{"title":"‘You are part of the club’: negotiating the field as a musician–ethnomusicologist","authors":"Cassandre Balosso-Bardin","doi":"10.1080/17411912.2021.2025120","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article explores the position of ethnomusicologists approaching the field with the prior lived experience of being a working/proficient musician, meeting other fellow musicians in all the complexity of each person’s multi-layered background. Within these layers, musical practice and the experience of musicking are central to the relationships created between these individuals. The various case studies put forward in the paper bring to the fore how proficient musician-researchers have used their musical skills to negotiate fieldwork, integrating it as a central part of their process. Musical ability, central to their identity as an individual, becomes an additional layer that has arguably enabled musician-ethnomusicologists to access communities on a level where the latter are able to actively work with them, assigning them roles that can satisfy both parties and lead to what is presented as ‘applied relationships’. The article makes the case that the musician-ethnomusicologist’s creative practice, while not directly leading to REF outputs and therefore remaining an unspoken activity, is intricately entwined with their research activity.","PeriodicalId":43942,"journal":{"name":"Ethnomusicology Forum","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ethnomusicology Forum","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17411912.2021.2025120","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 1
Abstract
ABSTRACT This article explores the position of ethnomusicologists approaching the field with the prior lived experience of being a working/proficient musician, meeting other fellow musicians in all the complexity of each person’s multi-layered background. Within these layers, musical practice and the experience of musicking are central to the relationships created between these individuals. The various case studies put forward in the paper bring to the fore how proficient musician-researchers have used their musical skills to negotiate fieldwork, integrating it as a central part of their process. Musical ability, central to their identity as an individual, becomes an additional layer that has arguably enabled musician-ethnomusicologists to access communities on a level where the latter are able to actively work with them, assigning them roles that can satisfy both parties and lead to what is presented as ‘applied relationships’. The article makes the case that the musician-ethnomusicologist’s creative practice, while not directly leading to REF outputs and therefore remaining an unspoken activity, is intricately entwined with their research activity.
期刊介绍:
Articles often emphasise first-hand, sustained engagement with people as music makers, taking the form of ethnographic writing following one or more periods of fieldwork. Typically, ethnographies aim for a broad assessment of the processes and contexts through and within which music is imagined, discussed and made. Ethnography may be synthesised with a variety of analytical, historical and other methodologies, often entering into dialogue with other disciplinary areas such as music psychology, music education, historical musicology, performance studies, critical theory, dance, folklore and linguistics. The field is therefore characterised by its breadth in theory and method, its interdisciplinary nature and its global perspective.