{"title":"Music as a Third Space? – African musics as a field of collaboration in Finland","authors":"Elina Seye","doi":"10.1080/17411912.2022.2095294","DOIUrl":null,"url":null,"abstract":"ABSTRACT The history of African musics in Finland has specific characteristics because the African diaspora communities in Finland are relatively young and small. Many African professional musicians living in Finland moved there because of their personal connections with Finns rather than because of broader flows of migration. Despite the minimal numbers of Africans living in Finland, a lively scene of African musics began to develop from the 1980s, and this scene has continued to be characterised by collaborations between Africans and white Finns. This article discusses the early history of African musics in Finland, with a focus on these collaborations that have created cultural spaces where ideas of ‘Africanness’ are central but not strictly tied to Blackness or Otherness, thereby resembling Homi Bhabha’s idea of a postcolonial ‘Third Space’ that opens conventional meanings to negotiation and redefinition.","PeriodicalId":43942,"journal":{"name":"Ethnomusicology Forum","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2022-07-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ethnomusicology Forum","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17411912.2022.2095294","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 1
Abstract
ABSTRACT The history of African musics in Finland has specific characteristics because the African diaspora communities in Finland are relatively young and small. Many African professional musicians living in Finland moved there because of their personal connections with Finns rather than because of broader flows of migration. Despite the minimal numbers of Africans living in Finland, a lively scene of African musics began to develop from the 1980s, and this scene has continued to be characterised by collaborations between Africans and white Finns. This article discusses the early history of African musics in Finland, with a focus on these collaborations that have created cultural spaces where ideas of ‘Africanness’ are central but not strictly tied to Blackness or Otherness, thereby resembling Homi Bhabha’s idea of a postcolonial ‘Third Space’ that opens conventional meanings to negotiation and redefinition.
期刊介绍:
Articles often emphasise first-hand, sustained engagement with people as music makers, taking the form of ethnographic writing following one or more periods of fieldwork. Typically, ethnographies aim for a broad assessment of the processes and contexts through and within which music is imagined, discussed and made. Ethnography may be synthesised with a variety of analytical, historical and other methodologies, often entering into dialogue with other disciplinary areas such as music psychology, music education, historical musicology, performance studies, critical theory, dance, folklore and linguistics. The field is therefore characterised by its breadth in theory and method, its interdisciplinary nature and its global perspective.