Ethnomusicology Forum最新文献_第5页

‘Imagined Balkans’ meets ‘imagined Africa’: the contemporary practice of jembe drumming in Serbia “想象中的巴尔干”与“想象中的非洲”相遇:当代塞尔维亚jembe击鼓的实践

IF 0.8 1区艺术学

Ethnomusicology Forum Pub Date : 2022-09-02 DOI: 10.1080/17411912.2022.2152249

Iva Nenić

引用次数: 1

Whose jembe? A drum as a countercultural icon and a symbol of African authenticity in Zagreb 谁的jembe？在萨格勒布，作为反文化偶像和非洲真实性象征的鼓

IF 0.8 1区艺术学

Ethnomusicology Forum Pub Date : 2022-09-02 DOI: 10.1080/17411912.2022.2151027

Linda Cimardi

{"title":"Whose jembe? A drum as a countercultural icon and a symbol of African authenticity in Zagreb","authors":"Linda Cimardi","doi":"10.1080/17411912.2022.2151027","DOIUrl":"https://doi.org/10.1080/17411912.2022.2151027","url":null,"abstract":"ABSTRACT The ubiquity of the jembe in western and northern Europe, as well as in North America, was instigated during the 1970s by influential West African jembe players, later developing within world music, where this drum came to represent the essence of ‘African music’. In Croatia the popularity of the jembe did not arise until the late 1990s, motivated by local Croatian musicians who shaped an African music scene in Zagreb. More than a decade later, the first performers from West Africa—specifically from Senegal—settled in Croatia and claimed a space in the limited scene that had mainly crystallised around the jembe. Albeit within a climate of open collaboration, frictions emerged between these two groups of jembe performers surrounding issues of authenticity and labour. This article focuses on the initial phases and issues at stake in this encounter between Croatian and Senegalese jembe practitioners. Although these tensions resonate with exoticising discourses and notions of appropriation that have often characterised the world music industry, it is argued that generalising interpretations as well as the actors’ subjective readings must be deconstructed in order to grasp the complexities of this encounter and the processes shaping the African music scene in Zagreb.","PeriodicalId":43942,"journal":{"name":"Ethnomusicology Forum","volume":"31 1","pages":"393 - 411"},"PeriodicalIF":0.8,"publicationDate":"2022-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41535839","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Inside the Yiddish Folksong 意第绪民歌内幕

IF 0.8 1区艺术学

Ethnomusicology Forum Pub Date : 2022-09-02 DOI: 10.1080/17411912.2022.2151028

Gabriel A. Zuckerberg

引用次数: 0

Special Issue: African musics in Europe 特刊：欧洲的非洲音乐

IF 0.8 1区艺术学

Ethnomusicology Forum Pub Date : 2022-09-02 DOI: 10.1080/17411912.2022.2152250

Damascus Kafumbe

引用次数: 0

The art of appreciation: music and middlebrow culture in modern Britain 欣赏艺术:现代英国的音乐与中庸文化

IF 0.8 1区艺术学

Ethnomusicology Forum Pub Date : 2022-09-02 DOI: 10.1080/17411912.2022.2117227

Ben Earle

引用次数: 0

Musical resilience strategies for African asylum seekers in Italy: the cultural mediator Bawa Salifu 在意大利的非洲寻求庇护者的音乐恢复策略:文化调解人巴瓦·萨利夫

IF 0.8 1区艺术学

Ethnomusicology Forum Pub Date : 2022-09-02 DOI: 10.1080/17411912.2022.2144402

Fulvia Caruso

{"title":"Musical resilience strategies for African asylum seekers in Italy: the cultural mediator Bawa Salifu","authors":"Fulvia Caruso","doi":"10.1080/17411912.2022.2144402","DOIUrl":"https://doi.org/10.1080/17411912.2022.2144402","url":null,"abstract":"ABSTRACT This article examines music’s contribution to the wellbeing, identity affirmation, and cultural integration of African asylum seekers in Italy, in a context where the Italian majority is often hostile to migrants and denies multiculturalism. As part of a broader long-term action-based project dedicated to improving intercultural understandings, this case study focuses on the life story and initiatives of a single musician: Bawa Salifu. It follows Salifu from his status as an irregular migrant, who travelled to Italy from Ghana, to his role as a cultural mediator for asylum seekers in Italy and as the founder in 2015 of the musical project Oghene Damba: Cremona Boys Musical Theater. The sensitivities surrounding getting to know Salifu well enough to discuss his personal experiences are highlighted; this was only possible after documenting Oghene Damba performances for four years. Other ethnographic interaction strategies are also discussed, including jointly watching and commenting on Oghene Damba recordings and YouTube videos. Despite the limitations imposed on asylum seekers, Salifu’s various musical initiatives and collaborations reveal the potential of music to give meaning to their disorientated lives and to make steps towards acceptance into Italian society.","PeriodicalId":43942,"journal":{"name":"Ethnomusicology Forum","volume":"31 1","pages":"373 - 392"},"PeriodicalIF":0.8,"publicationDate":"2022-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46542223","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Malian music ‘made in France’: postcolonial relationships through world music festivals and ‘transcultural creations’ “法国制造”的马里音乐:通过世界音乐节和“跨文化创作”的后殖民关系

IF 0.8 1区艺术学

Ethnomusicology Forum Pub Date : 2022-09-02 DOI: 10.1080/17411912.2022.2147669

Elina Djebbari

{"title":"Malian music ‘made in France’: postcolonial relationships through world music festivals and ‘transcultural creations’","authors":"Elina Djebbari","doi":"10.1080/17411912.2022.2147669","DOIUrl":"https://doi.org/10.1080/17411912.2022.2147669","url":null,"abstract":"ABSTRACT As a former French colony, Mali's musical landscape contributed in important ways to the formation of the world music scene in France, where many of its most famous musicians have recorded, performed, and sometimes settled, especially from the 1980s onwards. Drawing on this context, the essay offers an overview of the African world music scene in France through some of its main vectors of development, including labels, festivals, and cultural institutions. This is approached through the analysis of programmes from important French world music festivals showcasing Malian musicians, such as Africolor or Musiques Métisses, and by exploring examples of musical collaborations—referred to in France as ‘transcultural musical creations’—which were often implemented within cultural institutions and featured in festivals. Elaborating on how an elitist art culture was created, by stressing certain features of Malian music to the detriment of others, it is argued that these musical productions perform a play with otherness, which, in turn, has enabled western canons to take the guise of praising Malian music genres and instruments. Ultimately, these creative processes—and the discourses that foreground them—shed light on how France articulates and negotiates the postcolonial relationships it sustains with some of its former colonies.","PeriodicalId":43942,"journal":{"name":"Ethnomusicology Forum","volume":"31 1","pages":"412 - 428"},"PeriodicalIF":0.8,"publicationDate":"2022-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44230719","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Music as a Third Space? – African musics as a field of collaboration in Finland 音乐是第三空间?-非洲音乐是芬兰的一个合作领域

IF 0.8 1区艺术学

Ethnomusicology Forum Pub Date : 2022-07-18 DOI: 10.1080/17411912.2022.2095294

Elina Seye

引用次数: 1

Movement of the people: Hungarian folk dance, populism, and citizenship 人民运动:匈牙利民族舞蹈、民粹主义和公民身份

IF 0.8 1区艺术学

Ethnomusicology Forum Pub Date : 2022-07-14 DOI: 10.1080/17411912.2022.2093016

Andrea Conger

引用次数: 0

Turkish Folk music between Ghent and Turkey: context, performance, function 根特和土耳其之间的土耳其民间音乐:背景，表演，功能