{"title":"流行音乐走向后殖民时代:英国混音了休·特蕾西的《马拉维》","authors":"Ian R. Copeland","doi":"10.1080/17411912.2022.2047751","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article considers the recent efforts of a Britain-based record label to license and remix field recordings collected in Malawi by Hugh Tracey. In particular, I argue that the initiative’s charitable ends should be weighed against musical production and marketing practices that shortchange Malawi and Malawians. Drawing on fieldwork, interviews, and discourse analysis in Malawi and South Africa, I ask how the project portrays the source materials it utilises and the uptick in cultural awareness it seeks to engender. Factors I focus on include: characterisations of Tracey and his archive, the musical production process, strategic publicity that accompanied the album’s release, and the project’s charitable and musical impacts in contemporary Malawi. Altogether, the article articulates and advocates for a critical approach to musically tinged humanitarian projects in the global South.","PeriodicalId":43942,"journal":{"name":"Ethnomusicology Forum","volume":"31 1","pages":"190 - 211"},"PeriodicalIF":0.2000,"publicationDate":"2022-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Pop goes the postcolony: Britain remixes Hugh Tracey’s Malawi\",\"authors\":\"Ian R. Copeland\",\"doi\":\"10.1080/17411912.2022.2047751\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This article considers the recent efforts of a Britain-based record label to license and remix field recordings collected in Malawi by Hugh Tracey. In particular, I argue that the initiative’s charitable ends should be weighed against musical production and marketing practices that shortchange Malawi and Malawians. Drawing on fieldwork, interviews, and discourse analysis in Malawi and South Africa, I ask how the project portrays the source materials it utilises and the uptick in cultural awareness it seeks to engender. Factors I focus on include: characterisations of Tracey and his archive, the musical production process, strategic publicity that accompanied the album’s release, and the project’s charitable and musical impacts in contemporary Malawi. Altogether, the article articulates and advocates for a critical approach to musically tinged humanitarian projects in the global South.\",\"PeriodicalId\":43942,\"journal\":{\"name\":\"Ethnomusicology Forum\",\"volume\":\"31 1\",\"pages\":\"190 - 211\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-03-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Ethnomusicology Forum\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17411912.2022.2047751\",\"RegionNum\":1,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ethnomusicology Forum","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17411912.2022.2047751","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Pop goes the postcolony: Britain remixes Hugh Tracey’s Malawi
ABSTRACT This article considers the recent efforts of a Britain-based record label to license and remix field recordings collected in Malawi by Hugh Tracey. In particular, I argue that the initiative’s charitable ends should be weighed against musical production and marketing practices that shortchange Malawi and Malawians. Drawing on fieldwork, interviews, and discourse analysis in Malawi and South Africa, I ask how the project portrays the source materials it utilises and the uptick in cultural awareness it seeks to engender. Factors I focus on include: characterisations of Tracey and his archive, the musical production process, strategic publicity that accompanied the album’s release, and the project’s charitable and musical impacts in contemporary Malawi. Altogether, the article articulates and advocates for a critical approach to musically tinged humanitarian projects in the global South.
期刊介绍:
Articles often emphasise first-hand, sustained engagement with people as music makers, taking the form of ethnographic writing following one or more periods of fieldwork. Typically, ethnographies aim for a broad assessment of the processes and contexts through and within which music is imagined, discussed and made. Ethnography may be synthesised with a variety of analytical, historical and other methodologies, often entering into dialogue with other disciplinary areas such as music psychology, music education, historical musicology, performance studies, critical theory, dance, folklore and linguistics. The field is therefore characterised by its breadth in theory and method, its interdisciplinary nature and its global perspective.