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YEARBOOK FOR TRADITIONAL MUSIC最新文献

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Juni L. Yeung Standards of the Guqin: An English Language Introduction to the Chinese Seven-Stringed Zither. Fourth edition. Toronto: Toronto Guqin Society, 2018. Iv, 197pp. Photos, illustrations, tables, music scores, bibliography. ISBN 978-0-9866225-0-2. Juni L. Yeung 古琴的标准：中国七弦琴英语入门》。第四版。多伦多：多伦多古琴学会，2018年。四开，197 页。照片、插图、表格、乐谱、参考书目。ISBN978-0-9866225-0-2。
IF 0.5 2区 艺术学
YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2024-03-06 DOI: 10.1017/ytm.2024.6
Chun Yan Tse
{"title":"Juni L. Yeung Standards of the Guqin: An English Language Introduction to the Chinese Seven-Stringed Zither. Fourth edition. Toronto: Toronto Guqin Society, 2018. Iv, 197pp. Photos, illustrations, tables, music scores, bibliography. ISBN 978-0-9866225-0-2.","authors":"Chun Yan Tse","doi":"10.1017/ytm.2024.6","DOIUrl":"https://doi.org/10.1017/ytm.2024.6","url":null,"abstract":"","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2024-03-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140261360","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Veit Erlmann. Lion’s Share: Remaking South African Copyright. Durham, NC, and London: Duke University Press, 2022. xii, 386 pp., appendix, notes, bibliography, index. ISBN 9781478016328 (hardcover) and ISBN 9781478023593 (e-book). 维特-埃尔曼狮子的份额：重塑南非版权》。北卡罗来纳州达勒姆和伦敦：杜克大学出版社，2022 年。xii, 386 pp.，附录，注释，参考书目，索引。ISBN 9781478016328（精装）和 ISBN 9781478023593（电子书）。
IF 0.5 2区 艺术学
YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2024-02-23 DOI: 10.1017/ytm.2023.20
Cara Stacey
{"title":"Veit Erlmann. Lion’s Share: Remaking South African Copyright. Durham, NC, and London: Duke University Press, 2022. xii, 386 pp., appendix, notes, bibliography, index. ISBN 9781478016328 (hardcover) and ISBN 9781478023593 (e-book).","authors":"Cara Stacey","doi":"10.1017/ytm.2023.20","DOIUrl":"https://doi.org/10.1017/ytm.2023.20","url":null,"abstract":"","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2024-02-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139957439","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Between War, Politics, and “Something Nice Back Home”: Uncovering the First Mozambican Experiences within the “World Music” Market (1987–1994) 在战争、政治和 "家乡的美好事物 "之间：揭示莫桑比克在 "世界音乐 "市场中的最初经历（1987-1994 年）
IF 0.5 2区 艺术学
YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2024-02-19 DOI: 10.1017/ytm.2023.23
Marco Roque DE Freitas
{"title":"Between War, Politics, and “Something Nice Back Home”: Uncovering the First Mozambican Experiences within the “World Music” Market (1987–1994)","authors":"Marco Roque DE Freitas","doi":"10.1017/ytm.2023.23","DOIUrl":"https://doi.org/10.1017/ytm.2023.23","url":null,"abstract":"\u0000 This article analyzes the internationalization of Mozambican music within the “World Music” market during the country’s transitional period from a single-party socialist-led system to a multiparty, liberal one (1987–1994) in relation to the country’s nation-building process. The comparative examination of three cases—Orchestra Marrabenta Star de Moçambique, the song “Baila Maria” by Grupo RM (Amoya), and Real World Records’ albums by Eyuphuro and Ghorwane—shows that the “World Music” market not only served as an escape valve from the country’s lethargic phonographic industry but also emerged as a privileged channel to promote Mozambique’s official musical policy abroad during a crucial civil war-torn period.","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2024-02-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140450810","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Mariachi Musicians and Collective Grief during the COVID Pandemic in Southern California 南加州 COVID 大流行期间的玛利亚奇音乐家和集体悲伤
IF 0.5 2区 艺术学
YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2024-02-15 DOI: 10.1017/ytm.2023.25
Jessie M. Vallejo
{"title":"Mariachi Musicians and Collective Grief during the COVID Pandemic in Southern California","authors":"Jessie M. Vallejo","doi":"10.1017/ytm.2023.25","DOIUrl":"https://doi.org/10.1017/ytm.2023.25","url":null,"abstract":"\u0000 During winter 2020–2021, Los Angeles County suffered a brutal third wave of the COVID-19 pandemic. Latinxs, who account for 49 percent of the local population, were disproportionately devastated by high numbers of COVID-19-positive cases and alarming increases in mortality rates. Despite the popular perception that all musicians were silenced during the pandemic, I draw from my personal experience as a mariachi and those of my musical colleagues to document the impact of systemic marginalisation on the lives of mariachi musicians and how we responded to the pandemic by supporting each other and our community through performances.","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2024-02-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139774621","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mariachi Musicians and Collective Grief during the COVID Pandemic in Southern California 南加州 COVID 大流行期间的玛利亚奇音乐家和集体悲伤
IF 0.5 2区 艺术学
YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2024-02-15 DOI: 10.1017/ytm.2023.25
Jessie M. Vallejo
{"title":"Mariachi Musicians and Collective Grief during the COVID Pandemic in Southern California","authors":"Jessie M. Vallejo","doi":"10.1017/ytm.2023.25","DOIUrl":"https://doi.org/10.1017/ytm.2023.25","url":null,"abstract":"\u0000 During winter 2020–2021, Los Angeles County suffered a brutal third wave of the COVID-19 pandemic. Latinxs, who account for 49 percent of the local population, were disproportionately devastated by high numbers of COVID-19-positive cases and alarming increases in mortality rates. Despite the popular perception that all musicians were silenced during the pandemic, I draw from my personal experience as a mariachi and those of my musical colleagues to document the impact of systemic marginalisation on the lives of mariachi musicians and how we responded to the pandemic by supporting each other and our community through performances.","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2024-02-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139834369","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A History of Chinese Musical Instrument Education in Toronto 多伦多华人乐器教育史
IF 0.5 2区 艺术学
YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2024-02-12 DOI: 10.1017/ytm.2023.18
Yao Cui
{"title":"A History of Chinese Musical Instrument Education in Toronto","authors":"Yao Cui","doi":"10.1017/ytm.2023.18","DOIUrl":"https://doi.org/10.1017/ytm.2023.18","url":null,"abstract":"\u0000 Whereas students in China can take Chinese instrument training in a variety of settings, Canada has no systematized structure of Chinese music education. Indeed, little scholarly attention has been paid to the development of Chinese instrumental music education in the Chinese diaspora within North America. Based on extensive fieldwork in Toronto, I address the following questions in this article: How do Chinese immigrants pass down their music? How and where do students take Chinese instrument training? How have the methods of transmission evolved? And how do Chinese instrument pedagogical techniques bridge Chinese and Canadian contexts?","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2024-02-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139783697","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A History of Chinese Musical Instrument Education in Toronto 多伦多华人乐器教育史
IF 0.5 2区 艺术学
YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2024-02-12 DOI: 10.1017/ytm.2023.18
Yao Cui
{"title":"A History of Chinese Musical Instrument Education in Toronto","authors":"Yao Cui","doi":"10.1017/ytm.2023.18","DOIUrl":"https://doi.org/10.1017/ytm.2023.18","url":null,"abstract":"\u0000 Whereas students in China can take Chinese instrument training in a variety of settings, Canada has no systematized structure of Chinese music education. Indeed, little scholarly attention has been paid to the development of Chinese instrumental music education in the Chinese diaspora within North America. Based on extensive fieldwork in Toronto, I address the following questions in this article: How do Chinese immigrants pass down their music? How and where do students take Chinese instrument training? How have the methods of transmission evolved? And how do Chinese instrument pedagogical techniques bridge Chinese and Canadian contexts?","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2024-02-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139843653","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Entre guerra, política e “uma visão positiva lá de casa”: Descortinando as primeiras experiências moçambicanas na senda da “World Music” (1987-1994) 在战争、政治和 "家乡的积极愿景 "之间：揭开莫桑比克最初的 "世界音乐 "经历（1987-1994 年）
IF 0.5 2区 艺术学
YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2024-02-05 DOI: 10.1017/ytm.2024.2
Marco ROQUE DE FREITAS
{"title":"Entre guerra, política e “uma visão positiva lá de casa”: Descortinando as primeiras experiências moçambicanas na senda da “World Music” (1987-1994)","authors":"Marco ROQUE DE FREITAS","doi":"10.1017/ytm.2024.2","DOIUrl":"https://doi.org/10.1017/ytm.2024.2","url":null,"abstract":"\u0000 Este artigo analisa a internacionalização de música moçambicana no âmbito da categoria de mercado “World Music”, durante o período de transição de um sistema de partido único e socialista, para um sistema multipartidário e liberal (1987-1994), enquadrado no processo de “construção da nação”. A análise comparativa de três casos – Orquestra Marrabenta Star de Moçambique, a canção “Baila Maria” do Grupo RM (Amoya), e os discos de Eyuphuro e Ghorwane (Real World Records) – confirma o recurso à World Music enquanto alternativa à letargia da indústria fonográfica do país e como veículo para promover internacionalmente a política musical de Moçambique durante a guerra civil.","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2024-02-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139805837","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Entre guerra, política e “uma visão positiva lá de casa”: Descortinando as primeiras experiências moçambicanas na senda da “World Music” (1987-1994) 在战争、政治和 "家乡的积极愿景 "之间：揭开莫桑比克最初的 "世界音乐 "经历（1987-1994 年）
IF 0.5 2区 艺术学
YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2024-02-05 DOI: 10.1017/ytm.2024.2
Marco ROQUE DE FREITAS
{"title":"Entre guerra, política e “uma visão positiva lá de casa”: Descortinando as primeiras experiências moçambicanas na senda da “World Music” (1987-1994)","authors":"Marco ROQUE DE FREITAS","doi":"10.1017/ytm.2024.2","DOIUrl":"https://doi.org/10.1017/ytm.2024.2","url":null,"abstract":"\u0000 Este artigo analisa a internacionalização de música moçambicana no âmbito da categoria de mercado “World Music”, durante o período de transição de um sistema de partido único e socialista, para um sistema multipartidário e liberal (1987-1994), enquadrado no processo de “construção da nação”. A análise comparativa de três casos – Orquestra Marrabenta Star de Moçambique, a canção “Baila Maria” do Grupo RM (Amoya), e os discos de Eyuphuro e Ghorwane (Real World Records) – confirma o recurso à World Music enquanto alternativa à letargia da indústria fonográfica do país e como veículo para promover internacionalmente a política musical de Moçambique durante a guerra civil.","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2024-02-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139865737","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Gangbe in Badagry, Nigeria: Ogu Women’s Performance Practice, Social Status, and Creative Agency 尼日利亚巴达格里的 Gangbe：奥古妇女的表演实践、社会地位和创作机构
IF 0.5 2区 艺术学
YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2024-01-29 DOI: 10.1017/ytm.2023.17
J. Kunnuji
{"title":"Gangbe in Badagry, Nigeria: Ogu Women’s Performance Practice, Social Status, and Creative Agency","authors":"J. Kunnuji","doi":"10.1017/ytm.2023.17","DOIUrl":"https://doi.org/10.1017/ytm.2023.17","url":null,"abstract":"\u0000 Before colonialism, Gbe women enjoyed a social status on par with men. However, there has been a shift in the postcolonial social structure of Gbe societies. Modern capitalism, which accompanied colonial structures, privileged men, eroding many woman-empowering practices. This article examines Ogu women’s marginality through an ethnographic study of gangbe (a musical genre exclusive to married Ogu women). I argue that the sources of Ogu women’s marginality are interlocking, involving oppression stemming from colonial structures and the values of contiguous Yorùbá people. I propose a collaborative intervention that upends typical power structures that privilege Western and Yorùbá ideation over Indigenous Ogu knowledge, values, and practices.","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2024-01-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140489988","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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