{"title":"Roma. 2018. Directed by Alfonso Cuarón, 135 minutes. Mexico: Espectáculos Fílmicos El Coyúl, Pimienta Films; Los Angeles: Participant Media; Sherman Oaks, CA: Esperanto Filmoj (available on Netflix).","authors":"Jacqueline A. Avila","doi":"10.1017/ytm.2020.23","DOIUrl":"https://doi.org/10.1017/ytm.2020.23","url":null,"abstract":"","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":"52 1","pages":"249 - 252"},"PeriodicalIF":0.5,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/ytm.2020.23","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45750121","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Talíře nad Velkým Malíkovem (Flying Saucers Over Our Village / Flying Saucers Over Velký Malikov). 1977. Directed by Jaromil Jireš, 89 minutes. Prague, Czech Republic: Filmové Studio Barrandov.","authors":"M. Beckerman","doi":"10.1017/ytm.2020.26","DOIUrl":"https://doi.org/10.1017/ytm.2020.26","url":null,"abstract":"","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":"52 1","pages":"261 - 270"},"PeriodicalIF":0.5,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/ytm.2020.26","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47608842","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Kartomi, Margaret, ed. Performing the Arts of Indonesia: Malay Identity and Politics in the Music, Dance and Theatre of the Riau","authors":"Made Mantle Hood","doi":"10.1017/ytm.2020.29","DOIUrl":"https://doi.org/10.1017/ytm.2020.29","url":null,"abstract":"","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":"52 1","pages":"209 - 210"},"PeriodicalIF":0.5,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/ytm.2020.29","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48968848","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Marcia Ostashewski, Shaylene Johnson, G. Marshall, Clifford Paul
{"title":"Fostering Reconciliation through Collaborative Research in Unama’ki: Engaging Communities through Indigenous Methodologies and Research-Creation","authors":"Marcia Ostashewski, Shaylene Johnson, G. Marshall, Clifford Paul","doi":"10.1017/ytm.2020.7","DOIUrl":"https://doi.org/10.1017/ytm.2020.7","url":null,"abstract":"Abstract This article documents relationships, strategies, and activities involved in developing and carrying out collaborative community-engaged research for reconciliation, based on Indigenous methodologies and research-creation. It documents an example of Indigenous/non-Indigenous collaboration in Unama’ki (also known as Cape Breton, Canada), providing data towards the refinement of models of research designed to foster reconciliation, and contributing to a literature on Indigenous/non-Indigenous collaborations in ethnomusicology and related fields. While revealing some challenges in the process with respect to addressing local needs, it also describes transformations that can be achieved through effective collaboration, including ways in which universities can be involved.","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":"52 1","pages":"23 - 40"},"PeriodicalIF":0.5,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/ytm.2020.7","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43212538","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Veronica Doubleday and John Baily: Silken Threads. 2019. Sempre/sonustech SETHCD0102. Recorded, engineered, produced, and mastered by Evangelos Himonides. Annotated and produced by Veronica Doubleday and John Baily. 20-page booklet with notes in English. Colour photographs. CD, 10 tracks (59:27).","authors":"M. Slobin","doi":"10.1017/ytm.2020.12","DOIUrl":"https://doi.org/10.1017/ytm.2020.12","url":null,"abstract":"","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":"52 1","pages":"234 - 235"},"PeriodicalIF":0.5,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/ytm.2020.12","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47376452","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Women’s Role in Preserving Lament Songs in the Villages of Gjirokastër, Albania","authors":"Grijda Spiri","doi":"10.1017/ytm.2020.6","DOIUrl":"https://doi.org/10.1017/ytm.2020.6","url":null,"abstract":"Abstract “Vajtim,” mourning, is an expression of women’s grief and cannot be counted in months or years: it is a continued expression of the inner world that for many women can take decades. In this paper, I examine how women have carried and preserved the lament songs of the Southern Albania region from generation to generation. Field research in my hometown, Gjirokastër, reveals how the laments songs are connected from mother to daughter within the families. Using descriptions of lamenting rituals, personal interviews with mourners, and analysis of lyrics and field recordings, I demonstrate how women continue this tradition through generations.","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":"52 1","pages":"147 - 167"},"PeriodicalIF":0.5,"publicationDate":"2020-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/ytm.2020.6","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46071734","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"RomArchive—Digital Archive of the Roma. Directed by Franziska Sauerbrey and Isabell Raade. Music section curated by Petra Gelbert, Carol Silverman, and Siv B. Lie. In English, German, and Romani. URL: www.romarchive.eu.","authors":"Marko Kölbl","doi":"10.1017/ytm.2020.16","DOIUrl":"https://doi.org/10.1017/ytm.2020.16","url":null,"abstract":"","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":"52 1","pages":"276 - 278"},"PeriodicalIF":0.5,"publicationDate":"2020-10-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/ytm.2020.16","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48776885","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Allow Peace to Reign: Musical Genres of Fújì and Islamic Allegorise Nigerian Unity in the Era of Boko Haram","authors":"Debra L. Klein","doi":"10.1017/ytm.2020.5","DOIUrl":"https://doi.org/10.1017/ytm.2020.5","url":null,"abstract":"Abstract A proliferation of popular music genres flourished in post-independence Nigeria: highlife, jùjú, Afrobeat, and fújì. Originating within Yorùbá Muslim communities, the genres of fújì and Islamic are Islamised dance music genres characterised by their Arabic-influenced vocal style, Yorùbá praise poetry, driving percussion, and aesthetics of incorporation, flexibility, and cultural fusion. Based on analysis of interviews and performances in Ìlọrin in the 2010s, this article argues that the genres of fújì and Islamic allegorise Nigerian unity—an ideology of tolerance, peaceful coexistence, and equity—while exposing the gap between the aspiration for unity and everyday inequities shaped by gender and morality.","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":"52 1","pages":"1 - 22"},"PeriodicalIF":0.5,"publicationDate":"2020-10-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/ytm.2020.5","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44826943","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Looking for the Past: History and Change in Traditional Music Studies in Chile (1990–2020)","authors":"Christian Spencer-Espinosa","doi":"10.1017/ytm.2020.3","DOIUrl":"https://doi.org/10.1017/ytm.2020.3","url":null,"abstract":"Abstract This article presents a historical overview of traditional music studies in Chile, pointing out some of the main achievements and problems. It describes the origins of traditional music studies through the establishment of the Chilean Folk Society in 1909 and then offers a periodisation of studies during the twentieth century, followed by a critical review of the preference for facts over processes. Finally, it explores the renaissance of traditional music studies during the last 30 years (1990–2020), analysing 123 dissertations about traditional music and the concepts of “tradition” they employ. It concludes that Chilean folk studies have changed from a scientific to a humanistic approach, using the idea of tradition as a comprehensive concept and the idea of folklore as behaviour or performance.","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":"52 1","pages":"187 - 206"},"PeriodicalIF":0.5,"publicationDate":"2020-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/ytm.2020.3","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45922029","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}