让和平统治:音乐流派Fújì和伊斯兰寓言尼日利亚统一在博科圣地时代

IF 0.7 2区 艺术学 0 MUSIC
Debra L. Klein
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引用次数: 1

摘要

摘要独立后的尼日利亚流行音乐流派激增:highlife、jújú、Afrobeat和fújì。fújì和伊斯兰舞曲起源于约鲁巴穆斯林社区,是伊斯兰化的舞曲流派,其特点是受阿拉伯影响的声乐风格、约鲁巴赞美诗歌、驱动打击乐以及融合、灵活和文化融合的美学。基于对采访和表演的分析ọrin在2010年代的文章中认为,fújì和伊斯兰寓言的流派将尼日利亚的团结——一种宽容、和平共处和公平的意识形态——同时暴露了对团结的渴望与性别和道德塑造的日常不平等之间的差距。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Allow Peace to Reign: Musical Genres of Fújì and Islamic Allegorise Nigerian Unity in the Era of Boko Haram
Abstract A proliferation of popular music genres flourished in post-independence Nigeria: highlife, jùjú, Afrobeat, and fújì. Originating within Yorùbá Muslim communities, the genres of fújì and Islamic are Islamised dance music genres characterised by their Arabic-influenced vocal style, Yorùbá praise poetry, driving percussion, and aesthetics of incorporation, flexibility, and cultural fusion. Based on analysis of interviews and performances in Ìlọrin in the 2010s, this article argues that the genres of fújì and Islamic allegorise Nigerian unity—an ideology of tolerance, peaceful coexistence, and equity—while exposing the gap between the aspiration for unity and everyday inequities shaped by gender and morality.
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CiteScore
0.90
自引率
20.00%
发文量
15
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