YEARBOOK FOR TRADITIONAL MUSIC最新文献_第9页

Flamenco Trilogy. 1981; 1983; 1986. Directed by Carlos Saura, 4 hours 15 minutes. Spain: Corporación de Radio y Televisión Española, S.A (Spanish Radio and Television Corporation). 弗拉门戈三部曲。1981年；1983年；1986年，卡洛斯·索拉执导，4小时15分钟。西班牙：西班牙广播电视公司（西班牙广播电视集团）。

IF 0.5 2区艺术学

YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2020-11-01 DOI: 10.1017/ytm.2020.24

Estela Ibáñez-García

引用次数: 0

Sekuru’s Stories. Website and digital album co-authored by Tute Chigamba and Jennifer Kyker; all recordings by Kyker unless otherwise indicated. In English and chiShona (Sh.). URL: www.sekuru.org (website); https://pamberiproject.bandcamp.com/album/sekurus-stories (digital album). Sekuru的故事。由Tute Chigamba和Jennifer Kyker共同创作的网站和数字专辑;所有由Kyker录制的录音，除非另有说明。英文和中文(Sh.)。网址:www.sekuru.org(网站);https://pamberiproject.bandcamp.com/album/sekurus-stories(数字专辑)。

IF 0.5 2区艺术学

YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2020-11-01 DOI: 10.1017/ytm.2020.17

Claire Jones

引用次数: 0

Sarah Weiss. Ritual Soundings: Women Performers and World Religions. Urbana, Chicago, and Springfield: University of Illinois Press, 2019. x, 181pp., notes, bibliography, index. ISBN 978-0252042294 (hardcover), 978-0252084089 (paperback), and 978-0252051135 (e-book).

IF 0.5 2区艺术学

YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2020-11-01 DOI: 10.1017/ytm.2020.37

Pi Wu

引用次数: 0

Dream of the Bridal Chamber. 2005. Directed by Guo Baochang, 88 minutes. China: Digital Cinema Package (DCP). 《洞房之梦》2005。郭宝昌导演，88分钟。中国:数字电影包(DCP)。

IF 0.5 2区艺术学

YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2020-11-01 DOI: 10.1017/ytm.2020.25

Ling Zhang

引用次数: 0

Barley Norton, and Naomi Matsumoto, eds. Music as Heritage: Historical and Ethnographic Perspectives. London: Routledge, 2019. xiv, 320pp., list of figures, bibliography, index. ISBN 978-1138228047 (hardcover) and ISBN 978-1315393865 (e-book). Barley Norton和Naomi Matsumoto主编，《作为遗产的音乐：历史和民族志视角》。伦敦：劳特利奇，2019。xiv，320页。数字列表、参考书目、索引。ISBN 978-1138228047（精装本）和ISBN 978-1315393865（电子书）。

IF 0.5 2区艺术学

YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2020-11-01 DOI: 10.1017/ytm.2020.31

Helen Rees

引用次数: 0

Drumming and Dancing in Mahābhārata Performances of the Himalayas: Possession as Transitional States Mahābhārata喜马拉雅山表演中的击鼓与舞蹈:作为过渡状态的占有

IF 0.5 2区艺术学

YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2020-11-01 DOI: 10.1017/ytm.2020.4

Andrew Alter

引用次数: 0

Naniwa-bushi in Hawai‘i: The Rise and Fall of a Japanese Narrative Art in Diaspora 夏威夷的Naniwa-bushi:散居的日本叙事艺术的兴衰

IF 0.5 2区艺术学

YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2020-11-01 DOI: 10.1017/ytm.2020.27

Minako Waseda

{"title":"Naniwa-bushi in Hawai‘i: The Rise and Fall of a Japanese Narrative Art in Diaspora","authors":"Minako Waseda","doi":"10.1017/ytm.2020.27","DOIUrl":"https://doi.org/10.1017/ytm.2020.27","url":null,"abstract":"Abstract 浪花節は19世紀末から20世紀半ばに大衆的な人気を誇った日本の音楽的な語りのジャンルである。日本人労働移民によってハワイにもたらされ、後には日本の浪曲師がハワイ巡業を行うようになり、ハワイの日系社会でも人気を確立した。本論はハワイにおける浪花節の盛衰をたどり、移植された音楽ジャンルが日本と日系ディアスポラの文化的架け橋として機能し、いかにハワイ日系人のアイデンティティの支えとなっていたか、また国境を超えた人々と文化の往来を促していたかを明らかにする。また戦争という不可抗力によって、いかに音楽文化の運命が翻弄されうるかを描き出す。 Naniwa-bushi is a genre of Japanese musical storytelling which enjoyed its greatest popularity from the late nineteenth to the mid-twentieth century. Brought to Hawai‘i by Japanese immigrants and later by itinerant Japanese performers, it soon found popularity in the diaspora community. This paper traces the rise and fall of naniwa-bushi in Hawai‘i and demonstrates how a transplanted musical genre functioned as a cultural bridge between Japan and its diaspora, helping immigrants sustain their identity and motivating trans-border flows of performers and culture. It also highlights the powerful impact of war that changed the destiny of a musical culture.","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/ytm.2020.27","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43650145","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Forging Aztecness: Twentieth-Century Mexican Musical Nationalism in Twenty-First Century Los Angeles 锻造阿兹特克性:二十一世纪洛杉矶的二十世纪墨西哥音乐民族主义

IF 0.5 2区艺术学

YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2020-11-01 DOI: 10.1017/ytm.2020.18

Kristina F. Nielsen

{"title":"Forging Aztecness: Twentieth-Century Mexican Musical Nationalism in Twenty-First Century Los Angeles","authors":"Kristina F. Nielsen","doi":"10.1017/ytm.2020.18","DOIUrl":"https://doi.org/10.1017/ytm.2020.18","url":null,"abstract":"Abstract (Spanish/English) Forjando el Aztecanismo: Nacionalismo Musical Mexicano del Siglo XX en el siglo XXI en Los Ángeles Hoy en día, un creciente número de músicos mexico-americanos en los Estados Unidos tocan instrumentos indígenas mesoamericanos y réplicas arqueológicas, lo que se conoce como “Música Azteca.” En este artículo, doy a conocer cómo los músicos contemporáneos de Los Ángeles, California, recurren a los legados de la investigación musical nacionalista mexicana e integran modelos antropológicos y arqueológicos aplicados. Al combinar el trabajo de campo etnográfico con el análisis histórico, sugiero que los marcos musicales y culturales que alguna vez sirvieron para unir al México pos-revolucionario han adquirido una nuevo significado para contrarrestar la desaparición del legado indígena mexicano en los Estados Unidos. Today a growing number of Mexican-American musicians in the United States perform on Indigenous Mesoamerican instruments and archaeological replicas in what is widely referred to as “Aztec music.” In this article, I explore how contemporary musicians in Los Angeles, California, draw on legacies of Mexican nationalist music research and integrate applied anthropological and archeological models. Pairing ethnographic fieldwork with historical analysis, I suggest that musical and cultural frameworks that once served to unite post-revolutionary Mexico have gained new significance in countering Mexican Indigenous erasure in the United States.","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/ytm.2020.18","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41404733","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

Roma. 2018. Directed by Alfonso Cuarón, 135 minutes. Mexico: Espectáculos Fílmicos El Coyúl, Pimienta Films; Los Angeles: Participant Media; Sherman Oaks, CA: Esperanto Filmoj (available on Netflix). 罗马。2018年。由阿方索·卡隆执导，135分钟。墨西哥：El Coyul电影表演，Pipeta Films；洛杉矶：参与者媒体；加州谢尔曼橡树：世界语Filmoj（可在Netflix上获得）。

IF 0.5 2区艺术学

YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2020-11-01 DOI: 10.1017/ytm.2020.23

Jacqueline A. Avila

引用次数: 3

Guest Editors’ Preface 客座编辑前言

IF 0.5 2区艺术学

YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2020-11-01 DOI: 10.1017/ytm.2020.39

K. Howard, T. S. Beng

{"title":"Guest Editors’ Preface","authors":"K. Howard, T. S. Beng","doi":"10.1017/ytm.2020.39","DOIUrl":"https://doi.org/10.1017/ytm.2020.39","url":null,"abstract":"This special issue of Bird Conservation International represents a sample of contributions made during the International Symposium on Galliformes held in Peninsular Malaysia during 7-21 September 1997. The World Pheasant Association (WPA) and the Department of Wildlife and National Parks, Peninsular Malaysia, jointly organized this meeting in collaboration with two Specialist Groups: those responsible for the conservation and sustainable use of pheasants, and of partridges, quails and francolins (PQF). This was the second meeting involving the PQF Specialist Group (founded in 1991), and the seventh one for pheasant specialists, although the first since the founding of the Pheasant Specialist Group in 1993. The symposium started with three days of presentations and poster sessions at the comfortable and wellequipped Melaka Paradise Resort. Virtually all those attending then moved to the Kuala Tehan Resort inside Taman Negara National Park for a further three days. Here, in more rustic but nevertheless comfortable conditions, several informal workshops were held, whilst everyone had an opportunity to explore the surrounding tropical jungle on foot, by boat or via the magnificent canopy walkway. If nothing else this convinced most people how difficult it is to study Galliformes species, or indeed any other animals, in such an oppressive climate with so much vegetation and so little light! Following this phase of the meeting, a limited number of young Asian field workers were taken by Philip McGowan and John Carroll to the Wildlife Department's field research base at Kuala Lompat in Krau Game Reserve, where their individual research goals and problems, and field and data analysis techniques, were discussed by the group at great length.","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/ytm.2020.39","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49628073","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0