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A musico-choreographic analysis of a Cuban dance routine: a performance-informed approach 古巴舞蹈套路的音乐编舞分析:一种表演知情的方法
IF 0.8 1区 艺术学
Ethnomusicology Forum Pub Date : 2021-10-18 DOI: 10.1080/17411912.2021.1978305
S. Miller, Guillermo Davis, S. Bowen
{"title":"A musico-choreographic analysis of a Cuban dance routine: a performance-informed approach","authors":"S. Miller, Guillermo Davis, S. Bowen","doi":"10.1080/17411912.2021.1978305","DOIUrl":"https://doi.org/10.1080/17411912.2021.1978305","url":null,"abstract":"ABSTRACT McKerrell, in ‘Towards Practice Research in Ethnomusicology’, advocates for performance to be used as ‘a central methodology’, as a ‘translation of artistic performance aesthetics’ and as a ‘research outcome sited in original performance’ (2019). The translational role for performance is demonstrated in this article through a practice-led investigation into the dynamic relationship between improvised music and dance. The research is based on the analysis of a live performance on Cuban television of ‘Los Problemas de Atilana’ by Orquesta Aragón in the early 1960s, where musical gestures are shown to be embodied in the flute and dance solo ‘duet’ performed by Cuban flautist Richard Egües and dancer Rafael Bacallao, revealing the shared memories of a community bound by common cultural experience. Interdisciplinary in nature, analysis is undertaken by a musician-scholar, a film scholar-practitioner and a professional Cuban dancer-animator in order to unearth details of this embodied repertoire, thus translating and making overt culturally implicit knowledge for those outside of the artistic community of practice, and, in some cases, within it. Through re-performance and re-presentation in the form of a recording and animations, the many meanings embodied in the original performance are examined through analytical text, musical notation, visuals, recordings and animation film.","PeriodicalId":43942,"journal":{"name":"Ethnomusicology Forum","volume":"31 1","pages":"160 - 182"},"PeriodicalIF":0.8,"publicationDate":"2021-10-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41581302","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Towards decolonial pedagogies of world music 走向世界音乐的非殖民化教育学
IF 0.8 1区 艺术学
Ethnomusicology Forum Pub Date : 2021-10-15 DOI: 10.1080/17411912.2021.1985562
J. Roy
{"title":"Towards decolonial pedagogies of world music","authors":"J. Roy","doi":"10.1080/17411912.2021.1985562","DOIUrl":"https://doi.org/10.1080/17411912.2021.1985562","url":null,"abstract":"ABSTRACT Recent scholarship has addressed the roles epistemological colonialism plays in music education. Following several publications on decoloniality in music studies and education, this article discusses how ethnomusicological pedagogies and scholarly practices can engage in unsettling practices of critique and creative action that attend to sites of oppression beyond the reflexes of tokenism, nativism, and other ‘settler moves to innocence’. This article presents some pragmatic directions that come out of the critiques highlighted therein, inspired by pedagogical practices proposed by Chérie Rivers Ndaliko, Marco Cervantes and L.P. Saldaña, and others. This includes a three-module lesson facilitating students through the examination of coloniality in the musical histories of a place, the challenging of coloniality in the practice and consumption of musics today, and the creation of entirely different musical possibilities that re/centre students’ lived experiences, his-/her-/their-stories, and ancestries.","PeriodicalId":43942,"journal":{"name":"Ethnomusicology Forum","volume":"31 1","pages":"50 - 69"},"PeriodicalIF":0.8,"publicationDate":"2021-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43278318","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Hizz Collective: acoustic disruption and claiming space in the Cairo soundscape The Hizz Collective:在开罗的音景中，声音的破坏和占据空间
IF 0.8 1区 艺术学
Ethnomusicology Forum Pub Date : 2021-09-02 DOI: 10.1080/17411912.2021.2008263
Tucker M. Wiedenkeller
{"title":"The Hizz Collective: acoustic disruption and claiming space in the Cairo soundscape","authors":"Tucker M. Wiedenkeller","doi":"10.1080/17411912.2021.2008263","DOIUrl":"https://doi.org/10.1080/17411912.2021.2008263","url":null,"abstract":"ABSTRACT This paper examines Hizz, a collective started in Cairo, Egypt, that acts as record label, venue, gallery and artist residency. Through analysing the music that Hizz produces, its spaces and distribution methods, its organisation as a collective, and its international connections, it argues that Hizz creates new forms of social engagement and defiant politics in Cairo, thereby disrupting engrained aesthetic and social patterns. Hizz reflects a post-revolution creativity, pitted against an authoritarian regime and an elitist neo-liberal dance music scene. The aesthetic of Hizz incorporates ambient, noise and post-punk, Sufi mawlid music, mahraganat, and chaabi, in a way that enacts a conversation between different sonic elements in their surroundings. Such local relevance sees Hizz defying the strict class boundaries that define Egyptian society. This paper combines two years of field work in Cairo following the Hizz collective since their inception in 2017, further interviews, and literature on sound and space.","PeriodicalId":43942,"journal":{"name":"Ethnomusicology Forum","volume":"30 1","pages":"443 - 464"},"PeriodicalIF":0.8,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45415685","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Parading respectability: the cultural and moral aesthetics of the Christmas bands movement in the Western Cape, South Africa 体面的典范：南非西开普省圣诞乐队运动的文化和道德美学
IF 0.8 1区 艺术学
Ethnomusicology Forum Pub Date : 2021-09-02 DOI: 10.1080/17411912.2021.1985563
G. Ramsey
{"title":"Parading respectability: the cultural and moral aesthetics of the Christmas bands movement in the Western Cape, South Africa","authors":"G. Ramsey","doi":"10.1080/17411912.2021.1985563","DOIUrl":"https://doi.org/10.1080/17411912.2021.1985563","url":null,"abstract":"","PeriodicalId":43942,"journal":{"name":"Ethnomusicology Forum","volume":"30 1","pages":"471 - 473"},"PeriodicalIF":0.8,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45775396","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Signs of the spirit: music and the experience of meaning in Ndau ceremonial life 精神的标志:恩道族仪式生活中的音乐和意义体验
IF 0.8 1区 艺术学
Ethnomusicology Forum Pub Date : 2021-09-02 DOI: 10.1080/17411912.2021.1977159
Jennifer Kyker
{"title":"Signs of the spirit: music and the experience of meaning in Ndau ceremonial life","authors":"Jennifer Kyker","doi":"10.1080/17411912.2021.1977159","DOIUrl":"https://doi.org/10.1080/17411912.2021.1977159","url":null,"abstract":"","PeriodicalId":43942,"journal":{"name":"Ethnomusicology Forum","volume":"30 1","pages":"468 - 470"},"PeriodicalIF":0.8,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48493813","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Brithop: the politics of UK rap in the new century 英国嘻哈：新世纪英国说唱政治
IF 0.8 1区 艺术学
Ethnomusicology Forum Pub Date : 2021-09-02 DOI: 10.1080/17411912.2021.1992598
Simon Gall
{"title":"Brithop: the politics of UK rap in the new century","authors":"Simon Gall","doi":"10.1080/17411912.2021.1992598","DOIUrl":"https://doi.org/10.1080/17411912.2021.1992598","url":null,"abstract":"","PeriodicalId":43942,"journal":{"name":"Ethnomusicology Forum","volume":"30 1","pages":"465 - 468"},"PeriodicalIF":0.8,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43027314","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Musical trail-making in Southern Appalachia 阿巴拉契亚南部的音乐创作
IF 0.8 1区 艺术学
Ethnomusicology Forum Pub Date : 2021-09-02 DOI: 10.1080/17411912.2021.2008262
Laura Turner
{"title":"Musical trail-making in Southern Appalachia","authors":"Laura Turner","doi":"10.1080/17411912.2021.2008262","DOIUrl":"https://doi.org/10.1080/17411912.2021.2008262","url":null,"abstract":"ABSTRACT This article examines the making of, and issues of cultural representation and engagement surrounding, two music heritage tourism trails in the Southern Appalachian region – the Blue Ridge Music Trails of North Carolina and Virginia’s The Crooked Road. Drawing upon ethnographic work, I explore how organisers create and map narratives of musical heritage across the trails’ respective terrains, navigating in the process several challenges pertaining to geography, economics, politics, and ethics. Through this analysis, I offer insight into the broader mechanisms of and tensions that suffuse cultural heritage work aimed at public audiences. More generally, I call for deeper critical engagement with the music trail phenomenon – a multi-sited tourism format within which music, heritage, and place intersect in compelling ways.","PeriodicalId":43942,"journal":{"name":"Ethnomusicology Forum","volume":"30 1","pages":"397 - 421"},"PeriodicalIF":0.8,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47059313","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Soundscapes of Uyghur Islam 维吾尔伊斯兰教的音景
IF 0.8 1区 艺术学
Ethnomusicology Forum Pub Date : 2021-09-02 DOI: 10.1080/17411912.2021.1994441
T. Lee
{"title":"Soundscapes of Uyghur Islam","authors":"T. Lee","doi":"10.1080/17411912.2021.1994441","DOIUrl":"https://doi.org/10.1080/17411912.2021.1994441","url":null,"abstract":"","PeriodicalId":43942,"journal":{"name":"Ethnomusicology Forum","volume":"30 1","pages":"474 - 475"},"PeriodicalIF":0.8,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45236187","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Crossing over the Arirang Pass: Zainichi Korean music. 穿越阿里郎山口:在日韩国音乐。
IF 0.8 1区 艺术学
Ethnomusicology Forum Pub Date : 2021-09-02 DOI: 10.1080/17411912.2021.1994440
Keith Howard
{"title":"Crossing over the Arirang Pass: Zainichi Korean music.","authors":"Keith Howard","doi":"10.1080/17411912.2021.1994440","DOIUrl":"https://doi.org/10.1080/17411912.2021.1994440","url":null,"abstract":"","PeriodicalId":43942,"journal":{"name":"Ethnomusicology Forum","volume":"30 1","pages":"475 - 478"},"PeriodicalIF":0.8,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46439643","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Violeta Parra: musical and political legacy of a cantora 维奥莱塔·帕拉:康托拉的音乐和政治遗产
IF 0.8 1区 艺术学
Ethnomusicology Forum Pub Date : 2021-09-02 DOI: 10.1080/17411912.2021.2006075
María B. Batlle Lathrop
{"title":"Violeta Parra: musical and political legacy of a cantora","authors":"María B. Batlle Lathrop","doi":"10.1080/17411912.2021.2006075","DOIUrl":"https://doi.org/10.1080/17411912.2021.2006075","url":null,"abstract":"ABSTRACT This article discusses Violeta Parra’s work as a woman musician analysing how she contributed to challenging long-standing colonial paradigms in Chilean (and Latin American) music. Through a review of the multifaceted concept of cantora, or female singer of the people, as well as the analysis of four cueca songs, this study offers insights on how Parra negotiated the terms of the Chilean urban folkloric scene of her time. Her trajectory as a folklorist allowed her to vindicate an otherwise disparaged popular culture, and as cantautora, or singer-songwriter, she redefined the gender roles of her time becoming a musical and political referent for her peers, thus offering renovated perspectives on both female musicianship and national identity.","PeriodicalId":43942,"journal":{"name":"Ethnomusicology Forum","volume":"30 1","pages":"358 - 378"},"PeriodicalIF":0.8,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43575368","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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