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YEARBOOK FOR TRADITIONAL MUSIC最新文献

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Between Faqīr and Fankār? Sounding Complex Subjectivities through Shah Jo Rāg in Sindh, Pakistan 在faqr和Fankār之间?通过巴基斯坦信德省的Shah Jo Rāg来探测复杂的主体性
IF 0.5 2区 艺术学
YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2020-11-01 DOI: 10.1017/ytm.2020.19
PEI-LING Huang
{"title":"Between Faqīr and Fankār? Sounding Complex Subjectivities through Shah Jo Rāg in Sindh, Pakistan","authors":"PEI-LING Huang","doi":"10.1017/ytm.2020.19","DOIUrl":"https://doi.org/10.1017/ytm.2020.19","url":null,"abstract":"Abstract Rāgī faqīrs are devotees who perform Shah Jo Rāg, a musical tradition for singing Sufi poetry at the shrine of poet-mystic Shāh ‘Abdul Latīf Bhiṭṭāī (1689–1752) in Sindh, Pakistan. Focusing on the life experiences of my teacher Manthār Faqīr, I historicise various subject positions that contemporary rāgī faqīrs refer to as faqīr (devotee), fankār (performing artist), kārīgar (skilled artisan), and artist. Through Manthār Faqīr’s performances, I analyse sonic manifestations of his complex subjectivities that at times shift, at times coexist, to demonstrate how he deploys sounded strategies emerging from different subject positions to balance devotion, artistry, legitimacy, and livelihood.","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/ytm.2020.19","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47361595","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Fostering Reconciliation through Collaborative Research in Unama’ki: Engaging Communities through Indigenous Methodologies and Research-Creation 通过在Unama 'ki的合作研究促进和解:通过土著方法和研究创造参与社区
IF 0.5 2区 艺术学
YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2020-11-01 DOI: 10.1017/ytm.2020.7
Marcia Ostashewski, Shaylene Johnson, G. Marshall, Clifford Paul
{"title":"Fostering Reconciliation through Collaborative Research in Unama’ki: Engaging Communities through Indigenous Methodologies and Research-Creation","authors":"Marcia Ostashewski, Shaylene Johnson, G. Marshall, Clifford Paul","doi":"10.1017/ytm.2020.7","DOIUrl":"https://doi.org/10.1017/ytm.2020.7","url":null,"abstract":"Abstract This article documents relationships, strategies, and activities involved in developing and carrying out collaborative community-engaged research for reconciliation, based on Indigenous methodologies and research-creation. It documents an example of Indigenous/non-Indigenous collaboration in Unama’ki (also known as Cape Breton, Canada), providing data towards the refinement of models of research designed to foster reconciliation, and contributing to a literature on Indigenous/non-Indigenous collaborations in ethnomusicology and related fields. While revealing some challenges in the process with respect to addressing local needs, it also describes transformations that can be achieved through effective collaboration, including ways in which universities can be involved.","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/ytm.2020.7","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43212538","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
Kartomi, Margaret, ed. Performing the Arts of Indonesia: Malay Identity and Politics in the Music, Dance and Theatre of the Riau Kartomi, Margaret，编，《印度尼西亚的表演艺术:廖内省音乐、舞蹈和戏剧中的马来身份和政治》
IF 0.5 2区 艺术学
YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2020-11-01 DOI: 10.1017/ytm.2020.29
Made Mantle Hood
{"title":"Kartomi, Margaret, ed. Performing the Arts of Indonesia: Malay Identity and Politics in the Music, Dance and Theatre of the Riau","authors":"Made Mantle Hood","doi":"10.1017/ytm.2020.29","DOIUrl":"https://doi.org/10.1017/ytm.2020.29","url":null,"abstract":"","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/ytm.2020.29","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48968848","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Talíře nad Velkým Malíkovem (Flying Saucers Over Our Village / Flying Saucers Over Velký Malikov). 1977. Directed by Jaromil Jireš, 89 minutes. Prague, Czech Republic: Filmové Studio Barrandov. 飞越我们的村庄和飞越VelkýMalikov的飞碟。1977年，由Jaromil Jireš执导，89分钟。捷克共和国布拉格：FilmovéStudio Barrandov。
IF 0.5 2区 艺术学
YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2020-11-01 DOI: 10.1017/ytm.2020.26
M. Beckerman
{"title":"Talíře nad Velkým Malíkovem (Flying Saucers Over Our Village / Flying Saucers Over Velký Malikov). 1977. Directed by Jaromil Jireš, 89 minutes. Prague, Czech Republic: Filmové Studio Barrandov.","authors":"M. Beckerman","doi":"10.1017/ytm.2020.26","DOIUrl":"https://doi.org/10.1017/ytm.2020.26","url":null,"abstract":"","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/ytm.2020.26","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47608842","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Veronica Doubleday and John Baily: Silken Threads. 2019. Sempre/sonustech SETHCD0102. Recorded, engineered, produced, and mastered by Evangelos Himonides. Annotated and produced by Veronica Doubleday and John Baily. 20-page booklet with notes in English. Colour photographs. CD, 10 tracks (59:27). 维罗妮卡·道布尔戴和约翰·贝利:《丝线》2019年出版。自始至终/ sonustech SETHCD0102。记录，工程，制作，并掌握了Evangelos Himonides。由维罗妮卡·道布尔戴和约翰·贝利注释和制作。20页的小册子，附有英语注释。彩色照片。CD, 10首曲目(59:27)。
IF 0.5 2区 艺术学
YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2020-11-01 DOI: 10.1017/ytm.2020.12
M. Slobin
{"title":"Veronica Doubleday and John Baily: Silken Threads. 2019. Sempre/sonustech SETHCD0102. Recorded, engineered, produced, and mastered by Evangelos Himonides. Annotated and produced by Veronica Doubleday and John Baily. 20-page booklet with notes in English. Colour photographs. CD, 10 tracks (59:27).","authors":"M. Slobin","doi":"10.1017/ytm.2020.12","DOIUrl":"https://doi.org/10.1017/ytm.2020.12","url":null,"abstract":"","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/ytm.2020.12","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47376452","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
General Editor's Preface 总编序言
IF 0.5 2区 艺术学
YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2020-10-31 DOI: 10.1017/9781108884204.001
S. Wild
{"title":"General Editor's Preface","authors":"S. Wild","doi":"10.1017/9781108884204.001","DOIUrl":"https://doi.org/10.1017/9781108884204.001","url":null,"abstract":"","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2020-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/9781108884204.001","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44567328","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Women’s Role in Preserving Lament Songs in the Villages of Gjirokastër, Albania 阿尔巴尼亚Gjirokastër村庄中妇女在保存悲歌中的作用
IF 0.5 2区 艺术学
YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2020-10-30 DOI: 10.1017/ytm.2020.6
Grijda Spiri
{"title":"Women’s Role in Preserving Lament Songs in the Villages of Gjirokastër, Albania","authors":"Grijda Spiri","doi":"10.1017/ytm.2020.6","DOIUrl":"https://doi.org/10.1017/ytm.2020.6","url":null,"abstract":"Abstract “Vajtim,” mourning, is an expression of women’s grief and cannot be counted in months or years: it is a continued expression of the inner world that for many women can take decades. In this paper, I examine how women have carried and preserved the lament songs of the Southern Albania region from generation to generation. Field research in my hometown, Gjirokastër, reveals how the laments songs are connected from mother to daughter within the families. Using descriptions of lamenting rituals, personal interviews with mourners, and analysis of lyrics and field recordings, I demonstrate how women continue this tradition through generations.","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2020-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/ytm.2020.6","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46071734","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
RomArchive—Digital Archive of the Roma. Directed by Franziska Sauerbrey and Isabell Raade. Music section curated by Petra Gelbert, Carol Silverman, and Siv B. Lie. In English, German, and Romani. URL: www.romarchive.eu. 罗姆人数字档案。导演:Franziska Sauerbrey和Isabell Raade。音乐部分由佩特拉·盖尔伯特，卡罗尔·西尔弗曼和西弗·b·利策划。英语，德语和罗马尼亚语。URL: www.romarchive.eu。
IF 0.5 2区 艺术学
YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2020-10-16 DOI: 10.1017/ytm.2020.16
Marko Kölbl
{"title":"RomArchive—Digital Archive of the Roma. Directed by Franziska Sauerbrey and Isabell Raade. Music section curated by Petra Gelbert, Carol Silverman, and Siv B. Lie. In English, German, and Romani. URL: www.romarchive.eu.","authors":"Marko Kölbl","doi":"10.1017/ytm.2020.16","DOIUrl":"https://doi.org/10.1017/ytm.2020.16","url":null,"abstract":"","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2020-10-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/ytm.2020.16","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48776885","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Allow Peace to Reign: Musical Genres of Fújì and Islamic Allegorise Nigerian Unity in the Era of Boko Haram 让和平统治:音乐流派Fújì和伊斯兰寓言尼日利亚统一在博科圣地时代
IF 0.5 2区 艺术学
YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2020-10-12 DOI: 10.1017/ytm.2020.5
Debra L. Klein
{"title":"Allow Peace to Reign: Musical Genres of Fújì and Islamic Allegorise Nigerian Unity in the Era of Boko Haram","authors":"Debra L. Klein","doi":"10.1017/ytm.2020.5","DOIUrl":"https://doi.org/10.1017/ytm.2020.5","url":null,"abstract":"Abstract A proliferation of popular music genres flourished in post-independence Nigeria: highlife, jùjú, Afrobeat, and fújì. Originating within Yorùbá Muslim communities, the genres of fújì and Islamic are Islamised dance music genres characterised by their Arabic-influenced vocal style, Yorùbá praise poetry, driving percussion, and aesthetics of incorporation, flexibility, and cultural fusion. Based on analysis of interviews and performances in Ìlọrin in the 2010s, this article argues that the genres of fújì and Islamic allegorise Nigerian unity—an ideology of tolerance, peaceful coexistence, and equity—while exposing the gap between the aspiration for unity and everyday inequities shaped by gender and morality.","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2020-10-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/ytm.2020.5","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44826943","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Looking for the Past: History and Change in Traditional Music Studies in Chile (1990–2020) 寻找过去：智利传统音乐研究的历史与变化（1990–2020）
IF 0.5 2区 艺术学
YEARBOOK FOR TRADITIONAL MUSIC Pub Date : 2020-09-28 DOI: 10.1017/ytm.2020.3
Christian Spencer-Espinosa
{"title":"Looking for the Past: History and Change in Traditional Music Studies in Chile (1990–2020)","authors":"Christian Spencer-Espinosa","doi":"10.1017/ytm.2020.3","DOIUrl":"https://doi.org/10.1017/ytm.2020.3","url":null,"abstract":"Abstract This article presents a historical overview of traditional music studies in Chile, pointing out some of the main achievements and problems. It describes the origins of traditional music studies through the establishment of the Chilean Folk Society in 1909 and then offers a periodisation of studies during the twentieth century, followed by a critical review of the preference for facts over processes. Finally, it explores the renaissance of traditional music studies during the last 30 years (1990–2020), analysing 123 dissertations about traditional music and the concepts of “tradition” they employ. It concludes that Chilean folk studies have changed from a scientific to a humanistic approach, using the idea of tradition as a comprehensive concept and the idea of folklore as behaviour or performance.","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2020-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/ytm.2020.3","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45922029","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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