1区 艺术学
Ethnomusicology Forum Pub Date : 2022-01-02 DOI: 10.1080/17411912.2021.2025120
Cassandre Balosso-Bardin
{"title":"‘You are part of the club’: negotiating the field as a musician–ethnomusicologist","authors":"Cassandre Balosso-Bardin","doi":"10.1080/17411912.2021.2025120","DOIUrl":"https://doi.org/10.1080/17411912.2021.2025120","url":null,"abstract":"ABSTRACT This article explores the position of ethnomusicologists approaching the field with the prior lived experience of being a working/proficient musician, meeting other fellow musicians in all the complexity of each person’s multi-layered background. Within these layers, musical practice and the experience of musicking are central to the relationships created between these individuals. The various case studies put forward in the paper bring to the fore how proficient musician-researchers have used their musical skills to negotiate fieldwork, integrating it as a central part of their process. Musical ability, central to their identity as an individual, becomes an additional layer that has arguably enabled musician-ethnomusicologists to access communities on a level where the latter are able to actively work with them, assigning them roles that can satisfy both parties and lead to what is presented as ‘applied relationships’. The article makes the case that the musician-ethnomusicologist’s creative practice, while not directly leading to REF outputs and therefore remaining an unspoken activity, is intricately entwined with their research activity.","PeriodicalId":43942,"journal":{"name":"Ethnomusicology Forum","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45209040","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Editorial 编辑
IF 0.8 1区 艺术学
Ethnomusicology Forum Pub Date : 2022-01-02 DOI: 10.1080/17411912.2022.2065090
Phil Alexander, Alexander Cannon, Henry Stobart, Frances Wilkins
{"title":"Editorial","authors":"Phil Alexander, Alexander Cannon, Henry Stobart, Frances Wilkins","doi":"10.1080/17411912.2022.2065090","DOIUrl":"https://doi.org/10.1080/17411912.2022.2065090","url":null,"abstract":"","PeriodicalId":43942,"journal":{"name":"Ethnomusicology Forum","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47115254","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Musicians in crisis: working and playing in the Greek popular music industry 危机中的音乐家:在希腊流行音乐行业工作和演奏
IF 0.8 1区 艺术学
Ethnomusicology Forum Pub Date : 2022-01-02 DOI: 10.1080/17411912.2021.2018233
A. Balandina
{"title":"Musicians in crisis: working and playing in the Greek popular music industry","authors":"A. Balandina","doi":"10.1080/17411912.2021.2018233","DOIUrl":"https://doi.org/10.1080/17411912.2021.2018233","url":null,"abstract":"","PeriodicalId":43942,"journal":{"name":"Ethnomusicology Forum","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44999546","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
Mindful playing: a practice research investigation into shakuhachi playing and meditation 正念游戏:对尺八游戏和冥想的实践研究调查
IF 0.8 1区 艺术学
Ethnomusicology Forum Pub Date : 2022-01-02 DOI: 10.1080/17411912.2021.2025121
Kiku Day
{"title":"Mindful playing: a practice research investigation into shakuhachi playing and meditation","authors":"Kiku Day","doi":"10.1080/17411912.2021.2025121","DOIUrl":"https://doi.org/10.1080/17411912.2021.2025121","url":null,"abstract":"ABSTRACT This article describes a practice research project investigating how the practice of meditation may be integrated into the playing of shakuhachi, an instrument utilised during the Edo period (1603–1867) as a tool for spiritual practice by monks of the Fuke sect and later becoming part of the hōgaku (Japanese traditional music) world as a stage instrument. Although we cannot know how the monks were trained to use the shakuhachi in meditation, I have combined my own shakuhachi and meditation experiences, in order to investigate how a shakuhachi player today may approach the incorporation of meditation in their musical practice. In transforming my experience into words, I here employ auto-elicitation, a micro-phenomenological interview technique developed by Claire Petitmengin to describe the subtle and fine-grained experiences of meditation while playing. The project here is regarded as a practice research within the field of ethnomusicology and challenges the narrow kind of scholarship in academia, which overshadows the practice research—the research of the act of playing music.","PeriodicalId":43942,"journal":{"name":"Ethnomusicology Forum","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42553010","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Valuing and evaluating musical practice as research in ethnomusicology and its implications for research assessment 民族音乐学研究中音乐实践的价值与评价及其对研究评估的启示
IF 0.8 1区 艺术学
Ethnomusicology Forum Pub Date : 2022-01-02 DOI: 10.1080/17411912.2022.2059772
Muriel E. Swijghuisen Reigersberg, S. McKerrell, A. Corn
{"title":"Valuing and evaluating musical practice as research in ethnomusicology and its implications for research assessment","authors":"Muriel E. Swijghuisen Reigersberg, S. McKerrell, A. Corn","doi":"10.1080/17411912.2022.2059772","DOIUrl":"https://doi.org/10.1080/17411912.2022.2059772","url":null,"abstract":"ABSTRACT In this article, we argue that ethnomusicology holds valuable epistemic insights for considering how to measure and evaluate research for academics, as well as for research policy and management professionals. We focus on two notable instances of standardised national research assessment frameworks: the UK’s Research Excellence Framework (REF), and Excellence in Research for Australia (ERA) and identify the advantages of practice as research models for music research by considering the benefits of ethnomusicology’s reflexive and relativist methodologies to formal research assessment processes. To support our argument, we refer to published case studies of ethnomusicological research that reach beyond Western practice and thought to highlight the advantages recognising practice as research as a more inclusive modality of original knowledge production. We call upon ethnomusicologists to pro-actively engage with the formal processes of research assessment to make them more equitable and representative of our discipline’s broad commitment to decolonising academic practice.","PeriodicalId":43942,"journal":{"name":"Ethnomusicology Forum","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41288558","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Centring embodied practice in African music studies: creative alternatives 以具体实践为中心的非洲音乐研究：创造性的替代方案
IF 0.8 1区 艺术学
Ethnomusicology Forum Pub Date : 2022-01-02 DOI: 10.1080/17411912.2022.2050274
Kgomotso Moshugi, Evans Netshivhambe, Brett Pyper
{"title":"Centring embodied practice in African music studies: creative alternatives","authors":"Kgomotso Moshugi, Evans Netshivhambe, Brett Pyper","doi":"10.1080/17411912.2022.2050274","DOIUrl":"https://doi.org/10.1080/17411912.2022.2050274","url":null,"abstract":"ABSTRACT The two recent doctoral projects compared in this essay explore the affordances of centring the authors’ respective musical practices against the backdrop of the ongoing quest for African (ethno)musicological approaches. Foregrounding the life-long embodied perspectives of the authors as musicians/dancers, they report on seeking out less canonised disciplinary reference points on which to ground these understandings, and share the approaches found to be conducive (viz., creative systems theory and creative musicology). Despite attending to different practice registers and repertoires (musical arrangements within African hymnody compared with art music composition derived from traditional dance principles), they demonstrate how starting from, and centring, their respective practices has allowed local specificity to bring distinctive, new insights to their research in ways that may be of interest to a wider academic community.","PeriodicalId":43942,"journal":{"name":"Ethnomusicology Forum","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45511390","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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